preview

Archetypes And Allusions Of Nathaniel Hawthorne 's ' The Scarlet Letter '

Decent Essays

Archetypes and Allusions in The Scarlet Letter In the nineteenth century novel, The Scarlet Letter, Nathaniel Hawthorne utilizes different origins of allusions and archetypes to emphasize how individuals in order to encourage individuals to forgive sins and work towards redemption.
Sin
Allusions.
From the Bible.
In Dimmesdale’s home, Hawthorne describes a work depicting the Prophet Nathaniel, David, and Bathsheba: “The walls were hung round with tapestry, said to be from the Gobelin looms, and, at all events, representing the Scriptural story of David and Bathsheba, and Nathan the Prophet, in colours still unfaded, but which made the fair woman of the scene almost as grimly picturesque as the woe-denouncing seer” (Hawthorne 188). In the story referenced, King David has an affair with a married woman, Bathsheba. King David then proceeds to ignore his sin, which results in multiple deaths and more sin. Hawthorne foreshadows the reveal of Dimmesdale as the father and his uncertainty in the sin. Dimmesdale struggles with determining his relationship with his sin. Hawthorne emphasizes how Dimmesdale’s internal struggle on whether to accept his sin causes pain for himself and others. Hawthorne discourages people’s denial of sin in order to prevent further sin and pain.
From Mythology.
Hawthorne also utilizes the myth of Aladdin when depicting the wealth of Bellingham’s mansion: “The brilliancy might have be fitted Aladdin’s palace rather than the mansion of a grave old Puritan

Get Access