Antigone Tragedy Analysis

Sophocles’ play Antigone continues the calamitous story of the Theban royal family, recounting the conflict between Creon’s authority as king and Antigone’s sense of justice. While many of the events of the play are certainly tragic, whether or not Antigone and its characters should be considered tragic is less definite. Aristotle’s theory of a tragic hero calls for a basically good character who experiences a fall due to some flaw or error, experiencing a transformative realization and catharsis as a result. When considered together, the traits of both Antigone and Creon come together to fulfill all of the requirements for the play to be a tragedy, but neither character can be considered an Aristotelian tragic hero standing alone.

Sophocles, a great tragedian, was the one who gave Greek tragedies their traditional form. An important part of traditional Greek tragedies is the presence of a tragic hero. All tragic heroes should have the characteristics of rank, a tragic flaw, a downfall, and a recognition of mistakes. The seemingly tragic hero is Antigone. She wants to bury her brother Polyneices even though this would be going against Creon, who is her uncle and the king. When Antigone buries Polyneices Creon sentences her to death because of it. In Antigone by Sophocles the tragic hero is not Antigone because she only meets the characteristic of a tragic flaw, hers being pride, but doesn 't meet the other three characteristics of a

Every Greek tragedy must have a tragic hero. In Sophocle’s play, Antigone, the most tragic hero is Creon. He is an essentially good man of high position who takes pride in his role as king. He possesses the tragic flaws of excessive pride and an oversized ego. This causes the tragic reversal that leads to his emotional ruin and eventual remorse and repentance.

Sometimes a main character will suffer a great downfall. Maybe he or she will die, a friend dies, or anything just as bad. In the play Antigone by Sophocles, Creon is the tragic figure because he was born of noble birth and possess a fatal flaw or error of judgement caused by excessive pride.

The play “Antigone” is a tragedy by Sophocles. One main theme of the play is Religion vs. the state. This theme is seen throughout the play. Antigone is the supporter of religion and following the laws of the gods and the king of Thebes, Creon, is the state. In the play Creon has made it against the law to bury Antigone’s brother, something that goes against the laws of the gods, this is the cause of most conflict in the story. This struggle helps to develop the tragic form by giving the reader parts of the form through different characters.

Creon is first portrayed as a leader with rational laws and consequences for breaking them. But by the end of the play, Creon is a completely different character; he has let his excessive pride and hubris take over him. He doesn’t realize his change in character until it is brought to him through the prophecy of Teiresias, when it is already too late. Creon can be identified as a tragic hero because he shows great signs of stubbornness and pride. Considering he is the King of Thebes, he follows his rules and laws without listening to his citizen’s concerns, nor does he care about the gods wishes. His role as a hubris influences many of his choices, he believes in only his own thoughts and wishes. Creon abuses his power just because he can, without thinking of the consequences.

It takes a lot of courage to stand up and defend an action or idea that is forbidden by society. This is what Antigone does in Sophocles' story Antigone. She clearly disobeys King Creon's order that no person should bury Antigone's brother, Polynices, which is punishable by penalty of death. In this case, though, is Antigone's decision the correct one? Her actions affect many of her other countrymen negatively; they cause problems within the royal family, disagreement among the people and directly relate to the death of three people including her own.

A stubborn man may rule the land, but what's in the hearts of his people will shift what's in his beloved’s hands. King Creon’s ego will be overturned when his family’s lives begin to diminish all for his own selfishness when justifying laws. As seen in Antigone by Sophocles, King Creon is a tragic figure that through his own stubbornness and pride, he promotes the suffering of not only his son, Haemon, but as well as Antigone herself, which shapes Creon’s character development and will function as a platform for the play’s tragedy to unveil . A tragedy is more than deaths and suffering, it's at the moment where one realizes that everything they've done has further doomed themselves.

“Antigone – Tragic Hero Essay Summative Writing Assessment” “Disaster is linked with disaster./ Woe again must each generation inherit.” (lines 595-596) In the play Antigone by Sophocles’, Creon pridefully rules the town of Thebes, only considering his own thoughts and feelings of being the talk of the town. Doomed to make an error in judgement, Responsible for his fate and fall from great heights and high self-esteem most strongly identifies Creon as the tragic hero in the Sophocles’ Antigone.

In the story, Antigone by Sophocle is a Greek tragedy whose characters misfortunes lead to their final deaths. This play is about a royal family’s cured and King Creon’s selfish ways. Antigone is a young royal lady who fights for her beliefs and defies the king’s ruling by burying her dead brother. In the end, to the king’s dismay, finds that all his loved ones, dead. Creon and Antigone differ from each other by how Antigone is loyal, beliefs, and consideration.

Antigone is an ancient Greek play, originally written by tragedian Sophocles, that has been adapted by the French playwright and dramatist, Jean Anouilh. This well-regarded interpretation of the play retains its classical plotline but explores theories of tragedy and how tragedy has moulded this classical play. During this theatrical piece, the protagonist, Antigone, ignites disastrous events that gravely impact not only her family, but the city of Thebes. Furthermore, A World Enclosed is an archetype of tragedy that perfectly represents Antigone. This archetype of tragedy is demonstrated in a plethora of ways throughout the play: Antigone’s stubbornness and determination, her over willingness and persistence to obey the gods, and how the chorus, essential and solitary figures in Greek plays, comment on how tragedy functions within the play.

In Sophocles' great play, Antigone, we explore the idea of human suffering and the reasons why humans must experience such a terrible thing. We are presented with the ideas of hubris and human authority as being causes for our characters' suffering. The first idea shows excessive pride leading to Creon's downfall, while the second shows Antigone's resistance to human law eventually ending with her death.

The topic I chose to write this essay on is about the examination of the central conflicts that are taking place in the story “Antigone”. Throughout the story and what seems to be the start of many conflicts to come is, Antigone the main character having hard time fathering the fact that she’s not allowed to bury her other brother Polynices. Due to orders given by her uncle Creon. Essentially in the story Antigone struggles with fighting against the social customs of the time, disputes with her sister Ismene, and Creon who represents the state or government and the ultimate enemy.

It is plain to see what about the character of Antigone it is that makes this a tragedy. Tragedy is defined as a dramatic composition dealing with a serious or somber theme, and this story fits all these criteria. First of all, it involves a tragic course of events that involved both of her brothers dying and then being completely disrespected even in death. She felt she had to rectify this mistake, even though it was against the law, and the opposition was too great. Because of her attempt to rectify the injustice, even more tragic things happened to her and her family. This is why she is a tragic heroine.

Often, the reading of tragedy is approached as a clearly defined battle between forces of good and evil. However, G.W.F. Hegel, a German philosopher born in 1770, views Antigone as a conflict between two perspectives, those of Kreon and Antigone. By his reading, the tragic ending is not the fault of any one character, nor of the forces of good and evil; rather, it is the inevitable result of a stalemate between their conflicting moral inclinations. Any analysis of the characters of Antigone is not simply a judgment of their traits. Instead, it is an examination of their moral systems and the choices, and errors, they make within these systems. Hegel’s reading is persuasive because the moral systems of Antigone and Kreon cannot be evaluated in a way that clearly determines a victor, especially since both characters fail to adequately adhere to their own systems.