Be Responsible and Take Action in Shakespeare, Aeschylus and T. S. Eliot Literature

In order to gain a proper perspective on the concept of what a tragic hero is, we must synthesize information from the following play’s, “The Death Of A Salesman”, and “Oedipus The King”. Both plays takes the stance on the idea that validates the ultimate notion,  “tragic hero. From Willy’s hubris personality to his questionable and mysterious death, to Oedipus dynamic and complex choices and kingly personality that determines his fate. A tragic hero is a literary character who makes a judgement that leads to his/her downfall. In other words, even though both characters made incredible contributions and left a very noble legacy, their choices and decisions determined their ultimate fate. In today’s world tragic heroes are commonly present,

In life, an individual’s course of action is directed by their nature of motivation. Sometimes, this nature lies so deeply beneath the surface, that people themselves aren’t even aware that it exists. In Hamlet, by William Shakespeare, all of the actions that characters execute throughout the play are naturally motivated by a certain situation or feeling. Some of the characters are motivated to commit brave and heroic acts, while others may simply be encouraged to do the right thing. People can often become pusillanimous when they think too carefully, however, the nature of their motivation is what decides if they will complete the feat or not. In Shakespeare’s Hamlet, the nature of motivations that direct an individual’s course of action are mostly clearly represented by love, ambition, and revenge.

Most readers are aware of the many famous deaths or acts of death within the Shakespearean plays. And when the main characters die in Shakespeare’s plays, indeed, the readers would categorize the play as a tragedy. The problem with any tragedy definition is that most tragic plays do not define the tragedy conditions explained or outlined by Aristotle. According to Telford (1961), a tragedy is a literary

Reason also known as (logic or logos) refers to any attempt to appeal an argument using only valid facts. Some individual’s actions are based on reasons, as they are managed by rationality and they think very cautiously about all the decision they make. Conversely, passion also known as (emotion or pathos) refers to being able to persuade a situation

The tragedy of Hamlet, Shakespeare’s most popular and greatest tragedy, presents his genius as a playwright and includes many numbers of themes and literary techniques. In all tragedies, the main character, called a tragic hero, suffers and usually dies at the end. Prince Hamlet is a model example of a Shakespearean tragic hero. Every tragedy must have a tragic hero. A tragic hero must own many good traits, but has a flaw that ultimately leads to his downfall. If not for this tragic flaw, the hero would be able to survive at the end of the play. A tragic hero must have free will and also have the characteristics of being brave and noble. In addition, the audience must feel some sympathy for the tragic hero.

This is the first time the audience becomes aware of Hamlet’s ability to be a great thinker and philosopher. However, from this moment on, Hamlet is divulged into a downward spiral of an obsession of death and tragedy. This onus that he must set things right that his conscience forces him to carry during the play is the inception of his hamartia. Hamlet’s obsession of avenging his father’s death causes him to not always think clearly. At times Hamlet is suffering from analysis paralysis

play has the perfect Aristotelian tragic plot consisting of peripateia, anagnorisis and catastrophe; it has the perfect tragic character that suffers from happiness to misery due to his hamartia (tragic flaw) and the play evokes pity and fear that produces the tragic effect, catharsis (a purging of emotion).

There is no denying that Shakespeare is a definitive playwright. He has presented us with classic works that have set the precedent for drama and the theatre. Among Shakespeare’s more notable plays are his tragedies. In the tragedy his protagonists are often given flaws in their character and hence, are suitably named tragic heroes. The downfall of these protagonists is often a result of their own character flaws and unfortunately, they suffer a doomed and unhappy ending. While the tragic hero is flawed they must also be honorable and worthy of the audience’s understanding and sympathy. On a quest for righteousness the tragic hero often goes through immense suffering which is why the audience can feel bad for him. For the most

Tragedy can expose humans fallibility and weaknesses. Traditionally, a tragic hero is established into three parts: hamartia, a hero’s tragic flaw; peripeteia, the change in the hero’s fortune; and catharsis, a hero’s tragic ending. In William Shakespeare’s Othello, Shakespeare illustrates how a General, Othello get manipulated by his subordinate, Iago.Iago tells Othello that his wife, Desdemona is having an affair with his friend, Cassio. Othello deeply believes in Iago’s lies, and kills Desdemona and Cassio. In William Shakespeare’s Othello, Shakespeare uses hamartia, peripeteia and catharsis to show that Othello is a tragic hero. Ultimately, through Othello’s tragedy the audiences learn that one’s gullibility can lead their tragedy.

William Shakespeare’s “Hamlet” is a captivating story revolving around the death of the King of Denmark and the reveal of how his death truly happened at the hands of his own brother – who wanted the kingdom to himself. After the king’s death, he returns as a ghost to tell his son, Hamlet, of how his death truly happened. The rest of the story entails how Hamlet took this news and begins his journey to avenge his father’s murder. As this journey progresses, the audience is able to witness Hamlet’s hamartia. Hamartia is a tragic flaw which leads to the eventual downfall of a hero or heroine. Hamlet’s hamartia is his inability to act and his indecisiveness regarding avenging his father’s murder – which results in a horrid ending for Hamlet and most of the people he knows.

By using these guidelines, Shakespeare created one of his greatest Aristotelian tragedies. This is because he applied the Poetics’ guidelines to complex plot, the tragic hero, and the establishment of pity, fear, and catharsis of the audience’s emotions. The complex plot follows Othello and his transformation from nobleman to monster through the exploitation of his tragic flaw. As the plot moves from exposition, complication, challenge, conflict, climax, and finally to dénouement, Othello goes through a recognition scene which leads to a reversal in his fortune and his scene of suffering.

The tragedies Hamlet, Oedipus the King, and Death of a Salesman have strikingly different plots and characters; however, each play shares common elements in its resolution. The events in the plays’ closings derive from a tragic flaw possessed by the protagonist in each play. The downfall of each protagonist is caused by his inability to effectively cope with his tragic flaw. The various similarities in the closing of each play include elements of the plot, the reflection of other characters on the misfortune of the tragic hero, and expression of important themes through the dialogue of the characters.

Hamartia is defined as a fatal flaw leading to the downfall of a tragic hero. Aristotle defines a tragic hero to be a man “who is not completely good and just, whose misfortune is brought out not by vice or immorality, but by some error or weakness.” The three key requirements of Aristotle in regards to a tragic hero are; a high social standing, goodness or moral excellence, or error committed by the hero in unawareness or ignorance. Two quality examples of men that portray Aristotle’s idea of a tragic hero, and who also fit the three main requirements are Oedipus Rex and Willy Loman. Oedipus Rex clearly and without a doubt answers to each of the three requirements laid out by Aristotle is regards to a tragic hero. He is a man of social reputation, and possesses exceptional qualities, but is in no means perfect. It is safe to say that Oedipus’ hamartia is the cause of his own downfall. Willy Loman on the other hand is also considered to be a tragic hero. Like Oedipus, Willy goes through his life, for the most part, blindly, and never really realizes the complete truth of himself. Through his delusional personality, and his continual blindness, Willy’s hamartia is also the main cause of his downfall, where in his case, leads to his death. Through further analysis of both Oedipus Rex and Willy Loman’s tragic flaws, along with literary criticism from Aristotle’s poetics, their hamartia, which ultimately leads them to their

The word ‘tragedy’ is a common in the modern world, and it is often associated with a “sad or unhappy ending”. Accordingly, every time there is misfortune in a work, it is classified as a ‘tragedy’. Arthur Miller offers the observation that a tragedy is something that is more than just sad. Miller argues that tragedy is not a ‘pessimistic’ view on an event, but it allows for “the reinforcement of the onlookers brightest opinions of the human animal”. Since humans are not in control of his/her own fate, unfortunate things are bound to happen. However, the human spirit that is able to withstand catastrophe allows for hope. In the play Hamlet, Shakespeare presents his tragic hero, Hamlet, as a noble figure who is to be admired because he

As defined by Aristotle, A tragic hero is a literary character who makes a judgment error that inevitably leads to his or her own destruction. In the play “Hamlet” by William Shakespeare, Prince Hamlet is the tragic hero. Prince Hamlet can even be considered a quintessential tragic hero due to how closely he relates to Aristotle’s definition. Initially he has noble motives which were to avenge his father’s death but by the end, his flaws and bad decisions lead him to his death. The fact that Prince Hamlet’s best trait is also his downfall makes him one of the most tragic heroes in Shakespeare’s work. In these ways and more, Prince Hamlet fulfills Aristotle’s definition of a tragic hero.