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Archetypes In Brave New World

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Throughout history, stereotypes prove fundamental to recurring societal conflicts. As feminism and the Black Lives Matter movement, among others, arise to create generational connections, prejudice, in turn, demonstrates longevity through clichés that create conflict rather than peace. In the same manner, literature allows conflict to flourish through the use of archetypes. In Aldous Huxley’s dystopian novel, Brave New World, the archetype of initiation brings a character into a new realm, whereas the archetype of a fall pulls a character back down to reality. However, both situational archetypes work to fully expose the scope of conflict in the novel. Therefore, archetypal references exacerbate the conditions created by the government in the …show more content…

When a character enters a new environment with varying environmental and sociological influences, he or she experiences initiation. Although the initiation often brings a character into adulthood, John transitions from his savage lifestyle on the reservation to one laden with conditioning and governmental control. As John enters into the new society, citizens overwhelm him with observation, constantly shadowing him in an attempt to understand his identity and his origins. John evolves into a “zoo animal” character, serving as an educational figure for those around him while experiencing metamorphosis from life on the reservation to a new society in dystopian London. However, society’s treatment of John leads into his ultimate demise and self destruction as a character: “Drawn by the fascination of the horror of pain...which their conditioning had so ineradicably implanted in them, they began to mime the frenzy of his gestures, striking at one another as the …show more content…

During a fall, society often exposes a character as insubordinate and expels him or her from one state of being into another. In a correspondent manner, the D.H.C., as the highest ranking individual in society, experiences social and emotional expulsion from his platform. Throughout the rising action of the novel, the D.H.C. appears straight-laced and conservative, concurrently upholding values of the Brave New World. He publicly disagrees with and reprimands characters like Bernard who fail to truly embrace societal norms. However, just as the Director plans to exile Bernard to Iceland, his past overwhelms his power. Bernard brings Linda and John back to London and exposes the Director’s checkered past, as well as his son. Shortly following the public humiliation, “the poor man had resigned immediately afterwards and never set foot inside the Center again” (Huxley 153). Unable to come to terms with the past he had worked so diligently to keep under wraps, the D.H.C. steps down and alienates himself from society, effectively hurling into a realm of independence he never knew before. By exhibiting vulnerability in his past with Linda and a true emotional connection to her, the D.H.C.’s conditioning crumbles prior to even finding himself face to face with her. However, facing Linda as well as a

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