BAM! The Black Arts Movement
The amazing era of the Black Arts Movement developed the concept of an influential and artistic blackness that created controversial but significant organizations such as the Black Panther Party. The Black Arts Movement called for "an explicit connection between art and politics" (Smith). This movement created the most prevalent era in black art history by taking stereotypes and racism and turning it into artistic value.
This connection between black art and politics was first made clear in a great essay written by Larry Neal in the summer of 1968. This essay illustrated the Black Arts Movement's "manifesto" or plan. Neal wrote: "The Black Arts Movement is radically opposed to any concept of the artist
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The poem went on to read,
Poems are bullshit unless they are teeth or trees or lemons piled on a step. Or black ladies dying of men leaving nickel hearts beating them down. Fuck poems and they are useful, wd they shoot come at you, love what you are, breathe like wrestlers, or shudder strangely after pissing. We want live words of the hip world live flesh & coursing blood. Hearts Brains
Souls splintering fire. We want poems like fists beating niggers out of Jocks or dagger poems in the slimy bellies of the owner-Jews." (Norton 1943)"
All agreed the words Baraka used were harsh, but that is the essence of writing in this era. Any words, illustrations, and depictions can be used to describe the feelings of Black Power. His words, "Fuck poems that are useful" summed up that the black community was not looking for false hopes but for reality. This poem had a very powerful effect on the black community who related to the desire of Black Art (Bader). His poems contained an unconventional syntaxes, different poetic rhythms, and dark urban dialect creating interesting poems that illustrated the movement he helped create. Baraka was the first to illustrate this movement in such a vulgar but amazing way. He described the type of writing that Black people
African American Studies is a very complex subject. To confuse African American studies with black history is a common occurrence. African American studies is much deeper and more profound than just Black history alone. There are many unanswered and unasked questions among the Black American culture which causes confusion and misunderstanding in modern day society. In unit one there were many themes, concepts, and significant issues in the discipline of Africana studies. Both W.E.B Du Bois and Vivian V. Gordan touched on many concerns.
The American culture is define to everyone in their own way. Everyone grows up differently in a particular community that shares the same languages, values, rules, and customs. The American Culture on that is consider to be a “melting pot”, because of all the different cultures that reside inside of it making it so diverse. Race in this country has never been a great topic throughout history. African Americans play a huge role into defining what our culture is as a whole, as well as being a part of racism for the past 250 years.
The time has come again to celebrate the achievements of all black men and women who have chipped in to form the Black society. There are television programs about the African Queens and Kings who never set sail for America, but are acknowledged as the pillars of our identity. In addition, our black school children finally get to hear about the history of their ancestors instead of hearing about Columbus and the founding of America. The great founding of America briefly includes the slavery period and the Antebellum south, but readily excludes both black men and women, such as George Washington Carver, Langston Hughes, and Mary Bethune. These men and women have contributed greatly to American society.
The Black Arts Movement is famously described by Larry Neal, in his essay “The Black Arts Movement” as the “aesthetic and spiritual sister of the Black Power concept” (Neal 272). Led, in some ways, by Malcolm X and advocated by the Black Panthers for Self-Defense, the Black Power Movement can be viewed as a distinct break from earlier civil rights movements. Black Power encouraged the improvement of African American communities rather than the fight for integration and acceptance according to white standards. The Black Power Movement cultivated racial dignity and self-reliance, and also revived an interest in cultural heritage and history. Furthermore, the movement recognized that “standards of beauty and self-esteem were integral to power relations” and sought to cultivate confidence within the black community. (Hiltz and Sell). In addition to sharing an ideological basis, The Black Arts Movement and Black Power Movement merged even further, because the BAM allowed for “concrete expression” of many of the “political values inherent in the Black Power concept” (Neal 272).
As Americans, we are privileged with diverse experiences. With this comes a perceived understanding of many cultures and their influences but in fact full cultural literacy is impossible to achieve.
During my early years of school, I remember being taught white accomplishments and wondering if blacks and other people of color had made any significant contributions to today's world. I noticed that television consist of all white people. Throughout my research paper I hope to cover certain aspects of African American heritage. Aspects such as blacks making up the largest minority group in the United States, although Mexican-Americans are rapidly changing that. The contributions blacks have provided to our country are immeasurable. Unfortunately though rather than recognizing these contributions, white America would rather focus on oppressing and degrading these people. As a consequence American
Slavery began in the late 16th century to early 18th century. Africans were brought to American colonies by white masters to come and work on their plantations in the South. They were treated harshly with no payments for all their hard work. In addition, they lived under harsh living conditions, and this led to their resistance against these harsh conditions. The racism towards the African Americans who were slaves was at its extreme as they did not have any rights; no civil nor political rights.
Imagine it is the 1960’s: conflict in Vietnam had sparked widespread protest at American college campuses, people all over the country were reading the The Feminine Mystique and fighting for increased equality among the sexes, and the Civil Rights Movement was at its peak. African Americans throughout America were uniting for the common cause of equality, however differing ideology and beliefs regarding how equality could be achieved divided them. Martin Luther King and Malcolm X rose as prominent leaders in the fight against racial inequality, the latter typically credited with the development of more violent methodology which excluded white involvement and conceived the movement of “Black Power.” The Black Panthers, members of a political party formed by college students Huey Newton and Bobby Seale in 1966, are typically associated with the idea of black power and the legacy of Malcolm X despite the fact that he had died a year prior to the party’s founding. While the idea of black power is easily and mis-conceivably associated with the idea of black supremacy and violence, The Black Panther Party primarily sought a spot for African Americans next to that of whites, not above. The Black Panther Party, despite its violent appearance and legacy, made a positive influence on American history through its platform based on equality, human rights, and patriotism.
The emergence of the Black Power movements in the early 1960s coincided with the peak of success for the Civil Rights campaign - the legislation of 1964-65. Thereafter, the focus of campaigns had to move the practical issues related to social and economic deprivation, and the ability to exercise the rights that had been gained. By 1968 little had changed, and it is therefore easy to claim that Black Power movements achieved nothing, and in fact had a negative impact on black Americans.
Scholars have dedicated their time and attention to furthering the discipline of African American Studies and can define the field with many different definitions. Through looking at the origins and development in the study we can see how it became a legitimate academic field. As we study the writings of the African American intellect, it will fully explain the importance of the discipline. Their work will justify the study of cultural and historical experiences of Africans living in Africa or the African Diaspora. When examining the scholar’s arguments we can develop our own intellectually informed rationalization of the field of African American Studies.
During the late 19th and 20th centuries Blacks in America were debating on the proper way to define and present the Negro to America. Leaders such as Alain Lock, W.E.B. Dubois, Marcus Garvey, and Tuskegee University founder Booker T. Washington all had ideas of a New Negros who was intellectually smart, politically astute, and contributors to society in trade work. All four influential leaders wrote essays to this point of the new Negro and their representations in art and life. In “Art or Propaganda”, Locke pleas not for corrupt or overly cultured art but for art free to serve its own ends, free to choose either "group expression" or "individualistic expression.” (National Humanities Center) In W.E.B. Du Bois speech "Criteria for Negro
African Art does not have specific date to which it evolved because most early African Art was carved in wood, which perished quickly. This is why most art dates from the 19th and early 20th century. Many 20th century artists admired and collected pieces of African Art. They enjoyed the bold color, expression, and form that produced a new beginning in art history. African Art was mostly dedicated to life affirming activities such as healing, pleasure, protection, and transformation.
I like to believe that art was a way for Blacks to express their pain, hopefulness, and love that everything Black wanted and could just outright say was put into art; therefore, art was a happy place even though it expressed pain but in pain there is its own beauty. DuBois (1925:53) stated that even though Black art has both personal and universal aspects, that those two things are “combined with certain groups compulsion.” meaning that there was a Black person that spoke for the group through art. His thoughts would lead to black Aesthetic.
In the 1970s Black people were facing many troubles because of the White race .For example, Blacks were working as servants for them, and they were living in miserable conditions along with the violence against them and many other encroachments .So that many Afro- American were struggling in order to get back there dignity and their civil rights through establishing movements, including Black Arts Movement and Black Power Movement.
African American literature is the body of work produced in the United States by writers of African descent. This particular genre traces back to the works from the late eighteenth century by writers such as Phillis Wheatley to later reaching early high points with slave narratives and the Harlem Renaissance, and thus continuing today with authors such as Colson Whitehead and Maya Angelou. Among the themes and issues explored within African American literature are the roles of African Americans within the larger American society, African-American culture, racism, slavery, and equality. African American writing has also tended to incorporate oral forms such as spirituals, gospel music, jazz, and rap. Dating back to the pre-Revolutionary War period, African American writers have engaged in a creative dialogue with American letters. The result is a literature rich in culture and social insight. These pieces offer illuminating assessments of American identities as well as its history. Since the time of early slavery African American literature has been overlooked within the literature criticism. This essay thrives to show that within the English profession African American literature does belong alongside the great works such as A Christmas Carol by Charles Dickens and poetry as A Road less taken by Robert Frost. I will dive deep into history to not only investigate what critics think about African American literature, but why is it not held to a higher standard just as American