Artistic Self-Criticism In Anne Bradstreet's The Author To Her Book

Anne Bradstreet was a woman in conflict. She was a Puritan wife and a poet. There is a conflict between Puritan theology and her own personal feelings on life. Many of her poems reveal her eternal conflict regarding her emotions and the beliefs of her religion. The two often stood in direct opposition to each other. Her Puritan faith demanded that she seek salvation and the promises of Heaven. However, Bradstreet felt more strongly about her life on Earth. She was very. She was very attached to her family and community. Bradstreet loved her life and the Earth.

Anne Bradstreet was not only the first English-speaking, North American poet, but she was also the first American, woman poet to have her works published. In 1650, without her knowledge, Bradstreet’s brother-in-law had many of her poems published in a collection called The Tenth Muse Lately Sprung Up In America. Although these poems did not reflect what would be her best work, they did emulate what would be the greatest influence on all of her writing. Anne Bradstreet’s Puritan life was the strongest, and the most obvious influence on her work. Whether it was her reason for writing, how she wrote, or what she wrote about, Bradstreet’s poems would reflect the influence of Puritan life and doctrine.

In the opening line of “The Author to Her Book”, Bradstreet makes use of a metaphor, in which the “ill-form offspring” (1) emblematizes her book, “The Tenth Muse”, and to create a mother-child relationship between her and the book. The child metaphor allows readers to know that she is not satisfied with her writing skills, but has a devotional bond with it. She points out that her book should never be read by a literature expert due to the wide amount of errors that can be found in her work “made in raggs” (5). She expresses she “wash´d thy face” (13), trying to improve her work, but fails to observe any changes in it and fails in the process. These serve as examples to expose how Puritan women underrated and depreciated their skills, making Puritan community believe that they are inferior to

This literary criticism is useful because it illustrates how the arts are connected, in this case, writing and painting. The arts are fluid and can translate between different mediums. The story is considered modern, but the painting is a classic. The character of Sammy is also meant to be relatable, even to future generations. The essay is well researched and soundly written; it is a good example of what a published literary criticism should look like.

women are still fighting for equality every day. In the time of Anne Bradstreet, women had few

Some of the chapters which relevant about evaluating art works (or films, writing pieces) remines me the first time I recognize my responsibility as an artist. It was an acsiddent: I left a person size paper sculpture hanging in classroom overnight and scared an instructor walked by the door. That instructor mistakenly thought my work is a real hanging person, but it is actually a Piñata which is commonly used in many Mexcian birthday partires. I wrote a long apologize letter after that. Even my intention of making art is compeletly harmless, but art works are left for viewer to interpret. Like Lynne Tillman

Just like everything else in life, art has its critics. Art criticism is the expression used to describe the act of making selective judgments, both positive and negative, about an art piece. Just as art is so diversely expressed and interpreted, those who critique it also have various methods and use various standards when criticizing an art piece. There are many theories critics use to evaluate art but there are three basic theories most commonly put to use by professionals. The three basic theories are: formal theories, contextual theories, and expressive theories. Formal theories focus on the formalities of art. Critics using formal theories pay close attention to the making of a piece, how each section of the art piece works to form a visual experience that may or may not attract the attention of those who come across it. Formalists’ attention is centered on the formal organization rather than the themes, which they deem irrelevant. Contextualists, on the other hand, value the theme and its relevance to the times in which the artwork was created. The contextual theories deal with the context in which an art piece is used; what it symbolizes concerning the culture and values of the environment. Lastly, there are the expressive theories. Expressionists are more concerned with the artist and the personal expression put into the work. Also, because art is a method of communication, expressive theories

Another poem titled “The Author to Her Book” gives the reader the image of a baby being born. Bradstreet critics her works again and again seemingly portraying her works are not good enough. She refers to the “child” having blemishes and crippling handicaps that represents the deep faults and shortcomings in her work. Washing the child, rubbing off a blemish, and stretching its joints but failing to improve his imperfections all contribute to an image of Bradstreet rewriting her book. Dreadfully trying to increase the quality and standards in her work, the more imperfections she found. Towards the end of the poem Bradstreet talks about how she would give her ugly “child” new clothes and it just appears that her real life actions contradict her poem. She is actually very poor in life and could not afford new clothes thus sending her children away from the house.

In the 1600’s, Puritans living in both England and New England held their views on God rather tightly and lived their lives as good Christians. Puritans were selfless individuals who had escaped and came to America in search of religious freedom and peace. In literature during that time period, it is made very clear that everything the Puritans had accomplished or acquired was a result of God, and that they were forever in his debt. One of the great poets from this time era was Anne Bradstreet who wrote about her children, husband, and parents. Anne Bradstreet blended her domestic life with theological imagery in every poem she did, explaining that her grandchildren were merely lent to her but

Attitude in James Baldwin’s “The Creative Process” and Junot Diaz’s “The Cheater’s Guide to Love” both contribute to their pieces and one another in many ways. Both authors use an array of different strategies to create the emotional attitude within their work. Although different strategies, both authors also are very similar in the way they present key ideas in their works of literature.

The research method I have demonstrated in this paper is called Pentadic Criticism derived from Kenneth Burke whom made

Anna Bradstreet grows up in a healthy family. She was the daughter of Thomas Dudley who is the manager of the country estate of the Puritan Earl of Lincoln. Anna Bradstreet got married at the age of 16 to the young Simon Bradstreet who was working with Anna father. Anna Bradstreet never went to school but her father always taught her and gave her an education. It that time many women didn’t have an education. Anna considers one of the best and most important American poets. When Bradstreet was a little girl, she writes poems to honor and please her father. After she got married, she kept writing and it marriage didn’t stop her. Her brother in law, John Woodbridge, pastor of the Andover Church, brought with him to London a manuscripts collection of her poetry in 1650. It was her first book, The Tenth Muse was the first published volume of poems written by an American resident and it was widely read. Anne Bradstreet was a very religious and Godly woman. Anne Bradstreet always tried to live life in a perfect way. Anne Bradstreet was a woman of God and she always wrote about her faith in her poetry. She always talked about the Puritan and their believes and views on salvation and reclamation in her poetry. Anna seems to believe that God has punished her through her sicknesses. The Puritans believed suffering was God’s plan of preparing the soul and heart for accepting his mercy

Indeed, Oscar Wilde’s critical writings stand between art and literature, and pose the question of what it means to write about art and literature. Is Oscar Wilde a literary critic or an art critic? Is literary criticism a painterly text of literature and art criticism a literary painting? The confusion of the genre makes Wilde’s art and literary theories difficult to separate and Wilde as well as Ruskin and Pater could be said to possess a holistic vison of art that encompass both literary and artistic theories. This ambivalence between the “two sister arts” is to be found in the Pre-Raphaelites, whose manifesto, The Germ, is a mixed of criticism, reviews, essays, dialogues, poetry and illustrations (the poems were sometimes illustrated by the painters of the group.) Pre-Raphaelite writings possess an ekphrastic quality that brings to mind the notions of ut pictura poesis (as is painting so is poetry) as well as that of poema pictura locguens, pictura poema silens (poetry is a speaking picture, painting a silent poetry). I would argue that the Pre-Raphaelites were the embodiment of the on-going battle between the pen and the brush , and that their theories of art and literature had an influence on Oscar Wilde’s writings, such as The Portrait of Dorian Gray and The Portrait of

Thus, Aestheticism was roundly criticized. Oscar Wild's "The Critic As Artist" was highly attacked as it highlights the importance of the form and beauty over the content and the useful meaning of the text. To illustrate, Wilde's essay stresses upon the fact that personal impressions of the surface beauty of the work of art are everything needed to view it rather than analyzing its deeper meaning. His criticism, therefore, strips the text out of its meaning and hidden messages, it

The purpose of Wilde’s essay is more to challenge other critics’ conceptions about criticism, than a focus on language and writing style, although these do becomes aspects of his arguments. One particular critic’s view that he opposes is Matthew Arnold’s ‘the function of criticism’. In that essay, Arnold states that the purpose of criticism is “to see the object as in itself it really is.’ Wilde quotes this but staunchly disagrees, “this is a very serious error … the highest criticism deals with art not as expressive but as impressive purely”. Much how Longinus sees the purpose of sublime language is to “transport us with wonder”, Wilde claims the focus of criticism is to acknowledge how art inspires awe and in writing about it, one can create a new piece of artwork. Wilde believes that an emotional reaction to work is more important than