The Blurring of Monster and Man Who doesn't love a classic tale of a hero who saves his people from death by gruesome monsters? While this is exactly how many would describe the famous Old English poem, Beowulf, when examined carefully, its plot may not be so clear cut. Contradictory to what one would expect, the author actually creates parallels between Beowulf and the monsters, through character descriptions, situational similarities, and linguistic choices such as the use of ambiguous pronouns. In addition, he or she often gives the monsters human-like qualities and explains their actions in a way which makes their actions seem reasonable, causing the reader to sympathize with them. Through the complex portrayal of Beowulf's enemies, the …show more content…
While at first Grendel seems to represent everything that Beowulf is not, the author includes various subtle parallels between the two characters. First, not only do both the great hero and monster both possess supernatural levels of strength, but this characteristic is exemplified through the use of the number thirty. The narrator tells how Grendel had once “from their rests ripped thirty thanes” (122-23) and that Beowulf “possesses the might of thirty men in the grip of his hand” (379-80). In addition, the central male figure of each character's ancestry is remembered for committing a significant murder. Beowulf's father, Ecgtheow, started a tremendous feud–which ultimately ended in his death–by killing a member of a …show more content…
This monster, however, is given human-like qualities that allow the reader to understand–even sympathize–with her. First, Grendel's mother is shown to be “fierce and gloomy” (1277), grieving and angered by the loss of her son who was brutally murdered. She then sets out for Heorot on “a sorry journey to avenge her son” (1278). Unlike in today's society, revenge was actually considered noble in the Anglo-Saxon culture of the time and one would be viewed as immoral for simply forgiving the murder of a family member. With this in mind, Grendel's mother's intent to kill Beowulf becomes much more reasonable. Both her anguish over the death of her son as well as her plan to take the life of the person who killed him, are similar to the emotions and actions of the various humans in the story. One of these situations regards Beowulf's father, who after murdering a member of the Heorogar family, was killed by them in an act of revenge. In addition to the characterization of Grendel's mother as more human-like than monster, the author also added some interesting parallels between her and Beowulf, just like there had been with Grendel himself. For example, Beowulf takes Grendel’s arm as a trophy when he defeats him in battle, while Grendel's mother takes Æschere’s body after she attacks Heorot. She also ends up beheading Æschere, which Beowulf repays by beheading both her and
Beowulf is an old Anglo-Saxon story of a terrifying monster Grendel, Grendel travels to the Danes mead hall Heorot and while the danes expect it least he attacks killing countless men purely for the joys of doing so. Hrothgar king of the Danes calls for a warrior to fight this unruly beast. After 12 long years of grendel attacking Hrothgar's calls are answered and the great warrior Beowulf comes to kill Grendel. Beowulf travels to the land of the Danes from across the seas and in the first night he kills Grendel. Sadly for Beowulf Grendel has a mother that now seeks revenge for her son's death and Beowulf is asked to kill Grendel’s mother as well. Beowulf goes to where Grendel’s mother is staying and battled her to the death , Beowulf wins
As a “bloodthirsty fiend,” Grendel was the first of the foes Beowulf battles. (line 407) He is “a powerful monster,” who “was spawned in... slime.” (lines 1, 19) He is a descendant of Cain, and chose to sacrifice the Danes to no one but himself. Grendel is “set on murder.”(49-50) Nothing can “quench his thirst for evil. (lines 52-53) Grendel stalked Herot and set his wrath loose on all who came to the hall. His mother, the “she-wolf” lived in an underwater cavern. (line 572) She is the “water witch,” one that no one’s “sword could slice her evil skin.” (lines 493, 496-497) Both characters are demons living only to hate, and cause terror in the hearts of those who know of them. The third villain comes much later than the first two. The dragon is Beowulf’s last enemy, and last battle. The beast poured out fire and smoke, and was one who “coiled and uncoiled” at the sight of a human. (line 673) The dragon menaces Beowulf’s kingdom and as an old man he is forced to fight the beast. The antagonists are evil and uncaring of human life, each choosing to end it when they please. They are bad and it shows.
Another part of the text which is evidence to Grendel not being the monster he is made out to be, is the relationship dynamic between Grendel and his mother, and also his mother’s actions after his death. The actions of Grendel’s mother are not those of a monster, but those of any normal woman who has children. After her son was killed (murdered and then part of his body was taken as a trophy), she just wanted to seek revenge. “But now his mother/ had sailed forth on a savage journey,/grief-racked and ravenous, desperate for revenge.” (1276-1278). Grendel’s mother displayed the emotions of complete sadness and despair over her son; it seems more of a human response rather than that belonging to a monster. Considering that the bond of a mother and son is supposed to be the strongest bond of all, her actions after his death are in a way justified. It is easy to see that the character of Grendel is much more than just a monster through his mother’s subsequent actions of taking down Grendel’s arm from hanging in Heorot, and feuding (in her own way she was trying to feud, to obey the code as it was in this time. When she went to Heorot to seek her revenge, she did not
Grendel’s mother is a swamp-hag who lives in a desolate lake. She comes to Heorot seeking revenge for her son’s death. She murders Aeschere, who is one of the king’s best friends and most-trusted advisers. After murdering him, she sinks back down into the lake to return to her house. Beowulf decides to pursue her into the lake to fight her in the underwater house. Beowulf kills her with a sword that was made for a giant. After killing her, he discovers Grendel's body in her underwater house. He cuts off Grendel's head and brings it back to the king as another prize to hang in the mead-hall as a
Beowulf has delighted and intrigued a wide array of people for centuries. The timeless nature is visible in modern-day extensions of this epic, through heroics and battles of good versus malevolent forces. Beowulf continues to appeal to sophisticated audiences because it tells the story of a great hero prevailing over evil, a timeless theme valued by society and portrayed by his counterparts in modern media, although these new heroes display more complex qualities.
When Grendel's mother arrives to torment the Danes, seeking vengeance for her son’s death, Beowulf’s fight with Grendel's mother
Despite the hero-villain representation usually seen in the fantasies of modern day culture, real heroes and monsters remain today. When defining the terms ‘hero’ and monster’ people often imagine made-up characters. Because of this, the view of a hero or monster in a real-world sense might seem absurd, however, looking at people who have risked their lives, or devastated the world proves their existence. Similarities between the heroes and monsters of today and those found in poetry centuries ago exemplifies how they still exist. In the epic poem Beowulf, characters Beowulf and Grendel represent the ideals of a hero and monster. Their qualities of courage and envy parallel with that of some of the most significant people today. De Vigny
The story of Beowulf is a heroic epic chronicling the illustrious deeds of the great Geatish warrior Beowulf, who voyages across the seas to rid the Danes of an evil monster, Grendel, who has been wreaking havoc and terrorizing the kingdom. Beowulf is glorified for his heroic deeds of ridding the land of a fiendish monster and halting its scourge of evil while the monster is portrayed as a repugnant creature who deserves to die because of its evil actions. In the epic poem, Beowulf the authors portrays Grendel as a cold-hearted beast who thrives on the pain of others. Many have disagreed with such a simplistic and biased representation of Grendel and his role in the epic poem. John Gardner in his book, Grendel set out to change the
“[Grendel’s] mother had sallied forth on a savage journey,/ grief-racked and ravenous, desperate for revenge” (Beowulf, 1276-1278). Her desire to avenge her son is carried out, but it ultimately leads to her death. Beowulf’s desire to garner fame and respect overpowers all of the raw emotion and anger felt by Grendel’s mother. She serves the purpose of showing the purest form of revenge, and how its blindness can lead to one’s demise.
Grendel’s mother killed these people for a very human reason, maternal grief. When a woman grows a child inside her for she grows strongly attached to the child. Just as every mother loves her children, Grendel’s mother killed out of vengeance and grief for her dead son. “Grendel's mother embodies the theme of revenge as she buries her grief in an assault on Heorot. Again, the Beowulf poet reminds us that she is a descendant of Cain; but there is something very human about her motivation,” She took the arm of Grendel wanting to keep every part of her son.
In Christian medieval culture, the term “monster” was used to refer to anything born with defects, as they were deemed God given signs of bad things to come. However, when exactly does a person gain the title of “hero”? From acts of defeating monsters, to defending a distressed village against a powerful plague, many are then considered heroes, yet when someone considered a monster does something heroic, does that cancel out their villainy? And vice versa? While Beowulf exhibits a multitude of heroic attributes, his undermining beast like qualities are hard to miss, and essentially pose the question to the reader: What is the relationship between monster and hero, and is there an overlap? The epic Beowulf blurs the lines between what it
In the epic poem, “Beowulf”, the author, talks about the first part of Beowulf’s life as he helps the old king Hrothgar deal with the monster that has been terrorizing the land. The monster known as Grendel, is the combination of everything that is evil and dark, and can also be used to symbolize the immorality of man. As a descendent of Cain, he inherits the punishment of sin, while also being forced into exile. Grendel is much more than your average enemy, so much so, that the people of Hrothgar’s kingdom consider him the embodiment of evil.
Death and violence are driving forces in the enjoyment of horror movies and stories. Horrific and gruesome events are entertaining to behold and often preface bigger adventures or satisfying endings. Similarly, death often advances a story and allows a character to face death in a heroic fashion. Beowulf holds to the previously stated standards because of it’s death driven storyline. The story outlines Beowulf’s battles with monsters and fight with death that establish his mythic reputation. The direct and indirect effects caused by death leads to Beowulf’s rise to power and ultimately insures his doom. Death grants Beowulf power, turning him into a hero, but ultimately wins in the end and captures even the mighty Beowulf.
In the epic poem Beowulf, Grendel who is the first monster Beowulf battles snatched up 30 men and it is to be said that beowulf has the strength of 30 men. Beowulf is an epic poem translated by Burton Raffel. In Beowulf there is three battles with three different monsters, Grendel, Grendel's mother, and a dragon. The three battles have a symbolic meaning throughout the whole book. The three battles in the epic poem represent more than just two enemies fighting for victory, they are battles between the internal good and monster who embody evil.
Beowulf is a poem written in Anglo-Saxon times. It is written for people who had mostly converted to christianity and left their pagan religions behind. The purpose of the Poem is most likely for entertainment as the readers no longer believed in monsters and dragons, but they would be able to easily understand what the monsters were being used to represent. Monsters today are thought of as mystical creatures, usually described as ugly or mean. We use monsters to represent a moral message, like in Frankenstein when the villagers refused to accept the monster. During the time Beowulf was written, the term monster was used to represent the characteristics of an awful person or something that was considered awful in society.