Bernard Lassus's Contribution To Landscape Architecture

He is best known for his oil paints, but he is also considered one of the founders of English landscape painting with watercolor. Within his travels of Europe he found his own style, known as “Painter of Light”, which created scenes of luminous imagery using brilliant colors and had only been 17 years old when he received the Great Silver Pallet for landscape drawing from the Royal Society of Arts (2015).

Preston’ s artwork is very relatable because she takes inspiration from the natural environment and we are able to see parts of her work in our day to day lives. Preston’s works provoke feelings of home and calmness, because of how close they are to reality and to make objects look real she uses, light and shade, colour and dimension, texture and softness to create a complete, complex

Calder discovered what he wanted: “to paint and work in the abstract” (Calder, p.133). He created relief paintings such as White Panel (1934) and applied himself thereafter to creating sculptures based on the plastic dynamics of asymmetry. Calder discovered the leaders of avant-garde, the Abstraction-Creation group. Under their influence, Calder began to look into Boccioni and Moholy-Nagy’s theories, using sculptures in motion.

Throughout history the unique and changeable Australian landscape has inspired a diverse array of artistic responses. Impressios of its power and beauty, expressions of individuals' responses, symbolic religious orientation, the range of landscape art works extends onwards. A great example of the vast variations of styles can be seen in the artworks of Glover, Drysdale, Berkowitz and Reid.

Educational and community: Educating the community about woodlands and wildlife. There are only two types of management used in the coniferous woodland. They are habitat and estate management. Habitat: Walking through the coniferous woodland, I noticed the method Brushing/felling was used, to let more sunlight reach the ground, through spaced out branches. Brushing/felling causes a lot of pine needles to fall; this is why leaf litter found in the coniferous wood was 95% more than the leaf litter found in the deciduous woodland.

This declaration focuses on cultural landscapes in terms of the ' interaction of people and nature over time' .3 The majority of World Heritage listed cultural landscapes are ' evolved continuing landscapes, where people and nature dwell together' . Most cultural landscapes fit into this category: they are living landscapes, changing as the culture, climate and natural surroundings change within and around them. The character of the landscape thus reflects the values of the people who have shaped it, and who continue to live in it. The culture itself is the shaping force. Landscape is a cultural expression that does not happen by chance but is created informally or by

Visual opulence, creativity, inimitable vision, and a style that is highly influential are the many characteristics of an admired movement in art history, that being of the Post-Impressionism movement (1875-1892). This movement, which was a by-product of the Impressionism movement, is the bridging gap between the two movements known as Realism and Expressionism. Post-Impressionism takes on some of the stylistic characteristics of these movements; however, it does not contain the all too glossy visuals of Realism or the heavily fantastic visuals of Expressionism, rather it is the intermediary of these two poles. My paper will discuss why this link was absolutely essential to the history of art movements, and I will be specifically using the

Viewing John Constable’s painting ‘The Hay Wain’ makes me appreciate that there were established artists in early 19th century. The painting is one of the most studied and sought after in the world and viewing it allows me to understand why majority of people are interested with it (Wikimedia Commons, 2017). The painting evokes a feeling of naturalness and allowed me to connect with the painter’s point of view. Constable was trying to showcase his country side as a natural green place and viewing the painting it is evident he achieved this. The aim of visual arts is to help the artist to communicate a particular aspect that the audience can relate with. The Hay Wain uses magnificent colors and texture that not only attracts

Janet Echelman is an artist who creates astonishing art out of fabric material. She creates thoughts that people get lost in. Her art is very deep as she incorporates texture of fiber, steal and lightning in her sculptures. She also included colorful colors that contrasted to the environment and to what her art needed to stand out. She hung her sculptures where she thought would change people and to have them get a sense at looking at things in ways you would never think of. Janet had got her inspiration from the cactus flower and how patient the flower could be to represent Phoenix. She created her title from the words of the American poet and philosopher Ralph Waldo Emerson who wrote, “Adopt the pace of nature; her secret is patience”(Frank, pg 2). Her Secret is Patience was meant to show the city of Phoenix that patience is key and you can only wait and hope for the best to come, rather than forcing something that should not be forced because the most beautiful things come

Artist John Marin, known for the creation of some of the earliest abstract paintings, published many works based loosely around architecture and landscape settings. In “Region of Brooklyn Bridge Fantasy,” Marin’s use of sharp, straight lines, cool colors and hues, and portrayal of depth and proportion contributes to a feeling of energy and speed, in relation to the bridge and city. By the implementation of these elements, as well as a multitude of others, Marin captures a sense of motion and frenzy, as these elements are straightforwardly present and identified by the eye of the viewer.

The art world has been host to a vast menagerie of talent, intellect, and creativity for about as long as human culture has existed. It has grown, developed, and changed just as humanity has. Naturally, with such an impressively expansive history, various avenues of art are visited time and time again by new artists. Artists seek not only to bring their own personal flavor and meaning to timeless concepts, but to find new ways to approach them. While not every single creator and craftsman can make such a great impact on art or the world, their efforts have given birth to some truly magnificent and unique works. In an effort to create a more meaningful understanding, as well a deeper appreciation, of the nuances, techniques, and design choices employed in these attempts, a comparison will be made between Edouard Vuillard’s Interior With a Screen (1909-1910) and Henri Matisse’s Blue Nude (Souvenir of Biskra) (1907). In this essay, each artist’s approach to the subject of the female nude will be closely analyzed, compared, and contrasted, as will their styles of painting, handling of visual elements, and their use of the principles of design. An interpretation of each work and what the artist intended when creating it will also be provided.

The use of geometric shapes in this painting allows the subject to be viewed in both a recognizable and unrecognizable state at the same time. Overall, geometric shapes and patterns play an essential role in what the viewer sees, which is further supported by a powerful color palate.

One of Vincent Van Gogh’s most world renowned paintings is his landscape oil painting Starry Night. The painting displays a small town underneath an unusual yet still extremely beautiful night sky. In this night sky, Van Gogh utilizes an array of colors that blend well together in order to enhance the sky as a whole. The town is clearly a small one due to the amount of buildings that are present in the painting itself. In this small town most of the buildings have lights on which symbolize life in a community. Another visual in Starry Night is the mountain like figures that appear in the background of the illustrious painting. Several things contribute to the beauty of Van Gogh’s painting which are the painting’s function, context, style, and design. Van Gogh’s utilization of these elements help bring further emphasis to his work in Starry Night.

Claude Lorrain’s Pastoral Landscape with the Ponte-Molle portrays this message by his elegant portrayal of the landscape.

In A Portrait of the Artist as a Young Man, Stephen Dedalus defines beauty and the artist's comprehension of his/her own art. Stephen uses his esthetic theory with theories borrowed from St. Thomas Aquinas and Plato. The discourse can be broken down into three main sections: 1) A definitions of beauty and art. 2) The apprehension and qualifications of beauty. 3) The artist's view of his/her own work. I will explain how the first two sections of his esthetic theory relate to Stephen. Furthermore, I will argue that in the last section, Joyce is speaking of Stephen Dedalus and A Portrait of the Artist as a Young Man as his art.