Joyce Carol Oates created an allusion with Where Are You Going, Where Have You Been? to the Western European allegory called Death and the Maiden with Connie as the maiden in distress or victim and Arnold Friend as death personified. Arnold Friend or “an old fiend”, is a deceiving manipulative older male who could be your father and has his sidekick who is even older, Arnold stuffs his boots, has a picture of himself sprayed painted on the side of his car that looks like a pumpkin, who openly admits that he’s coming for you and that he stalks you, he’s essentially a sociopath who flirts by threatening you and your family. Arnold aims in on the frailty and aspirations of those around him in particular Connie's romantic fantasies, he utilizes …show more content…
She finds self satisfaction in knowing that boys and even men acknowledge her. There's power in being the onlooker versus who is being looked at and with Connie being immature is always searching for validation and security, constantly looking to see how people respond to her and checking in the mirror to compare to see if her look was alright. She pride herself in having a particular manner of dressing, walking, and laughing that make her sexually appealing, although these mannerisms are only temporary affectations. Arnold knowing this exploited her naiveness at the arrival of her house forcing her two personalities to collide forcefully. Connie wasn’t fully sexual until Arnold’s invasion into her home—until then, her sexuality was something outside of her “true” self, the self that she allowed her family to see. He kept holding the possibility that he was gonna come inside as a means to an end and ultimately Arnold uses his powerful persuasion to push Connie to sacrifice it all in the name of
Another symbolism of evil is that Arnold tells Connie that he will not come in her house. He has come to take Connie away but “he may not cross a threshold uninvited” (Wegs 2). Arnold threatens Connie by telling her that if she does not come outside then he will wait till her family gets home “then they’re all going to get it” (Oates 481). Arnold ultimately lures Connie out by promising that her family will be unharmed if she gives herself to him (Oates 1). We do not know how Connie sacrifices herself. As Oates states in her article, we only know “that she is generous enough to make it”.
“I am good, but not an angel. I do sin, but I am not the devil. I am just a small girl in a big world trying to find someone to love” (Marilyn Monroe). Joyce Carol Oates is the author of the realistic allegory story, “Where Are You Going, Where Have You Been?”. The story is about a young girl named Connie, who likes seeking attention from men, as a distraction from her problems at home. She meets a man named Arnold Friend, he goes after Connie, claiming he has to take her for a ride, but it is obvious he wants to do other things. Because of this character’s actions, it is determined that he is a representation of the devil. Through plot, characterization, and dialogue, Oates successfully portrays Arnold Friend as a symbolic Satan.
When Connie first hears a car pulling up in her driveway, her attention is immediately directed to her hair and looks. She isn’t concerned as much about who is outside or what they want, but how see will look to them. When she initially sees Arnold she is attracted to his style and car. He is muscular in tight faded jeans and a drives a bright gold jalopy. His image is everything that Connie has fantasized about and can relate to. Arnold is even playing
In the story “Where Are You Going, Where Have You Been” Connie, the main character, is already struggling with many things in life and sneaks her way to date guys. There was also conflicting between her and her mother due to her mother favoring her sister, June and describing her as someone who is a good example of what she wants Connie to be. Her father is never at home due to work and when he is home, the girls do not relate to him. Arnold Friend is described as a dangerous figure with his pale complexion and his slick black hair looking like trouble by not presenting himself in a pleasing way to Connie, by not walking properly. This was an indication on how he was not in the right state of mind and how Arnold shouldn’t be near Connie. There was one scene in the story where Arnold Friend shows up, uninvited, notifying Connie that he is not a friend, but has come to take her away from her home to possibly kidnap her. "Connie felt a wave of dizziness, rise in her at this sight and she stared at him as if waiting for something to change the shock of the moment, make it alright again”. Connie feels safe in the house and does not come out until Arnold convinces and demands her that she come out. Things took an unpleasant twist when Arnold tells Connie not use the phone or he will break his promise of not coming in the house
In “Where are You Going, Where Have you Been?” Joyce Carol Oates uses an allegorical figure of evil to illustrate the theme of temptation. Oates alludes to hell through the character Arnold Friend, as the devil, and his victim Connie, who invites him in by committing the sin of vanity.
Joyce Carol Oates' short story "Where are you going? Where have you been?" 'runneth over' with Biblical allusion and symbolism. The symbols of Arnold Friend, his disguise, and the music that runs through the story contribute to an overall feeling of devilishness, deception, and unease.
Her knowledge of her beauty allows her to draw attention to it from many guys of many ages. She loves the attention that she gets from these boys, and that often seduces her into the decisions that she makes. Her first encounter with Arnold Friend occurs when she is in the car with one of the boys she met, Eddie. She glances to her right and sees Arnold, in his car, staring at her. Arnold spoke with his lips to tell her “Gonna get you, baby”, and perhaps it is this threat that causes Connie to symbolize him as a jeopardy to her innocence that the reader sees in her nightmare (Oates 28).
Arnold Friend is an ironic name for this character because he isn’t Connie’s friend, she doesn’t even know him. And if you say the name out loud, it sounds like “are no friend” He proves that he can’t be a friend in the first place, he left his so-called friend in the car and talked to him like he meant nothing to him.
The house being like cardboard can represent two things: Connie’s relationship to her parents, and innocence. Connie’s relationships with her family and tradition are too weak to save her. Due to her longings for independence, Connie appears to reject traditional roles of women and her mother and sister for following these roles. In the end, Arnold came to take her from these traditional roles and to break her connections with her family. The second representation is that Connie desires to be a woman and she experiments with sexuality. However, her experiments always bring her back to the safety of her family and home. However, Arnold started to talk with her using perverse and suggestive language. This leads to her to a hopeless state, where in the end
During the conversation between Connie and Arnold Friend, she experiences a dramatic moment so intense that it cannot be avoided or ignored. Her attempt was creating a sexy appearance and fascinating the boys in the local diner delivers as her experiment to analyze new fields as well as a new side of herself. However, until Arnold comes into the story, her expeditions have always been closed into security. She may go into an dark alley with a boy for a short period, but no matter what happens there,
Not everybody is who they seem to be. Be careful about what you wish for, because it just might come true. In Joyce Carol Oates’ “short story” “Where Are You Going, Where Have You Been?”, a fifteen year old girl named Connie comes face-to-face with a man named Arnold Friend. Oates successfully portrays the similarities between Arnold Friend and the Devil through plot, setting, and characterization.
Arnold Friend is a seductive man, or should I say ArN OLD FrIEND with a dark appearance hiding something deeper, something evil? Arnold, posing as a teen-age boy, is none other than the devil himself, which shows in his words and actions, and in his physical traits. From the very beginning of, Joyce Carol Oates', "Where are you going, Where Have you been?" a certain number of religious references are interspersed throughout. These references help to maintain a biblical feeling, as well as to set a path for Friend's entry into the story. They also foreshadow that; powers beyond a human level will be presented. Friend looks like one person in the beginning, but as the story unfolds, he is shown as someone else or
“Where Are You Going? Where Have You Been,” is a testament of a true artist, because art can be interpreted into many forms and meanings. These meanings can differ from person to person, such as each reader of this tale can walk away with a different understanding of what the deeper implication may be. With the element of religious metaphors and allusions, the author is able to connect her short story to a much deeper value that pertains to today’s society and it’s current relations with religion.
There are some stories that capture the reader’s attention and which keep us riveted from the beginning to the ultimate line of the tale. ‘’Where Are You Going, Where Have You Been?’’, a short story written by Joyce Carol Oates in 1966, is one of those. Inspired by the mythic song of the phenomenal singer Bob Dylan entitled ‘’It’s all over Now, Baby Blue,’’ the author describes the main character as a 15-year-old girl named ‘’ Connie’’, who is obsessed by her beauty and does not get along with her family. The heroine of the story ‘’Connie,’’ engages in an adolescent rebellion against her entourage by acting to appear older. This increases her vulnerability through the story and at the end
In Oates’s Where Are You Going, Where Have You Been by David J. Piwinski he goes more in depth of the characteristics of Arnold Friend. Piwinski focuses on the interpretation of Oates’s story by two other readers. In C. Harold Hurley’s explanation of the character Arnold Friend. He believes Arnold to be a demonic rapist based off of his overall appearance, his automobile, and even some of the things he says. Most specifically was the numbers that are on the side of Arnold Friend’s messy car, 33, 19, and 17. He believes these numbers to be a secret code. Arnold is undoubtedly much older than Connie although he pretends to be younger. It is believed by Hurley the number 33 in Arnold’s code could signify his true age. In addition to his age he