Are mankind immutable and resistant to outside influences? Such a question has been an enduring theme explored by authors in literature. Joseph Conrad’s Heart of Darkness and Barbara Kingsolver’s The Poisonwood Bible, while written nearly 100 years apart, are both about white people entering Africa, a new surrounding characterized as culturally foreign and strange. However, Conrad and Kingsolver have opposing opinions about how people’s traits can be shaped by their surroundings. Whereas Conrad believes that a person’s persona can be altered by his or her cultural surroundings, Kingsolver believes that people are ultimately immutable. Through Charles Marlow’s growing disillusionment and pessimism, Conrad exemplifies his belief in the power of one’s surroundings. Meanwhile, Kingsolver refutes Conrad’s belief by delineating Nathan and Leah Price’s as static characters.
In Heart of Darkness, Conrad details the impact of one’s surroundings by portraying Marlow’s growing disillusionment and misanthropy formed by the futility of the world he perceives through the culture within the Company’s men. Marlow describes a childhood “‘passion for maps [and the] glories of exploration’” (Conrad 5). Marlow’s passion is representative of a romantic view of the world, one of swashbuckling adventure and exciting discoveries. Such a view is common among the innocent young, who has yet to experience the harsh reality of society hands on, so it is logical for the young Marlow, who has yet to
Heart of Darkness written by Joseph Conrad is dramatic tale of an arduous trek into the darkest part of Africa at the turn of the twentieth century. The story follows the protagonist Marlow, an English marine merchant, as he travels through the African jungle up the Congo river in search for a mysterious man named Kurtz. Through Marlow's narration, Conrad provides a searing indictment of European colonial exploitation inflicted upon African natives. Through his use of irony, characters, and symbolism in the novel, Conrad aims to unveil the underlying horrors of colonialism. By shedding light on the brutality of colonialism in Heart of Darkness, Conrad shows that European values have been irrevocably eclipsed by darkness.
In Heart of Darkness, Joseph Conrad suggest that true human existence cannot prevail productively without the dynamics of society. Throughout numerous scenes in the novel, Conrad stresses the necessity of societal restraints through Kurtz’s inability to prosper as a human being when he is removed from the expectations of civilization. In the scene above, Marlow’s myopic observations of Kurtz reveals Conrad’s theme by illustrating the annihilation of Kurtz’s essential human characteristics as he descends into a barbaric lifestyle absent of the norms of society. Not only does the above scene support Conrad’s main theme, but it portrays his writing style, characterization of Marlow, and symbolism as used throughout the novel.
Imagine a man suddenly cast into a world he could never have dreamed of. He would be shocked by the unfamiliarity all around him, from the people to the plants, and confused of what to do. A man cut off from what he knows is only left with two options--either to reject his new circumstances or find a way to assimilate to his new society. This man will either try to find a way to return back to his world, or find a way to adjust his life to his surroundings. Throughout history, separate cultures have collided, and with each collision they have either melded together or rejected each other. The novels Heart of Darkness and The Poisonwood Bible both portray how every individual reacts differently when their ways of life collide with foreign ones,by either rejecting the foreign society, or accepting it and creating a merger of cultures. Although both novels describe characters finding themselves at these crossroads, the differences between the novels portray the effects of an individual's wants and needs when deciding how to react to new cultures.
Marlow’s evolution renders ‘Heart of Darkness’ a remarkable work of literature, but it is not simply the budding of the narrator’s mind that makes the novel sensational. Marlow’s perception of the voyage is what truly renders the work exceptional. European expansion, as written by European writers, was generally cast in a positive light. When Conrad depicts the desolation of the journey and reveals the sanities and lives robbed through the conquest, he clearly does not conform to the writers of his time. This exposure of European expansion in such a sinister a fashion was innovative for writers of the late 17th century. This revolutionary perception is what truly allows ‘Heart of Darkness’ to be considered a novel rich in moral and detail.
What makes Joseph Conrad’s Heart of Darkness more than the run of the mill adventure tale, is its moral complexity. By the end of the novel, we find a protagonist who has immense appreciation for a man who lacks honest redemption, the mysterious Mr. Kurtz. It is the literal vivaciousness and unyielding spirit of this man, his pure intentionality, which Marlow finds so entrancing and which leaves the reader with larger questions regarding the human capacity. Therefore, Heart of Darkness is profoundly different given its character complexity and ambiguous narrative technique which ultimately deliver home a message of the complex motivations and capabilities of mankind.
In Heart of Darkness, Charlie Marlow’s melancholy tone sets the mood for severity of the abhorrent occurrences he witnessed while in the interior of the Congo Free State, and as the intermediate narrator, is able to re-explore this dreadful experience during his narration, that allows him to represent his thoughts and gives reader’s direct access to his conscious. As the central consciousness of the novella, Marlow is first presented directly by our anonymous first person narrator (a passenger on the ship), but because of the story’s interweaving plot structure, a flashback occurs and Marlow steps in as the narrator, and it becomes our job as readers to understand Marlow through his actions as he himself analyzes his inner-self. Conrad follows
Conrad's novel, Heart of Darkness, relies on the historical period of imperialism to illuminate its protagonist, Charlie Marlow, and his struggle with two opposite value systems. Marlow undergoes a catharsis during his trip to the Congo and learns of the effects of imperialism. I will analyze Marlow's change, which is caused by his exposure to the imperialistic nature of the historical period in which he lived. Marlow goes to the Congo River to report on Mr. Kurtz, a valuable officer, to their employer. When he sets sail, he does not know what to expect. When his journey is complete, his experiences have changed him forever.
Heart of Darkness by Joseph Conrad is a story about a man named Marlow and his Journey into the African Congo. By reading the novel and understanding all the imagery Conrad has inserted, we can get a better understanding of the
In Joseph Conrad’s infamous novella, Heart of Darkness, the narrator listens as Marlow tells his tale of his journey in the Congo, where he comes across many different types of people, all of which he can have hugely varying opinions on. It may seem at first that he simply views the Congolese as less than himself, but his ideas of humanity are far more complex than that, and is not directly tied to race. It is not the people that he despises, but the area they inhabit. He blames their environment and gives it this eminent evil surrounding it. His is an issue with their lack of restraint to the evil and savagery of the world. Marlow’s creation of his own concept of restraint in relation to his journey informs of the major themes and ideas
Chinua Achebe, a well-known writer, once gave a lecture at the University of Massachusetts about Joseph Conrad's Heart of Darkness, entitled "An Image of Africa: Racism in Conrad's Heart of Darkness." Throughout his essay, Achebe notes how Conrad used Africa as a background only, and how he "set Africa up as a foil to Europe,"(Achebe, p.251) while he also "projects the image of Africa as 'the other world,' the antithesis of Europe and therefore of civilization."(Achebe, p.252) By his own interpretations of the text, Achebe shows that Conrad eliminates "the African as a human factor," thereby "reducing Africa to the role of props."(Achebe, p.257)
Throughout Heart of Darkness, there are blatant acts of brutality that transform Marlow’s perception of humanity. These barbaric experiences lead Marlow to question the expectations and moral standards existing at that time. As Marlow explores the area around the Company’s station, he recognises that the natives “could by no stretch of imagination be called enemies.” It is in this moment that he understands the full extent of the mistreatment and exploitation of
To sum up the harshness and cruelties of imperialism, Conrad explains that, “The conquest of the Earth, which mostly means the taking it away from those who have a different complexion or slightly flatter noses than ourselves, is not a pretty thing”(4). Also, Conrad uses imagery to depict the journey up the Congo and through the darkness of the African Safari. There are two reasons why he described, in extensive detail, Marlow’s trip. The first reason was to show the effects of wilderness on the human heart. Guerard, an acclaimed critic, describes the significance of the actual journey.
The characteristics of Modernism are nowhere more prevalent than in his 1899 novel Heart of Darkness. It provides a bridge between Victorian values and the ideals of modernism. It is about a British seaman, Marlow, and his journey down the long River Congo into the darkness of Africa to meet up with and bring home his employer’s local representative, Kurtz. Heart of Darkness represents as well as any novel ever written the bleakness and cynicism that are characteristic of the Modernist movement. Conrad’s observations on the effects of European colonialism provided a full-scale view to the emergence of
The constant change in scenery throughout the Heart of Darkness contributes heavily to the meaning of the novel as a whole, for it allows the novel’s author, Joseph Conrad, to expand on the effects the physical journey of travelling through the Congo has on the inner mentailites of the characters- Marlow and Kurtz- in the novel. Conrad’s continuous comparisons between characters, their surroundings, and the plot, create the genuine progression of the novel, while the physical journey that is taken allows the characters to make their own discovery of humankind. As Kurtz’s destiny and the struggles he overcomes go on to deeply affect the two characters’ journey through the story’s plot, as everything in the Heart of Darkness is linked or comes back to Kurtz and all the wrongful actions he has committed in the Congo- as he was the perpetrator of all the darkness in the novel to begin with.
The Heart of Darkness by Joseph Conrad is a frame narrative which creates a clear and organized structure. This structure helps emphasize upon the hypocrisy of imperialism in the novel and Marlow’s journey to discovering his true identity. The orderly and systematic nature of the structure corresponds with the Company in the novel and how it seems so structured on the outside while their mission is actually extremely chaotic underneath as displayed by Kurtz. The cyclical structure of the novel outlines Marlow’s journey in finding himself and his true identity. As the chaos of the journey is uncovered, Marlow delves deeper and deeper into uncertainty regarding the things going on around him in his life.