Antigone and Hobson's Choice

Antigone was not going to let Creon’s law affect what she thought was right. She went against her cities law to bury her brother, who was in fact a traitor. Her brother Polyneices invaded his town of Thebes and did not treat his city in the way he should have. After burying a traitor you become a traitor said Creon. Antigone should not walk around Thebes with the satisfaction because she went against the laws and legally

The conditionality of burying the dead shows that gods’ law is less sacred for Antigone than she claims to be. Neither does she care about her living families. She humiliates Ismene publicly, causing Creon’s death indirectly and set her uncle Creon in a dilemma where he needs to punish his daughter-in-law. Her real incentive is individual reputation, for she excludes Ismene from standing by her and asks Ismene to spread the news about her defiant act. She seems to use religion and family as elegant reasons to achieve honor. On the contrary, Creon, as a king, weights the interest of the overall state more than his own family. After experiencing the civil war caused by Polyneices, he understands the great need of the polis for order and thus enacts harsh laws to punish people causing riots. Unanimous obedience to law would also encourage his people to fight bravely in the war by being “loyal and dauntless at his comrades’s side”. Creon has to retain the validity and effectiveness of the law, because if every citizen can pursue any personal interest without fear for grave consequences, the entire social operation mechanism would break down. Punishing Antigone is necessary to retain the order of the polis.

All of this lead to Creon’s wife and son committing suicide and Creon left with nothing. In the play, Creon’s character development starts to degenerate from loyal king to a tyrant, leading to his downfall due to his hamartia, position as king, and his reluctance to see from anyone else’s POV but himself.

     Finally, Creon is a dynamic character. He undergoes changes in emotion throughout the work. He realizes his mistakes when Tiresias forecasts the future. Thus, Creon attempts to correct himself by releasing Antigone. But he is too late. He is forced to live, knowing that three people are dead as a result of his actions. This punishment is worse than death. Although Creon’s self-righteousness and inflexibility did not change until the end of the play, his motivations traveled from patriotic ones to personal ones. This created a major portion of the

Tragic heroes have identifiable flaws which cause their destruction. In this situation Creon’s major flaw was that he was self-centered, and never listened he thought he was always right. Haemon points out that Creon needs to stop being narrow-minded and stubborn, "...Not far off when you shall pay back corpse for corpse..." (Scene 5, 72-73). Teiresias the fortune teller warns Creon that his inflexible ways

     Creon and Antigone also demonstrated a similarity in their loyalty to their own views. They both had different views, but they both remained loyal to them throughout the entire play. Creon and Antigone did not give in to others’ views, but relied on their own for survival. Creon was extremely loyal to his laws that he had made, and Antigone was loyal to her beliefs. Nothing was going to change either of them. When Antigone was brought in by the sentry, Creon was disturbed to find out Antigone was the person burying Polynices. He was extremely upset

In Antigone written by Sophocles and translated by David R. Slavitt, Antigone decides to risk her own life to be able to bury her brother in a respectful way in which she thinks is right. Antigone had an enthusiastic determination about it, approached it without regret, and also choose her destiny and her sisters. Her father’s fate was a big affect on if she was going to precede with burying her brother or to no give him the respect like the rest of the surrounding community. Even though Antigone risked her whole life and her entire future she made the right decision by burying her brother and sticking to her own judgment.

This quote explains the main conflict of the play. Creon has ordered that Polynices, Antigone’s brother, cannot receive a proper burial because in Creon’s eyes he is a traitor. Polynices fought against his brother to claim the throne of Thebes, the pair ended up killing each other. Tiresias tries to tell Creon that he is wrong to do this because it is angering the gods that he is denying them a body. Tiresias even warns Creon not to be stubborn, “Stubborness/ brands you for stupidity-pride is a crime.” (1137-1138). Pride in Greek tragedies is most often the cause of a characters downfall and Creon is no exception.

In addition, Creon also has an inaccurate view of his place in relation to the gods. He believes that man’s laws are more important than the laws of the gods. Antigone tries to defend her decision to bury her brother by proclaiming, “I do not think your edicts have such power that they can override the laws of heaven…If I transgressed these laws because I feared the arrogance of man, how to the god’s could I make satisfaction” (line 408)? Creon’s hubris causes him to think that he must put Antigone to death because she chooses to follow the god’s laws over his.

Antigone retaliates by saying that his law is not that of the Gods so it does not stand. He wants to have Antigone killed, but his son his her fiancé. He tries to explain to the king that the gods would have wanted Polyneices to be buried and that Antigone did the right thing that she should not be punished for it. Creon’s hubris however comes out yet again. He will not even listen to a word his son has to say; however now he does not want to kill her, but to send her away into a tomb, where the Gods can determine her fate.

Even if he believes he is right and his son should obey him, he doesn’t show an ounce of sympathy for Haemon, who loves Antigone. Creon details his thoughts on the importance of the rule of law over other loyalties, and his belief that to allow any anarchy or, seemingly, freedom would threaten the state. Creon’s method of executing Antigone is interesting. By entombing a living person, Antigone, and denying burial to a dead person, Polynices, Creon’s laws seem to go against common sense, tradition, and nature itself. Creon does not keep a cool head, as a wise leader should, or look for a way to compromise. He is as stubborn as Antigone, as if this were a street fight, he feels he could never back down.

Creon fits Aristotle’s tragic hero traits as a significant person who is faced with difficult decisions. Creon is significant because he is king. This makes him both renowned and prosperous. Creon is not completely good nor completely bad; he is somewhere in-between, as humans are. The audience can relate to this and they admire his qualities of intelligence in political affairs. They can also relate to his ability to make hard decisions with apparent ease. These hard decisions are

Before advancing to the throne, Oedipus had unknowingly killed Laius, his father and the king of Thebes. Shortly after killing the king, he married the dead king’s wife, his mother. He had committed incest by marrying and having children with his own mother. As a result he became father of Polyneices, Eteocles, Antigone, and Ismene. Oedipus stabs his eyes out and his sons, Polyneices and Eteocles killed themselves in combat, over the power of the throne. Creon was in the process of reconstructing Thebes from the ruins that his own family created. He also had to make a name for himself, after all the chaos the past rulers had made. If Creon did not set an example for civilians they would simply rebel. Creon was to stand firm by his word because no one is above the law, no matter who committed the act. In other words Creon was not a villain; he was the antagonist of Antigone. Imagine how biased Creon would appear to the Theban population if he did not pursue the punishment that he himself had instituted. In agreement to his law, Creon’s intentions were just. There’s no doubt about it, Creon’s law was harsh but when truly analyzing the situation, Polyneices was a traitor because he allied with other cities and attacked his homeland. Creon’s strong and steadfast attitudes were to support Thebes. But unfortunately, he was a little too late to understand that his fierce dedication to his decree was an error on his part.

Antigone has a possible flaw in that she is too stubborn and persistent to obey Creon’s order; “I know my duty, where true duty lies” (Antigone, 128). Her punishment then encourages feelings of pity from the audience because her deed was honorable and respectful towards her brother Polynices. The chorus supports this view by bidding her a respectful farewell when she is taken away, “But glory and praise go with you lady” (Antigone, 148). Antigone is also very proud, and this may have contributed to her death. Even when she is caught she remains strong and defends herself by claiming that the chorus thinks that her act was honorable, “All these would say that what I did was honorable” (Antigone, 139). This causes Creon to remain angry with Antigone, “you are wrong, none of my subjects think as you do” (Antigone, 140). If she had been more patient and less defensive, Creon may not have been as harsh in the punishment he set for her.

In Antigone, Creon is the absolute ruler which undermines the potential of his power. In scene three, Creon demonstrates his authority in an argument with his son, Haimon. During the heated conversation, he gets offended and states, “The State is the king!”(Sophocles 221) This shows how ultimately all government decisions are his to make. This poses a problem as the decisions could be greatly biased and there is no-one of equal authority to question him; however, in some instances he does listen to other opinions. Antigone in her actions to bury Polyneices, disregards Creon’s laws and receives imprisonment as retribution. The choragus tries to reduce Antigone’s punishment by confronting Creon and questioning his actions. “Choragos: ‘ These Girls? You have sentenced them both?’ / Creon: ‘No you are right. I will not kill the one whose hands are clean’”(223). Even though Creon continues his punishment for