Antigone Tragedy Analysis

Antigone, a play that Sophocles wrote exhibits a tragedy. Several factors determine whether or not Antigone could be put under the category of a tragedy. Greek tragedies consist of three elements: the play includes a catastrophic and inevitable resolution; the protagonist, Antigone, causes all the problems; and finally, the tragic hero must have a tragic flaw or hamartia that leads to the catastrophe. To exemplify a Greek tragedy or drama, Antigone must correspond with the three principal characteristics

Sophocles' tragedies "Oedipus Rex" and "Antigone" both present the character of Teiresias as being a strong individual who has supernatural powers and is dedicated to assisting society by using them. Even with this, the fact that his information mostly generates suffering around him makes it difficult for him to put across his thinking and is visibly a reason for pain rather than being a blessing. The character is often chastised as a result of the information that he provides, as individuals practically

Antigone and Aristotle’s definition of tragedy The beauty of tragedy is its ability to capture the audience and evoke a particular emotion in it. Tragedy, as Aristotle defines it, “accomplish[es] by means of pity and fear the cleansing [katharsis] of these states of feeling” (Poetics 1449b 27-28). Aristotle claims that tragedy offers some certain value for the audience – a social and psychological value – through the empathy it sets in place for the audience. Sophocles’ tragic play, Antigone, is

schemes deployed in ancient Greek tragedy and poetry” (Poetics iii). Written around 330 B.C., it was the first work of literature to make a distinction amongst the various literary genres and provide a proper analysis of them. In Poetics, Aristotle places a big emphasis on the genre of tragedy. When one hears of the word tragedy, one already assumes that something bad has occurred to an individual and an immediate emotion of sorrow occurs, but how does Aristotle see tragedy? Aristotle gives us his formal

though Antigone, readers can easily categorize this story to tragedy. It is so straightforward that nearly no one would doubt its tragic essence, but so abstruse that perhaps no one could define the tragic essence in Antigone. Is the story itself, or the sympathy aroused from the story called tragedy? Sometimes these two ideas overlap or interact each other, but from personal study of Antigone, the later is more obvious. Throughout analysis of settings and characters, the idea of tragedy is built

Love over law: A feminist analysis of Antigone It’s often said that one should let their heart control their actions, rather than let their mind ruin what they truly want. This struggle on whether to follow your conscience or to side with the demands of the authority is presented in Sophocles's Antigone. The two main female characters in this tragedy, Antigone and Ismene are shown in different lights: Antigone is presented as a brave woman who dared to disobey the king; Ismene, is simply just the

pieces? Then, you have definitely come across what is called a tragedy. A tragedy is a form of drama in which the ending is a deep, serious, and sad one that leaves the audience in sorrow; this devastating ending is caused by the hero’s downfall, which is due to their “tragic flaw”. Every tragedy has a fallen hero known as “the tragic hero”. In the drama, “Antigone”, by Sophocles, there are two main tragic heroes, Antigone and Creon. Antigone is the daughter of Oedipus, the king of Thebes, who dies at

Fister-Stoga English 240 15 December 2017 Tragedy or Comedy? – Final Project The following sample chapter will include definitions of both Tragedy and Comedy. An analysis of each play will then follow. The chapter will also include an explanation of how each work embodies a specific theme and compare/contrast how one work’s approach to a theme or concept differs from that of the other play. One of the most widely used styles of literature is Tragedy. Tragic is an adjective that describes numerous

Antigone, the final play in a series including Oedipus Rex by Sophocles, discusses the ideas of leadership, family, and choices. It features two central characters: Antigone, a girl who chooses to illegally bury her brother, and Creon, a king who decrees the burial of the brother to be illegal. Upon the first encounter of the text, it appears that Antigone is the “hero” of the play, but on further analysis, one realizes that the tragic hero, as defined by Aristotle, is actually Creon. The idea of

Although they are versions of the same play, the endings of Sophocles ' Antigone and Anne Carson 's Antigonick convey contrasting ideas of the power of fate, and its role in tragedy. In Antigone, fate is described as an inevitable, insurmountable aspect of life that cannot be avoided. On the other hand, Antigonick shows fate to be a malleable product which can be controlled by the decisions individuals take in their lives. Through the role of the chorus, the addition of Nick, and the catharses