Billy From The Night Fight Scene Analysis

Billy is shown to be worry free at the beginning after he finds out that he accidently stole the can of tuna. Billy was not worried about law enforcement because it was such a minor item. This shows that he is very confident in himself and isn’t really worried about what could happen. When they are arrested, the first person he calls is his mom which makes the viewer think that Italians are mommas boys. Though this could be true in Billy’s case, this is not a hundred percent fact. With this in mind, he could have picked a public defender but he chose to pick a family member to represent him and his friend. This ties into the stereotype that Italians are family based and that family is of major importance as well as wanting to have ties with their own community. He loses faith in his cousins ability to represent them but in the end, he still sticks with family even if that means he could be put in prison. Stan is Billy’s friend that is getting tried for helping out with the supposed murder. He is seen dressed in a leather jacket and having slicked hair which could represent a gangster like

     Captain Vere knew that Billy did not mean for him to die but he still calls a trial for murder. Captain Vere knew that Billy was not going to revolt as well but because of the mutinies that had been taking place at that time, Vere did not want to show any weakness. Billy could have probably gotten off had he turned in the other men who were actually planning to revolt but he didn’t because of his loyalty to his crew. He lost the trial and was hanged, his last words being, “God Bless Captain Vere!';

Billy is innocent in a sense that he has done no wrong which leads to his blind and naïve view of evil. The Dankster tries to warn Billy that ‘nobody’s friend is Jimmy-Legs’ and by saying ‘he is down on you’ but he does not see Claggart to be a threat of any sort. Billy’s innocence and devotion to good do not let him see the evil in Claggart whom is trying to destroy him but eventually conflict resulting in the murder of Claggart from a blow by Billy.

Billy a troubled neighborhood boy, effected Jeannette’s childhood. He was constantly trying to mess with her. One day when all the kids were out playing hide and seek Billy hid with Jeannette. He forced himself on her and said he “raped her”.

In the 1940’s a series of propaganda films titled Why We Fight were produced for the purpose of defining the enemies of World War 2 to justify the necessity of America’s involvement in war. Hitler needed to be defeated, Nazism had to be destroyed, and tyranny had to be stopped for the sake of the American way of life by any means necessary. How could society argue against America’s role in the world war when freedom was being threatened? As Martin Luther King Jr. said “Injustice anywhere is a threat to everywhere.” No questions asked, Americans mobilized in the name of liberty and freedom. However the 2005 documentary film Why We Fight directed by Eugene Jarecki is not a sequel or war propaganda. The film informs the audience and questions America 's military industrial complex that has since dictated policy since the victory of World War 2. With the help of narration, soundbites, and credible speakers Jarecki shines light on the pernicious impact of the armed industry on our government, army, and citizens.

While we think Billy's breakdown probably has a little something to do with the war, we do agree that this scene represents pretty much everything that's wrong with Billy's life in miniature. Billy had no choice about being tossed into the pool and he has no choice about being saved from it much like he has no choice but to go fight in the Battle of the

The film Warrior was released September 9, 2011 by director, writer and producer Gavin O’Connor. O’Connor takes us through a story of two former MMA fighting brothers dealing with a harsh family past (“Warrior”). Gavin has also directed the 2000 film, Tumbleweeds, and the winner of the Best Sports Movie Award in 2004, Miracle (“Gavin O’Connor”). Tom Hardy (Tommy Conlon) was also featured in a major 2010 film, Inception, and This Means War in 2012. He also played one of the main roles in The Dark Knight Rises as villain Bane (“Tom Hardy”). Joel Edgerton is most recognized for his role as a main character in an Australian Television show, The Secret Life of Us, but is also famous for his role as Uncle Owen in Star

Billy has lost a sense of love as death has faced him in the eyes once too many. Billy deals with his pain by turning to alcohol abuse, he cannot deal with his mourning, "Sometimes it's not as if they have died so much as that I myself have died and become a ghost." (43). From Dolores and Billy, the central theme is slowly revealed.

Fight Club: every white man’s favorite movie and my worst nightmare turned reality. Much of the novel version of Fight Club struggles with this issues of toxic masculinity, feminization, and emotional constipation. No character addresses these topics better than Robert Paulson, better known as Big Bob; it is his character that serves as a catalyst for both The Narrator, and Project Mayhem.

In the beginning , Billy thought the landlady was ‘terribly nice’,which he was quite grateful to have such a nice landlady who give him a well-appointed service, but as the conversations go on, Billy was then frightened by her weird and creepy contents, he ‘sat there staring straight ahead of him into the far corner of the room, biting his lower lip.’ tells the readers that he’s begin to frightened and suspect landlady, foreshadowing the readers that she might be doing something that couldn’t be trusted by Billy.

In the teachings of the Tralfamadores, Billy concludes that after one dies, he only appears to be dead. We shouldn’t grieve and cry at their funeral since they were very much alive in their past. In their point of view, the moments they held with that person are still alive, it is simply an illusion of humans that once a moment has taken place, it is simply gone. In their world, they pick a moment from the past to live it endlessly, they will never loose their time with their loved ones. So when Billy goes at a funeral, he just thinks that the person is at a bad condition in that certain moment, and that their soul will live forever. When Billy sneaked out of house to go to New York, he stayed

While constantly aware of Miss Drew’s situation, Billy can’t escape the realization of his position’s possible transiency and the fact that his life depends on his usefulness in the gang: “all I had to remember was how small of a mistake was sufficient to change my fortune, maybe even without knowing it. I was an habitual accomplice to murder. I could be arrested, tried, and sentenced, to death”(123). From this, Billy is impressed with one of the fundamental rules that accompanies inclusion in gang life—absolute loyalty to the gang’s interests. Billy observes the consequences of breaking this rule of loyalty when he hops onto the boat and into the scene of Bo’s sinking figure, and later, when Schulz’s personal life becomes complicated with a pending courtcase. The gang loyally relocates to the rural small town of Onondaga to help ensure the boss avoids jailtime. After painstakingly building an amiable reputation in the town for the Boss, Schultz’s temperament leads to “the president” Julie Martin’s murder in the hotel. The entire gang dutifully cleans the room and removes the body with cover up concluding with and unprepared Billy being punched in the face. After the fact, Billy comes to see the necessity of his subsequent broken nose yet is internally insulted and cannot shake the urge to “get revenge” (159). This affront to his own ego caused a shift

“This scene not only expresses Billy’s rage, it visually represents his childhood. Billy is blocked by barriers of gender, class, and

When it comes to the film industry, entertainment is the tool used to acquire what is desired, money. The main goal for filmmakers when they create a film is to attain money in addition to the money spent to make the movie. Therefore, in some films that they like to base off of true accounts, it is somewhat necessary to dramatize or embellish the story to really tug at the heartstrings of the films audience. They achieve this goal by the use of dramatic music, ambient lighting, and a small amount of tweaked diction. The Fighter is an excellent example of this dramatization in action because throughout the film the characters are faced with a multitude of decisions that must be made. The choices they make require the characters to choose

Native American authors often share common themes that stem from life on reservations; these include poverty, violence, abuse, and alcoholism. Sherman Alexie, a Native American from Spokane, Washington, is not only one of these authors, but she may be the most successful and well-known Native American writer who contributes these themes. Alexie often made strong attempts to portray life as a Native American in her short stories in novels. For her, it was about depicting the Native American experience. she does just that in her short story collection, “The Lone Ranger and Tonto Fistfight in Heaven.” Alexie uses literary elements, such as themes, symbolism, and imagery to further aid her overall message of what life is like growing up and living on a reservation. These experiences, as she demonstrates, contrast sharply with those of white society, as they cannot fathom a similar culture.