Big Two Hearted River Analysis

Ernest Miller Hemingway is known for his unique style and theories of writing, especially the iceberg theory. In the Death of the Afternoon, Hemingway says that “The dignity of movement of an ice-berg is due to only one-eighth of it being above water. A writer who omits things because he does not know them only makes hollow places in his writing.” (92) Simple words, vivid images, rich emotions and deep thoughts are the four basic elements of the iceberg theory. Talk about how these stories illustrate four elements of theory. In both short stories, Hemingway describes scenery and characters with simple words directly to give readers a vivid image. Under this sketch, readers can know characters’ emotion and get the theme through their imagination and analysis.

Readers tend to look closely at the chapter structure and interpret them as individual pieces without stepping back to see them as a whole; yet, Hemingway notes that there is, in fact, a sense of unity between the chapters and vignettes. An obvious unifying thread is the presence of the Nick Adams stories. “Indian Camp” introduces the reader to a young, impressionable Nick. What follows are several interspersed stories that trace his coming of age in pieces such as “The Three Day Blow” and “The Battler.” The book concludes as the post-war Nick Adams provides an account of a fly-fishing adventure, bringing a sense closure to this central character. What complicates the book are the vignettes that are interspersed within the story sequence. This structure works to juxtapose thoughts and ideas, perhaps even disorient the reader, thus challenging the reader to find new interpretative strategies, much like a perspective one might need to look at modern art. Hemingway carefully chose this structure (just as he so mindfully chose his prose) as a way of framing Modernism through the written

Set in a rural Australian town in the 1960s, Steven Herrick’s novel by the river is portrayed through the eyes of protagonist Harry Hodby. This novel explores the interconnected themes of loss and leaving. Harry Hodby loses three significant people in his life; his mother, Linda Mahony and Eve Spencer. As we peer into the perspective of the principle character, we understand how he deals with each of his losses in an individual way, and how he finally finds closure and acceptance of the people in his life that have departed.

Ernest Hemingway wrote A Farewell to Arms, a celebrated historical fiction, amidst a time of war and personal suffering. Hemingway believed at this time that “life is a tragedy that can only have one end” (Hemingway, VIII). He continues further, calling war a “constant, bullying, murderous, slovenly crime” (Hemingway, IX). Hemingway also suffered at home, in addition to his issues regarding the state of the world. His wife had just endured a difficult pregnancy and delivery, which contributed to the last bitter chapter of his story. Keeping in mind the tortured and surly mental state of Hemingway, it is difficult to swallow the idea that he would write a wholesome, well founded love story that attracts people. To some readers, A Farewell to Arms tells of a whirlwind romance between an ambulance driver and a nurse that is based on an unbreakable foundation of love, trust, magnetism, and compassion. Anxious modernists, like Trevor Dodman who are cited in Joel Armstrong’s nonfiction text, will come up with a remarkably different outlook on this tragedy. With aid from “‘A Powerful Beacon’ Love Illuminating Human Attachment in Hemingway’s A Farewell to Arms”, the loveless relationship between Frederic Henry and Catherine Barkley will be seen as rushed, meaningless, and mentally destructive to the parties involved.

The 1920s were times of loss for the United States. After seeing countless deaths of soldiers in a war many didn’t believe in, the years after World War I were times when people lost hope in classic principles such as bravery and courage. The “Lost Generation” were people who saw the horrors of the war throughout their life. Ernest Hemingway shows major themes of the “Lost Generation” through his stories after the war; he shows the pursuit of decadence in “Hills of White Elephants,” impotence through “Soldier’s Home,” and idealism through both stories (O’Connor).

The world of Ernest Hemingway’s “Big Two-Hearted River” exists through the mostly unemotional eyes of the character Nick. Stemming from his reactions and the suppression of some of his feelings, the reader gets a sense of how Nick is living in a temporary escape from society and his troubles in life. Despite the disaster that befell the town of Seney, this tale remains one of an optimistic ideal because of the various themes of survival and the continuation of life. Although Seney itself is a wasteland, the pine plain and the campsite could easily be seen as an Eden, lush with life and ripe with the survival of nature.

Ernest Hemingway’s semi-fictional short story The Nick Adams Stories chronicles the life of Nick Adams, a complex character whose life progresses from infantile innocence to a mature cynical existence. The stories unfold analogous to an iceberg; the real meaning is cryptic and lies just beneath the surface. Hemingway uses this iceberg analogy in the section “A Soldier Home” with images and symbols to convey a deeper meaning. In this section, Adams is returning home after the war and is still recovering from its atrocities. He has experienced many traumatic things while at war, so nothing seems innocent to him anymore. Throughout this section, Adams is recuperating and longs for a semblance of a normal life to find peace.

In Big Two Hearted River, Ernest Hemingway used his own experiences he had during the war and the issues he had when injured in the war. As soon as Nick stepped off the train the reader could feel the disappointment that Nick had and the understanding that he was a troubled soul. At the same time this was Nick’s way to treat himself by staying close to nature and the simpler things in life. No matter how happy Nick would get he would continue to have flashbacks of things he has done and friends he has lost along the way. Throughout the short story by Hemingway, Nick will continue to move through his problems from the war by camping and catch his food from the river and the reader will be able to see Nicks pain and happiness.

     In Hemingway’s collection of short stories, In Our Time, we follow a character by the name of Nick Adams. We are introduced to Nick in “Indian Camp” as a young boy, and follow him to adulthood in both Parts I and II of “Big Two-Hearted River”. Through this we see Nick develop and learn about some major facts of life. Nick is a character who changes through the effects of war on many different levels. Although Hemingway hardly mentions the war, he uses the stories to express different effects and emotions caused by the war.

Novels published after a major war are often the most deeply emotional, profound ruminations on human nature. The authors of these novels were once soldiers, living in fear and enduring sleepless nights. These authors channel their experiences and emotions into their work, often creating masterpieces of literature. A Farewell to Arms is one such novel. Its author, Ernest Hemingway, was in the Italian ambulance corps in World War I, much like the protagonist of A Farewell to Arms, Frederic Henry. The themes in A Farewell to Arms reflect his mentality and the typical soldier’s disillusionment in the institutions and values he had always held close. A Farewell to Arms explores the far-reaching disillusionment that seems to plague Frederic. The theme of Frederic Henry’s disillusionment of all that he believes in appears through his desertion of the war, the deterioration of his relationship with Catherine, and his thoughts on life.

Many authors, critics, and everyday social readers define Ernest Hemingway as the prime example of 20th century American literature. Hemingway’s works transcend time itself, so that even readers today analyze and criticize his works. His works, of course, have drawn praises and animosity from all corners of the globe. Critics often applause Hemingway on his short simple prose, for which many people recognize him for. His writing builds upon the masterful usage of “short, simple words and short, simple sentences” (Wagner, 3) to create clear and easy to

“Big Two Hearted River”, a semi-autobiographical short story by Ernest Hemingway, is a story about the main character, Nick, returning to Big Two Hearted River in order to recover from his inner wounds. Nick Adams goes on a journey alone in nature for a therapeutic purpose as he suffers from PTSD. However, Hemingway purposely avoided any direct discussion regarding to Nick’s mental wounds. The absence of the discussion is contributed by Hemingway’s writing style, the Iceberg principle. Hemingway focuses explicitly on what occurs on the surface without mentioning actual theme. This indicates that the theme of self-healing cannot be uncovered by simply looking at the text itself. In order to comprehend the actual theme of the story, the character development of Nick must be examined. This is possible since Nick Adams is a recurring character of Hemingway’s stories. The two preceding stories of “Big Two Hearted River”, “Now I lay me” and “A Way you’ll Never Be”, directly discusses Nick’s suffering from shell-shock and how he comforts himself by returning to Big Two Hearted river in his mind. The two short stories will be analyzed and connected to “Big Two Hearted River” in the essay first. This will provide a strong understanding of Nick’s psyche and the reason behind his return to nature. Then, “Big Two Hearted River” the short story itself will be carefully analyzed.

Ernest Hemingway’s novel A Farewell to Arms covers a romance that takes place during World War I. The novel itself came out shortly after the war, and was the first of Hemingway’s books to become a best-seller. Essentially, the novel contrasts the horrors of war with the romance of Henry and Catherine. Throughout the plot, Hemingway, a World War I veteran himself, uses the events of the book to make a statement about his thoughts on war. The core message of Hemingway’s A Farewell to Arms is that war damages the soldiers who fight in it both physically and emotionally, which is primarily illustrated by the number of deaths caused directly and indirectly by the war, the actions Henry is forced to take over the course of the book, and Henry’s growing cynicism towards war.

The Great War, as it is famously known, caused a major cultural shift. It had the consequences of breaking the social norms that existed at that time and was replaced with newer ways of interaction with the world. The war prompted the society to be more experimental and convinced them to embrace the unfamiliarity of individualism. The people saw war as a constant and therefore were actively looking for means to escape this reality. As the lost generation focused their literature on the inner workings of their consciousness, so did the society, but wholesomely. Due to this fact, the Modernist writers cultivated the core and fundamental virtues of that era that is how the inner consciousness functions and how it affects the self. The Big Two-Hearted River by Hemmingway is a perfect example of this Modernism shift since it describes the life of a soldier coming back from war, in the quest of serenity after the mental torment suffered during the

Ernest Hemingway’s A Farewell to Arms tells the tale of two young, star-crossed lovers in the midst of World War I. A powerful romance and stirring history of the war, this semi autobiographical novel meshes the contrasting worlds of love and war, setting war as the backdrop of love. The novel’s portrayal of love is an issue that has attracted critical debate, prompting many academics to reflect on its existence, form, and role in the plot. Joel Armstrong is one such academic. His literary criticism entitled, “‘A Powerful Beacon’ Love Illuminating Human Attachment in Hemingway’s A Farewell to Arms,” asserts that love is the centering principle of the novel, and that the narrative’s world is one in which “love illuminates all of life” (Armstrong 79). As Armstrong asserts, love is the centering principle of A Farewell to Arms because it serves as an anchor for Frederic Henry and Catherine Barkley during the tumultuous events of war, motivates them to go through significant struggles, and works along with loss to lend more meaning to significant events in the plot.