Aurora By Junot Diaz Analysis

Paul Newman once said, “People stay married because they want to, not because the doors are locked” (74). There is no such thing as the perfect relationship, however, being involved in a healthy relationship is essential for a person to feel valued, safe, and happy. Unfortunately, in the situation of Kelly Sundberg’s personal essay “It Will Look Like a Sunset,” and Kate Chopin’s short story “The Story of An Hour,” include extreme examples of unhealthy relationships. The essay “It Will Look Like a Sunset,” shares painful experiences of Sundberg’s physical and emotional abusive relationship with her husband Caleb, while “The Story of an Hour,” shares a rare reaction of a married woman, Louise Mallard, who explores her emotions cautiously when hearing about the death of her husband. Each woman faces their own prison created by their husbands. The two marriages represent the figurative meaning of doors being locked in a marriage. Both pieces of literature convey the theme of confinement by using the literary devices of foreshadowing, imagery, and conflict.

The importance of cherishing the invaluable individuals in one’s life is apparent in Matthew Teague’s personal journey of his wife’s battle against cancer and a genuine friendship. “The Friend” depicts emotional appeal, comparisons, and vivid imagery to portray the significance of valuing loved ones. There is no single definition for a loved one. A spouse, children, family, friends, the reciprocated love can build everlasting bonds, but why is it so important to treasure the relationships we have? Just because they are family, it may not signify that we love them; just because they are acquaintances, it does not necessarily indicate that we have a type of love for them either. The pure love we possess for someone is rare and never chosen or obliged, so this valuable love should be nurtured, for people are bound within unpredictable time limits. Nichole’s, Teague’s wife’s, diagnosis of cancer was a realization for him that his days with her were numbered. Along the way, Dane Faucheux, the couple’s friend, was devoted to aiding the Teague family during their struggling time. Faucheux’s undisputed support for Teague and his family surprised him numerous times throughout their experience. This love in the sublime story is seeped with appreciation for those Teague values in his life. The realization and worth of his deep endearment for his family and friend is transferred to the reader, and he or she begins to realize the reality of the given time to value those who are most important.

In “The Cheater’s Guide to Love”, Junot Díaz presents a story about love that goes sour after the primary character, Yunior’s infidelity is discovered. But beyond just an emotionally bleak story, Díaz also uses the background of a love story gone bad to explore issues of race through Yunior’s narrative style, second-person point of view, and the characterization of the various women Yunior meets.

In Junot Diaz’s short story “Wildwood,” many may argue that Lola’s mother Belicia deserved admiration for her subconscious overprotection and love for Lola that she portrays in an uncaring, despicable manner and especially because of her strong, independent fight against breast cancer. However, I think that Lola’s mother was unadmirable due to her lack of support, her weak role as a mother, and primarily because of her constant verbal and physical abuse that she bestowed upon her children.

| |of forbidden love and the quest to keep it alive. The reader seems to |

Through the precise use of diction between the woman (“jig”) and the man, Hemingway reveals how a lack of knowing someone can lead to emotional dismay. Concise diction in a relationship means, conversation only scratches the surface and the two “lovers” don’t truly know about the other person’s emotions. The story is full of short, one-line phrases of conversation between the couple about trivial things. They converse about the “lovely hills” and the “simple operation,” yet they never ask each other about their feelings. The lack of in depth communication of opinions creates a tension filled atmosphere that just keeps building up and up as the story continues. The “simple operation,” an abortion, is seen by the couple as the issue they need to resolve, however, the man, who can’t handle the responsibility, instead of talking it through with his “lover” chooses to manipulate her. He tries to convince jig, who is easily pushed-over as she is stuck by lust and will do anything to keep the relationship together. She doesn’t care to sacrifice her happiness for his, rather she fears that if she doesn’t go through with the operation, he will leave her, she is indecisive and relies on the man to make many decisions. The man deceives

Love waxes timeless. It is passionate and forbidden and a true head rush. Marriage, on the other hand, is practical, safe, a ride up the socioeconomic ladder. In "The Other Paris," Mavis Gallant weaves the tale of Carol and Howard, a fictional couple who stand on the verge of a loveless marriage, to symbolize the misguided actions of the men and women in the reality of the 1950s, the story's setting. By employing stereotypical, ignorant, and altogether uninteresting characters, Gallant highlights the distinction between reality and imagination and through the mishaps and lack of passion in their courtship mockingly comments on society?s views of love and marriage.

Love between two genders is one of the most common themes in writing. In literature, love is often praised, appreciated and cherished. Another common theme in writing is the looming specter of inequality between men and women, which has been strongly depicted throughout history and is still worryingly present in the world today. It is extremely interesting to realize that though love is treasured and valued, in most cases, it takes both genders to create love, and those genders are often separated by inequality. Both these themes coincide well together; the clash of love and gender inequality is interestingly captivating. In John Updikes A&P and Ernest Hemingway’s Hills Like White Elephants, both stories send a conclusive message to the reader that equality between both sexes in love and attraction is almost impossible; one gender will always be more powerful than the other.

When we are growing up, we are taught that members of the opposite gender have “cooties” and that we’ll catch those cooties if we get to close to them. Sometimes, as we grow older, those cooties the other gender possesses remain prevalent; they may just take on different forms. In the poems “The Whipping” by Robert Hayden and “Men” by Maya Angelou, the two different speakers could agree that at least some members of the opposite gender are bad people. The speakers use the definite theme of the struggle between genders, strategic literary devices, and deeper meanings to convey their message.

The Other is configured in the two writers’ works as victims of power play, their unjust mistreatment subsequently exposing underlying social inequalities. Through adopting the Gothic medium characteristic of Romanticism, the texts induce within the reader emotions of terror and pity towards the marginalised, leaving a profound effect which impactfully conveys the intended social criticism.

Society is ever changing and evolving, the interactions between family members and those in a person’s community can change from day to day. Shirley Jackson and Ernest Hemingway explore society and the interaction of people within a society to show the true nature of people. The authors both use short yet intense diction which places the reader within the story. The twists within the plot lines of both essays show the reader life is always unexpected and that although one may believe they know the conclusion they are blindsided by the truth. The two writers have very similar approaches throughout the story hiding the true reasoning behind the story until the finale, yet the way the compose their essays and the way in which societies within those essays act, both writers display how

In The Sun Also Rises, during the transition of society from World War I to post-war, values transformed from the “old-fashioned” system of what was morally acceptable to a system that held the basic belief that anything of value, whether tangible or intangible, could be exchanged for something of equal value. This novel specifically pinpoints the transformation of the values of money, alcohol, sex and passion (aficion), friendships and relationships, and even one’s pain.

For a time, Lucy Gayheart feels the assurance of a bright future reaffirmed daily. And then a tragedy strikes, an undreamed-of turn of events, something which happens every day, and yet which we never address, because it is unthinkable. So will Lucy allow tragedy to beat her down into an existence she has long scorned? Or will she find the mettle to not only endure, but to grow in the face of, her heartbreak? This book was published in 1935. Its syntax can be long-winded, but its imagery is unforgettable. The author conveys a deep love for her fellow man, and for the inexpressible promise of a young life. I believe there is Lucy Gayheart in all of us.

Junot Diaz, the author of “A Cheaters Guide to Love” writes his short story with many different references to anti-feminism. He writes about women in different ways to show them as powerless, and un-superior to the main character in the short story. From this short story, Diaz conveys the main characters ways when he shows the him talking about, the girl he calls to have sex with, the women at the yoga class, and the files read at the end of the story that show the fifty girls he cheated on his fiancé with. Diaz creates his main character and puts him in the second person to relate to the reader, but show his anti-feministic signs.

Love makes people become selfish, but it is also makes the world greater. In this poem, the world that the speaker lives and loves is not limited in “my North, my South, my East and West / my working week and my Sunday rest” (9-10), it spreads to “My noon, my midnight, my talk, my song (11). The poem’s imagery dominates most of the third stanza giving readers an image of a peaceful world in which everything is in order. However, the last sentence of the stanza is the decisive element. This element not only destroys the inner world of the speaker, but it also sends out the message that love or life is mortal.