Literary Analysis Of Anne Bradstreet

Throughout women in colonial America, Anne Bradstreet was one of the strongest and influential figures of the time. Mrs. Bradstreet lived from the years 1612 through 1672 not knowing she would inspire later generations with her works and actions. Ever since a little girl, Anne’s father, Thomas Dudley, would make Anne write poetry so they could read together. Anne later married Simon Bradstreet, a future governor, at the age of sixteen years old and boarded on the ship Arbella headed to Plymouth, Massachusetts, with the famous sermoner John Winthrop??? In the famous writings of the poet, we learn Anne has a personal and formal writing voice. Anne writes in Iambic Pentameter, Couplets, and Paradox. Anne became a well-known colonial writer not

Anne Bradstreet’s feelings about her home represent the most material conflict. When her home burned down she wrote the poem to voice these feelings of hers. She describes the awakening to the “shrieks of dreadful voice” and going out to watch “the flame consume” her “dwelling place”. But she comforts herself with good Puritan dogma. The burning of the house is God’s doing and his doings should not be questioned. In looking over the stanzas where she

Anne Bradstreet was America's first noteworthy poet in spite of the fact that she was a woman. Both the daughter and wife of Massachusetts governors, Bradstreet suffered all of the hardships of colonial life, was a mother, and still found time to write. Her poem, "The Author to Her Book," is an example of Bradstreet's excellent use of literary techniques while expressing genuine emotion and using domestic subject matter.

In “The Author to Her Book,” Bradstreet is inundated in indecision and internal struggles over the virtues and shortfalls of her abilities and the book that she produced. As human beings we associate and sympathize with each other through similar experiences. It is difficult to sympathize with someone when you don’t know where they are coming from and don’t know what they are dealing with. Similar experiences and common bonds are what allow us to extend our sincere appreciation and understanding for another human being’s situation. In this poem an elaborate struggle between pride and shame manifests itself through an extended metaphor in which she equates her book to her own child.

Anne Bradstreet was not only the first English-speaking, North American poet, but she was also the first American, woman poet to have her works published. In 1650, without her knowledge, Bradstreet’s brother-in-law had many of her poems published in a collection called The Tenth Muse Lately Sprung Up In America. Although these poems did not reflect what would be her best work, they did emulate what would be the greatest influence on all of her writing. Anne Bradstreet’s Puritan life was the strongest, and the most obvious influence on her work. Whether it was her reason for writing, how she wrote, or what she wrote about, Bradstreet’s poems would reflect the influence of Puritan life and doctrine.

Anne Bradstreet was not the typical Puritan author. She wrote sweet and loving poems that greatly contrasted from other writers of her time. She did not write the ever so popular sermons that told people that they were going to hell and there was nothing they could do about it. Bradstreet was a rarity in Puritan times, she was a very educated woman that worked on something other than being a woman in the household. She was one of a kind and the beginning of an era. Using literary criticism when reading Anne Bradstreet’s poems adds a deeper understanding of her character and difficulties in life.

Puritan literature captures not only their beliefs as a religion, but their beliefs as individuals. All Puritan literature is utilitarian, meaning it is useful, purposeful, and reflecting a non-ornate style of writing. One of the most prominent of early English poets was Anne Bradstreet. Her poems reflect the utilitarian style, but do so in a way that is entirely unique to herself and her emotions. Anne Bradstreet opens the bridge between her faith and her personal experiences in her poetry. In her poems “Upon the Burning of Our House” and “In Reference to Her Children” she reflects utilitarianism by recounting the conflicts between her love of her worldly things and her devotion to God’s eternity.

Anne Bradstreet's poem, To My Dear and Loving Husband, shows her profound love and undying affection for her husband. For a Puritan woman who is supposed to be reserved, Bradstreet makes it her obligation to enlighten her husband of her devotion. She conveys this message through her figurative language and declarative tone by using imagery, repetition, and paradoxes.

women are still fighting for equality every day. In the time of Anne Bradstreet, women had few

Romanticism Era literature significantly differs from colonial period. Being two centuries apart, these time periods differ in ideas and beliefs, which affect the poets and authors of that time, as well as their writing style. Edgar Allen Poe, a well-known poet and author of the19th century, is a great example of romanticism. His works are unique in every way, but at the same time they fit the "standard" writing of Romantic period. His stories and poems are full of fantasy, creativity, mystery and unreal events. Edgar Allen Poe is a complete opposite of Colonial author Anne Bradstreet, whose works are also recognized exemplary. Yet, Anne Bradstreet has absolutely different perspective on writing and life. Her poems are more sentimental, touching and realistic than that of Poe's.

Bradstreet's attitude changes over the poem as she realizes that she should look at losing all of her things could be more than just a negative outcome.

Anne Bradstreet, as a poet, wrote as both a Puritan woman in her time and as a woman ahead of her time. Zach Hutchins analyzed this tension in “The Wisdom of Anne Bradstreet: Eschewing Eve and Emulating Elizabeth”, and makes a primary argument that three of Bradstreet’s poems provide evidence that Bradstreet rejects the Puritan views of a woman while keeping her own personal faith. Hutchins fither his argument by declaring that readers should not view Bradstreet as a symbol of rebellion or submission, instead as a symbol of wisdom.

In the 1600’s, Puritans living in both England and New England held their views on God rather tightly and lived their lives as good Christians. Puritans were selfless individuals who had escaped and came to America in search of religious freedom and peace. In literature during that time period, it is made very clear that everything the Puritans had accomplished or acquired was a result of God, and that they were forever in his debt. One of the great poets from this time era was Anne Bradstreet who wrote about her children, husband, and parents. Anne Bradstreet blended her domestic life with theological imagery in every poem she did, explaining that her grandchildren were merely lent to her but

To begin, poets in the nineteenth century differ in whether they were intended to be published and if they were accompanied with an authenticating document. An example of a poet whose work is mostly based on personal experiences and feelings is Anne Bradstreet. Bradstreet’s poems tend to focus on her relationship with her husband (“A Letter to her Husband”), her children (“Before the Birth of One of her Children”), and her faith (“Here Follows Some Verses upon the Burning of Our House”). The recurring themes that Bradstreet explores in her poetry center on

Anne Bradstreet is well-recognized because she was the first female American poet. The previous statement makes it seem as if her poems are only noteworthy due to her literary importance in history outweighing her poetic artistry. Luisa Hall in The Influence of Anne Bradstreet’s Innovative Errors explains that “the problem Bradstreet faces...is not the problem of being a woman or being the first American poet, but...fearing she has no right to speak, of fearing her voice cannot insert itself into English literary history” (23). Another writer that supports Hall’s claim is Catherine Sedgwick: “Sedgwick’s ability to champion an expansion of woman’s sphere beyond domestic settings was blunted by “deep inner restraints” that derived from her