Auster Narrative Style

The genre of crime friction has many different types of elements that make it so suspenseful for the reader. The main elements that a crime fiction will have is the detective and the villain that have challenging wits. The short stories that we have looked at, are the adventures of the speckled band by Sir Arthur Conan Doyle looks at the more traditional elements compare to Lamb to the slaughter by Roald Dahl and Fresh Bait by Sherryl Clark. The main elements that are in the crime fiction that may be used effectively or differently, for example the challenging wits between the detective and the villain and other things like setting, pace and victims. The three convention I will be comparing/ contrasting is the pace, the victims and the wits between the detective and the villain.

The detective genre is recognizable by the mystery that it represents or establishes. Every word of a fiction novel is chosen with a purpose, and that purpose on a detective novel is to create suspense. The excerpts from The Big Sleep by Raymond Chandler, Murder Is My Business by Lynette Prucha, and Devil in a Blue Dress by Walter Mosley, create an atmosphere of suspense and mystery. Even though they all fit into this category, there are some differences that make each novel unique. The imagery that the authors offer in the excerpts helps the reader to distinguish the similarities and the differences.

On a cold night in1836, Jewett was found dead with her corpse roasting on her elegant bed. With engrossing details, Jewett murder became an example of media sensation with leading newspapers featuring stories on the murder case with the accused Richard Robinson trial becoming the center of focus. The intensive coverage of the gruesome crime established the template for crime reporting, which ideally endure to present day. Certainly, the murder of one prostitute in a metropolis city like the New York could have easily been, forgotten had it not been for the sensational reporting. By drawing evidence from a range of renowned scholars, the paper aims to paint a picture

Many people enjoy the detective and crime shows, but what they may not realize is that Edgar Allan Poe was the one to pioneer this genre. For the short stories, poems, and a few books he wrote, Edgar Allan Poe is a recognized American writer. He lived in the era of westward expansion, slavery laws beginning to become an issue, and most influential to Poe, Tuberculosis(TB) was a major issue. There was not yet a cure for people with TB, in fact, there wouldn’t be a known cure for another 100 years after his life. He lost many people during his life; his father left before Poe was 3 years old, his mother died from TB when Poe was three. He moved into a foster home, but stories tell that his foster father did not like him so he struggled to find the support he needed both as a child and as a broke college student. Although many myths state that Poe was a drunkard and incapable of love, he was married. His outsiderness in his foster home likely influenced his writing, as well as his irregularity and uniqueness, and his horrid memories of how TB had taken some of his closes family. Poe’s unique literary techniques enhance his macabre writing style.

The authors underscore that it could not be said that the Hollywood department was incompetent. Rather that the case was too difficult, and Detective Hoffman turned out to be too snobbish not only to ask for help but also to accept help from Joe Matthews when he offered it not once. Hoffman was “too unstructured and ill-equipped” for such mind-bogging case (Standiford, 2001).Det. Serg. Matthews was a lie detector expert and an experiences homicide detective and, being hired by the Hollywood, Fl, Police Department, he was very interested by the case and was ready to use his knowledge to solve the case. Among other things, the difference in approaches of two detectives was that Hoffman was obsessed with finding physical evidences linking Toole to the Adam’s murder; while Matthews believed that circumstantial evidence could make do in some cases.

Hard-boiled detective fiction sets the scene for a cold and harsh reality. Dashiell Hammett’s, “The Girl with The Silver Eyes” is no exception to this rule. In this short story Hammett paints a picture of a brutally realistic urban center filled with characters that not many people would want to call friends. The realistic qualities of Hammett’s story are drawn from his own life’s experience working as a Pinkerton detective. The detective in “The Girl With The Silver Eyes” works for the Continental Detective Agency and is, therefore, known simply as the Continental Op. In the beginning of the story the Op professes, “a detective, if he is wise, takes pains to make and keep as many friends as possible among transfer company, express

Social criticism can be involved in detective fiction, we see equality of the sexes being laughed at. Men in “A Jury of Her Peers” written by Susan Glaspell story, make fun of women, and Glaspell is deliberately critiquing the way men see women. Also, Klein argues that in detective fiction stories the detective is a detective male and the victim is always female. Which refers to in most detective stories women are just the laughing victims in the story and not the hero or seen as the favorite.

Readers who have never picked up on the Dashiell Hammett detective novel The Maltese Falcon 1930 or seen the classic 1941 film adaptation, which follows the novel almost verbatim, can feel a strong sense of familiarity, faced for the first time in history. In this book, Hammett invented the hard-boiled private eye genre, introducing many of the elements that readers have come to expect from detective stories: mysterious, attractive woman whose love can be a trap , search for exotic icon that people are willing to kill the detective, who plays both sides of the law, to find the truth , but it is ultimately driven by a strong moral code , and shootings and beatings enough for readers to share the feeling of danger Detective . For decades , countless writers have copied the themes and motifs Hammett may rarely come anywhere near him almost perfect blend of cynicism and excitement.

It is impossible to follow every guideline for a police procedural novel when writing on a true event. Features considered important to the police procedural sub-genre may not be present within the real life crime, and adding details for the procedural sub-genre VIOLATES/TARNISHES the credibility of the true crime aspects of the novel. Despite the difficulties of blending a true crime and a crime fiction sub-genre, with some compromise on the guidelines of both genres, Capote completed In Cold Blood, a well-balanced novel that describes a true crime event from a police procedural standpoint.

Alfred Hitchcock's Rear Window continues and expands on traditional themes of the Detective Fiction Genre. In 1841, Murder in the Rue Morgue by Edgar Allan Poe broke the traditional character constraints of the Crime Fiction Genre, by introducing a new type of lead detective figure. The ideal detective figure encompassed traits of superiority, intelligence, wit and a keen sense for observation. The lead detective figure is a sophisticated character that is not bound to the constrictions and limitations of the Law and the exploration of this figure through the use of visual aid and techniques, provides contrast and variation on the common themes within the genre. Hitchcock provides an alternative approach through a new medium carving way

I think that my writing style leans well more on the creative and entertaining side than the informative side of the spectrum. This is reflected on some of the titles I have come up with for all of my papers and use of wordplay in a lot of passages. That being said, it was quite a struggle to stop using clever language and focus solely on the content of the paper. Even if that did improve over the course of the semester, I still feel like that style of writing didn’t leave me, nor will it. I can always prevent myself from using metaphors and the likes in research papers, but I will still have those metaphors and analogies in me to use for creative purposes, where I normally steer my writing towards.

Dennis Lehane writes satisfyingly complex and disturbingly violent crime fiction that often crosses into thriller territory. These are not, however, cheap thrills. Even in their goriest moments, his books are grounded in rich, real-life detail. Lehane knows Boston and its denizens, and he captures the city’s subcultures beautifully -- from the hushed refinement of the old-money suburbs to the grittiness of tacky motels and bail-bond agencies. He has a unique way of presenting his mysteries with an edge-of-the-seat feeling, yet his descriptive methods brings one into his neighborhoods and gives one the feeling that they lived there their entire life.

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While American and British authors developed the two distinct schools of detective fiction, known as “hard-boiled and “golden age,” simultaneously, the British works served to continue traditions established by earlier authors while American works formed their own distinct identity. Though a niche category, detective works reflect the morality and culture of the societies their authors lived in. Written in the time period after World War I, Dashiell Hammett’s The Maltese Falcon and “The Gutting of Couffignal”, and Raymond Chandler’s “Trouble Is My Business” adapt their detectives to a new harsh reality of urban life. In “hard-boiled” works, the detective is more realistic than the detective in “golden age” works according to the

1A. A good detective is a very smart person who is able to use evidence and to detect lies and truth. And is also able to think things in a logic and quicker way as well as understanding criminal's movements. For example, detective Dupin in the "Murders of the Rue Morgue" from how the bones were broken and how a lot of hair was pulled out, he figured out that the criminal was not a human, but rather an criminal(Orangutan). "I proceeded to think thus—à posteriori. The murderers did escape from one of these windows. This being so, they could not have refastened the sashes from the inside, as they were found fastened; — the consideration which put a stop, through its obviousness, to the scrutiny of the police in this quarter. Yet the sashes were fastened. They must, then, have the power of fastening themselves. There was no escape from this conclusion." I have seen the character of detectives evolve from one author to the next by having a brilliant life in Doyle's novel "The Sign of the four" to love as in Rampo's "Beast in the Shadows. In "The Sign of the Four" it said, "I cannot live without brain-work. What else is there to live for?" In the "Beast in the Shadows" it said, "Thus, I fell for her completely, sending her meaningless on a frequent basis." Doyle's, Rampo's, Gaboriau's, Christie's, and Borges's fiction character and plot were similar as Poe's detective and plot. Therefore, they do depend on earlier models. In respect, Gaboriau aims to glorify or support the French police while it said, “Well done, Goulard!" quoth the commissary, approvingl;” Poe has a contemptuous attitude towards the agency. I believe that Gaboriau got the idea from Poe, but did the opposite from what I see, I could definitely tell that Poe deserves the title "One of American Greatest Storyteller" because so many authors followed his example of how to write a detective novel. Which shows that his writing impact others to write detective novels.