Aristophanes
Aristophanes was a comic writer who lived between 450 and 385 BC and composed about forty plays in his lifetime. His plays were all comedies, which usually addressed very serious political and social issues in a direct and crude manner, which, like much of today's comedy, is what made them funny for the audience to watch and appreciate. Many of the comedies would even go as far as mocking members of the audience or making personal attacks upon contemporary political personalities. Aristophanes’ “Lysistrata” is no exception to this crude comedy, ridiculing what he thinks is the absurdity of the Peloponnesian War. The comedy is a brilliantly constructed piece with an extremely profound underlying message encouraging a
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The city-state built blockades to resist occupation by the Athenian army and sparked revolt elsewhere in the area, in Chalcidice and Bottiaea. Since negotiations failed, the Athenians sent troops into the region by ship. However the Athenians also had their hands full with the Macedonians in the same region and had difficulty suppressing the revolt. When Athens finally made a treaty with Perdiccas, the Macedonian leader, she found herself betrayed as the Macedonians joined alongside the Corinthians, who had come to the defense of the Potidaeans. In spite of all of this, the Athenians were able to recapture control of most of the region with the arrival of reinforcements. Seeing that their own citizens were now trapped, Corinth called a meeting of the Peloponnesian assembly at Sparta. During this meeting the complaints against the Athenian Empire reached their peak. After another meeting a month later the Peloponnesian assembly decided that war was in order. However, it was winter and war did not begin immediately. In fact the Spartans sent three different ambassadors to Athens over the course of the winter in an attempt to secure peace. The Spartans demanded that the Athenians withdraw from Potidaea and that all the city-states in northern Greece be given their freedom. Pericles’ response to this demand was…
"Men of Athens, I hold to the opinion that I have maintained consistently: do not yield
Athens and Sparta were both dominant powers in ancient Greece. However, a legendary rivalry existed between the two. When Athens ended its alliance with Corcyra in 433 B.C. and began to surround Potidaea, it threatened Corinth’s position. Sparta feared that Athens was becoming too powerful and tried to avert war. The Spartans believed that peace was possible if the Athenians would revoke measures against Sparta's ally, Megara. The Athenian leader, Pericles, refused to concur with this because Sparta and Athens had earlier agreed that conflicts would be solved by negotiation. If the Athenians would yield to Sparta's request, they would in fact be accepting Sparta’s orders. This was unacceptable, and as a result, war broke out. Athens and its Delian League were attacked by Sparta and its Peloponnesian League. Diodorus mentions that the Spartans did not just declare war, but sought additional support from Persia.
Satire is a literary manner built on wit and humor with a critical attitude directed to human institutions and humanity. A successful satiric play will show certain truths about society and then try to improve upon them. Satire is meant to be constructive rather than destructive. Aristophanes uses satire in Lysistrata to convey many different themes such as war and peace, the struggles of power and class, and the life and death issues that are seen in war. Satire is successfully used and seen in Lysistrata by stereotyping women in general and then the different classes of women as well. Double entendres are seen throughout the play to help add humor to the play. Sex is
Lysistrata by Aristophanes is seen to be a comical play used to show the impact of war not only on the ones physically in the war, but the ones mentally involved also. This play was written to help express the feeling the author had about the war occurring during the time the work was written. Lysistrata, the main character, is a strong woman who decides to become as what could be said as being “rebellious”. She does this by refusing to have sexual relations with the men in the city until it was agreed that peace would be declared between the two troops. She calls a meeting with the women in the city and include them in her vindictive ideas to bring the war to an end. This play is sure to bring a smile to the readers face due to the comical events that occur. However, comedy is not the only thing that becomes apparent within the play. Throughout the work of Lysistrata there are three themes that become apparent during this play: peace and harmony, control by gender, and politics.
In 431 B.C., even before the Peloponnesian War, Athens’ strength compared to other Greek polises was evident. Athens had islands, a powerful, a well-trained navy, and one, if not the best, general at the time: Pericles. Pericles says in his speech that, “war is inevitable,” but in fact the war was preventable (72). Even with all of the military strengths and assets that Athenians had afforded to them, they chose to be merciful to the Peloponnesians who were in no shape to go to war. They did not have the experience, money, manpower, or means to participate in a lengthy war and Pericles makes the citizens aware of this (70). Pericles is both modest and humble for choosing to point out these facts which in turn helps the Athenians see the potential
The women in Lysistrata are portrayed as strong and confident. This is seen in the form of the main character of the play, Lysistrata; who is the first one to propose the idea of withholding sex as a measure to stop the war. She demonstrates the qualities of a true leader as she has a well-planned strategy to get her way: “if we would compel our husbands to make peace, we must refrain”. At first this idea is instantly rejected by the women, but Lysistrata manages to convince them with her words of wisdom. This indicates how strong and perseverant Lysistrata is, and this is displayed by her idea of giving up sex. This is likely to be appreciated by the contemporary Greek audiences, as sex is described as the “most beautiful thing in the world” and Lysistrata is giving it up.
The different portrayals of female characters Antigone and Lysistrata illustrate the fundamental nature of the proper Athenian woman. Sophocles' Antigone allows the reader to see that outrage over social injustices does not give women the excuse to rebel against authority, while Aristophanes' Lysistrata reveals that challenging authority in the polis becomes acceptable only when it's faced with destruction through war. Sophocles and Aristophanes use different means to illustrate the same idea; the ideal Athenian woman's ultimate loyalty lies with her polis. This Greek concept of the proper woman seems so vital when considering Athenian society because both a tragedy and comedy revolve around this concept. The differing roles accorded to
"The Clouds" by Aristophanes - Relevant in Today's World "The Clouds" by Aristophanes, is a play centrally concerned with education. Aristophanes employs satire to illustrate his conservative beliefs. It is intended to show readers that in the tendency to philosophical subtleties lies the neglection of the real needs of the Athenians. According to Aristophanes, philosophical speculation only acts to shake the established foundations of accepted religion, gods, and ideals of morality.
When Sparta gave its ultimatum to Athens, Pericles was more than happy to oblige and go to war. He embodies Athenian arrogance and overzealousness. Pericles speaks to the Athenian assembly convincing them to go to war because according to him, they cannot lose. Pericles explains how Sparta doesn’t have the same financial advantages that Athens does and how Athens has a far superior navy. According to Pericles, the best strategy is to use that to Athens’ advantage, leaving Attica exposed by only attacking and defending the sea were they have an advantage. Pericles finishes of by saying that Athens possesses all of Sparta’s strengths and none of its weaknesses, and Athens must fight so that future generations will have an Athens that is as good as ever.
Ignorance: the condition of being uninformed or uneducated; this basic definition is crucial to understanding one of the most controversial figures in ancient Athenian society: the philosopher Socrates. The man’s entire life was devoted to proving the fact that no one actually knew what they thought they did; that everyone lived in ignorance. This viewpoint earned Socrates many enemies, so many that even a renowned playwright, Aristophanes, decided to exploit the situation. He wrote his critiquing play of Socrates called The Clouds; a scathing criticism that the philosopher would partially attribute to his future indictment on charges of impiety and corrupting the
In Antigone and Lysistrata the tension between the polis and oikos is reflected in different ways. Antigone prioritizes oikos over polis, while Creon prioritizes polis over oikos. The men in Lysistrata favor fighting for the state over being at home while the women want their husbands with them instead of being at the war. We find ample evidence of different conflicts and similarities in both plays, but the male's prioritizing polis over oikos and the female's prioritizing oikos over polis causes the central tension in Antigone and Lysistrata.
“Lysistrata” is a tale which is centered around an Athenian woman named Lysistrata and her comrades who have taken control of the Acropolis in Athens. Lysistrata explains to the old men how the women have seized the Acropolis to keep men from using the money to make war and to keep dishonest officials from stealing the money. The opening scene of “Lysistrata” enacts the stereotypical and traditional characterization of women in Greece and also distances Lysistrata from this overused expression, housewife character. The audience is met with a woman, Lysistrata, who is furious with the other women from her country because they have not come to discuss war with her. The basic premise of the play is, Lysistrata coming up with a plan to put an
The poetic tone of Aristophanes' Lysistrata differs greatly from the poetic tone of the Greek tragedies we have read in class. However, after analyzing this Greek comedy, it seems to share some of the main characteristics of Euripides' Medea. Within these plays, we meet shrewd, powerful masculine women who use the art of manipulation to get what they want from others and to accomplish their goals. This theme of manipulation is employed through various means and techniques. The women of these plays also seem to contradict the stereotypical woman and have characteristics similar to the Homeric Greek warrior.
Lysistrata is a play written by a man named Aristophanes around 400 B.C.E. in Athens Greece. Aristophanes, a contemporary of the Greek philosopher Socrates, was the last and greatest of the Old Attic comedians. He wrote many plays, however, only eleven of his plays have survived until today. Lysistrata, being one of these plays, is a is an extremely bawdy anti-war fantasy. Aristophanes wrote this play during a time when Athens was undergoing a crisis with its social attitudes. Therefor, this comedy shows sympathy and longing for the return of peace. Lysistrata is all about the women of Athens and Sparta, led by a woman named Lysistrata, coming together and trying to force the men at war against each other to return to peace by
Aristophanes paved the way for comedy and how it would be viewed by citizens in ancient Greece. By incorporating satire and comedy, Aristophanes portrayed the social and political climate of the time. More specifically, Lysistrata, a play by Aristophanes, gives insight into the role women have in the Athenian society. The theme of gender roles in the play, Lysistrata, has evolved to parallel the social norm of feminism by women today. Lysistrata is a satirical comedy and portrays the women are at odds with man regarding several different matters, most notably the waging war on itself. The role Aristophanes embellishes within the characters are reversed between man and woman. The women, who were largely subservient to the needs and whims of
A set of connected behaviors, right obligations and more was introduced in both plays, Oedipus the King and Lysistrata. Theatre was a wonderful tool for social engagement. Throughout each play they both contained comedy and tragedy. However, King Oedipus is having trouble with his fate and making bad decisions as a leader for his community. Lysistrata wants to end the war and this causes for her to make decisions involving the community and their support as a democracy. Both plays are trying to set good examples among their community and lead their country with a better democracy.