Memorable ideas are evident in Harwood’s poetry. In her poem, “At Mornington”, she considers the philosophical idea that the passing of time leads to gaining of wisdom. Harwood shows that growth and development are a critical part of defining our individuality. She has effectively used poetic techniques such as construction; vivid imagery and the context of her own life to explore this idea and contributed to the textual integrity of the piece. External contextual readings and values of the poem have illuminated the significance of the piece in asserting the value of friendship and relationships, and presented various ideas such as the inevitability of death, the significance that past events and memories play in shaping present perception as well as the defining of individuality through growth and development. Together, this contributes to the memorability of the poem. At Mornington is variant in structure; it is linear, circular and episodic, containing recurring motifs. The lack of a rhyme scheme displays the ‘train-of-thought’ nature of the poem, presenting the poem as a reflective journey for the persona. Experiences with family and friends are tied with the poem, starting with a first witnessing of the sea and then introspectively reflecting on water, memory and death. The episodic recollection of the sea displays the personas reliance on memories to convey changes in perspective. Thoughts of mortality are developed during a meeting “among avenues of the dead” with
Gwen Harwood, a contemporary female poet, born in Brisbane Australia in the 1920 's, wrote her poetry during a time where Australian society held dominant gender ideologies that focused on domesticating women. A widely held belief of a passive, nurturing mother figure who looked after her children and complied with her duties as a 'house-wife ', whilst men were viewed as the sole source of income and had a minimal nurturing role with children, was shared, along with ideas of male superiority, and of masculine qualities being superior to feminine qualities, both of which were only expected to be embodied by males and females respectively. The construction of people, places and institutions through poetic conventions in Harwood 's poetry allows the audience to identify these cultural beliefs in conventional gender roles and expectations within 1950 's Australian society in particular. These constructions critique the attitudes and values of the time, especially where women are concerned, and thus position the audience to reject the patriarchal assumptions of the time. Her poems Suburban Sonnet and Prize Giving are can be perceived as radical interpretations and criticisms of the views of the time they were written in, and attest to Harwood 's own beliefs of female independence and placing value on feminine and masculine roles and qualities equally. Harwood grew up with the main female figures in her life being her mother and grandmother, who were both very independent; her
In the poem “XIV,” Derek Walcott utilizes the use of inhumane imagery that is being counterpointed with the use of happy imagery to show the view of an elderly woman with his experiences with her; the speaker recalls this information by describing his experiences with her with a sense of happiness, fear and appreciation.
“At Mornington” is about the acceptance of death and the transient nature of life. The poem conveys the richness and complexity of life ranging from naïve confidence of the child to the mature wisdom of the woman who gains fulfilment from a moment of shared friendship and can look calmly into the future. The poem is littered with biblical references and other literary techniques to outline this idea of a constant time and its effect and the change this has on a person’s identity and their reassessment. These concepts are further expanded upon in the first stanza and is utilised in
Harwood explore ideas concerning childhood innocence and experience through her poems, reflecting her deep interest in philosophy and the human experience. As a young contemporary reader, Harwood’s emphasis on the importance of childhood memories is particularly resonant, evoking the audience to reflect upon their own naïve recollections. This is also supported by the critic Hoddinott who stated that within Harwood’s body of work, “dreams of childhood have a particular power…perception of the truth with fear of the unknown” is also evident in “The Violets” where the importance of memories is explored as a reflection on an individual’s growth from naivety to experience. Harwood uses the rhetoric “Where’s morning gone?” in recognition of the carelessness exhibited in childhood
Whether you realise it or not, the act of representation is a constant and significant aspect of our lives. It defines and influences our perceptions of things in either a positive or negative way. One poem that I particularly admire from Harwood’s collection is ‘The violets’ , as it recognises the inevitable act of evolving without our childhood memories. The art of growing up and moving forward is only fully accomplished when we recognise and accept the experiences and explorations of our childhood. Harwood’s poetic style reflects her conservative, traditional and religious upbringing, as well as her interests in literature, philosophy and music. As one of Australia’s finest poets, and it is an honour to introduce Harwood’s latest poem anthology.
Throughout ‘At Mornington’, Harwood uses descriptions, “night fell”, and similes, “the piece of this day will shine like light” when referring to the power of memory. During ‘The Violets’, Harwood uses imagery such as “ambiguous light” and metaphors such as “unreturning light” and “blurring darkness” to portray time’s ability to pass, and the way that you cannot regain time that is lost. During ‘The Violets’, Harwood also uses the metaphor of the “melting west” to represent a closing day, capturing the vivid colours of the natural phenomenon through the use of evocative imagery. Indeed, the second poem of the diptych of ‘Father and Child’ is ‘Nightfall’. These references to darkness, light and the closing of days can all be seen as symbolic of life, death and the transience of time, as when one day ends and night falls, the transience of that moment will be held in one’s memory regardless of the moment never being able to be relived.
In this poem, the speaker is talks about his experiences in one significant morning. The poem introduces a beach environment where the speaker talks about collecting rocks, while seeing a dead otter, an oyster fisher, and a bird trying to find its prey. He recalls that this morning is the morning after contemplating of dying, but in the second stanza he has a change
A Poem by a Terrible Poet Once there was a sad Katie Who wanted a friend greatly For her heart was feeling achey
The poem “Morning” by Frank O’Hara is about the poet missing someone and is unable to live without them. The poem can also mean reliving the life one used to have with someone, and suddenly doesn’t know how to go about life without thinking of them. The poem starts with the poet declaring his love for the person, but he is unable to go about life without thinking of that person. He misses the person, and he starts to think about what they are doing. He ends the poem begging the person not to leave him. The poem suggests that losing the person you love is like losing all happiness.
What is the significance of an individual’s essence within the vast universe? Surrounded in an environment where all life resides do humans play the role of hegemony? Each human is unique, separated by interactions and relationships compiled throughout the journey of life. But, no matter how these experiences could shape an individual, the most basic pillars of life will always endure. All humans share land on this planet, breathe the same air, and are equally mortal. Composed by Louise Bogan, the role of humanity is put into perspective in the poem, “Night.” The speaker emphasizes nature’s immense presence in the universe. As the plot of “Night” develops, the interconnected relationships found in nature are revealed, using imagery to show
What themes and ideas does Gwen Harwood explore in her poetry and how does she communicate her ideas to the reader
Gwen Harwood’s poetry endures to engage readers through its poetic treatment of loss and consolation. Gwen Harwood’s seemingly ironic simultaneous examination of the personal and the universal is regarded as holding sufficient textual integrity that it has come to resonate with a broad audience and a number of critical perspectives. This is clearly evident within her poems ‘At Mornington’ and ‘A Valediction’, these specific texts have a main focus on motif that once innocence is lost it cannot be reclaimed, and it is only through appreciating the value of what we have lost that we can experience comfort and achieve growth.
The reflection of each poet's childhood is displayed within these lines helping to build a tone for the memories of each narrator.
The second type of the pastoral is literature that "describes the country with an implicit or explicit contrast to the urban."[3]
He flashbacks 20 years behind and remembers seeing his grandfather and father dig and work. The poems atmosphere has multiple moods some of which include, loving, proudness, respect, and nostalgia some of which are similar or the same as the attitude of the speaker. Heaney uses similes, metaphors, alliteration, and imagery to enhance the readers view and description of the poem. The poem was written as a free verse but contains one stanza that has a rhyme scheme. Heaney has multiple ways of conveying his message of ‘follow your dreams’ or ‘do what you want in life, and don’t let others control it’ his use of some figurative language are quite exceptional in adding meaning to the poem and enhancing the readers view of the