Black Women And Racism Analysis

African American women's health, hair politics, and physical activities. Studies show that African American women tend to pay more attention to their hair instead of their health issues. Researches came up with a theoretical argument to figure out why hair matter for some women. They discover that hair presents a barrier to exercise in that the time and economic restrictions involved in maintaining a hairstyle post exercise for physical activity as prohibitive. This study provides some perception about the relationship between hair and health for African American women and suggests that extra attention is justified to address views about beauty ideals and hairstyles as a barrier to exercise (Versey, 2014, p. 2015)

As stated above, African-American women have been subjected to measure themselves against white women. White women are viewed, in this society and since the beginning of the concept of race, as the epitome of beauty. Logically, African-American women attempt to emulate the white standard. This creates an inferiority complex, because the epitome of beauty is white woman, than any other race can be deemed as inferior; this deteriorates African-American women’s self-worth. To remedy worthlessness, many body modification techniques have been made to fully mimic white women in terms of beauty. This emulation still is being done and it is continuous, because of the psychological ‘white fantasization .

Chris Rock’s documentary, Good Hair, investigates the notion of what good hair is. Dominant society views good hair as straight or essentially caucasian hair. This is not only problematic to the self-esteem and confidence of black women, but it can also cause black women to appropriate Asian culture. Black women unfortunately take advantage of Asian culture in search of what society believes is good hair. Many black women wear weaves in order to align to what society believes is good hair. However, when they buy this hair, they do not realize what Asians go through. Likewise, Asians who give up their hair do not know where or who this hair will be going to. Thus, this desire for good hair further perpetuates the lack of understanding that black

Early then goes on with his essay by describing the hardships his daughters have faced when trying out hairstyles. He appeals to the mournful emotions of the audience by describing a real life account of his daughter being made fun of at school. When his daughter Linnet got an afro style haircut one group of black girls at her school refused to play with her. She was told,”You look so ugly with that hair.” Early adapts a sad tone when Linnet describes herself as, “I don’t think I am beautiful at all. I think I am just ordinary.” Early uses an emotional appeal along with a sad tone in order to inform the nation of what many African American girls deal with. He does this to inform the reader of self-consciousness a particular “African- American” disease.

hair and is extremely damaging to the hair and from personal experience can lead to permanent scarring and scalp irritation to name a few. Since Black women are apart of the “mass” that McCombs and Shaw reference in their theory, they are also consuming these images and have no other way to think about themselves. This puts more pressure on Black women to want to assimilate to Eurocentric standards of beauty which has a direct effect on their self-esteem as discussed in the very popular documentary ‘For Dark Girls’ where Black women discussed their struggles with trying to achieve this Eurocentric standard of beauty.

The fourth chapter of "Why Are All the Black Kids Sitting Together in the Cafeteria?”is about the identity development in adolescence. It is said that when black children are growing up, they engage in many of the white culture’s beliefs and values as it is all around them. It is not until a little later where they begin to recognize the impact of racism. This can happen around the early stages of adulthood. It might even happen around the junior high age. Gender also comes into play around this time as well. A black girl wouldn't be acknowledged for her beauty in a white setting as she is not in the society's standard for beautiful. Since the black girls aren’t considered beautiful, they begin to feel devalued. The black youth are beginning

The attitudes and arguments towards and against black hair in “Balm” by Lonnae O’Neal Parker and “My First Conk” by Malcolm X are contingent because they express two distinct views on black hair. Malcolm X pleads that manipulation of our hair by straightening or covering by wig is self- degradation. While Parker believes that the time she spent doing her daughters hair is translated to the love she has for them. This time not only assures the girls that they have a loving mother, it assures Parker that she could send them out into a world that would appreciate them because they had someone who put time (love) into the girls. Parker is aware of the scary truth that our worth by outside world is one dimensional and fuel by aesthetics. Both Lonnae O’Neal Parker and Malcolm X have analyze the importance of hair in the black community. Parker praises the “black hair ritual” while Malcolm criticizes it. Even though their topics differ, both essays share the act of taming natural hair, and the motifs of love and pain

The researcher interview with African American women with natural hair and examination of social media. The researchers explain that in the natural hair community a curl texture is more attractive than kinky hair texture and lengthier hair more desirable than short hair; also having manageable hair is dynamic to African American women’s effective performances of Black femininity. This research expands the discourse in African American Studies that theorizes the experiences of African American women with natural hair compared to those of African American women with relaxed hair such as perms (Howard, 2015, p.

“Janie ties her hair up in the store un- der her husband’s orders so that other men will not touch her. Hair is a tool for sexual desirability across races and ethnic groups; however, the issue within the African community is that the “type” of hair that is often de- sired. However, hair is a marker of femininity, so to restrict or demean one’s hair is a direct attack on women’s being. This implies that when the hair is covered—as it had to be on the plantation or other places where African women existed, they were deemed less feminine and thus less womanly”

Since the early 1900s, Black women have had a fascination with their hair. More explicitly, they have had a fascination with straightening their hair. The need to be accepted by the majority class has caused them to do so. Though the image of straight hair as being better than coarse hair still hasn’t left the Black community, there has been a surge of non straight hairstyles since the nineteen sixties. Wearing more natural hairstyles, which ironically enough include ‘weaves’ and ‘hair extensions’ has been considered to be more empowered and more enlightened. However, this image comes with a price, and though it appears the ‘natural’ hairstyle movement has advanced Black women, it has actually set

Many black girls go thru social identity issues on a daily basis. Skin color has created division even within black people because fairer skin tones are highly praised in the Negro community. Discrimination is used everywhere against black girls with a deeper skin pigment per example, makeup brands neglect the commercialization of darker shades of foundation, hair products for women of color

Many of us are faced with the idea that we will never be able to live up to society 's expectations. That no matter what we do as human beings, nothing will ever be perfect to society. In the short documentary film “A Girl Like Me,” the director of the film examines the importance of color of skin, hair and facial features for young African American women. The director 's purpose was to empower the women and let them know they can overcome these false stereotypes. The film starts by including some of the most common misconceptions and stereotypes of African American women, naming a few were, loud, ghetto, and obnoxious. These stereotypes caused a buildup of anger and insecurities that these young women think they are forced to live with. As we are introduced to four young women of color, the film builds its credibility by including personal experiences faced by these women that adds their beliefs and concerns. As stated by Wahida, “Were this way, were that way, and a lot of time we have to prove that isn’t true.” The Director’s argument is broadly directed to one particular audience and fails to include perceptual views from the white community. That ultimately weakened the film’s argument to give the audience further “evidence” of support for the argument presented.

Although embracement or celebrations of this stereotypically black feature may empower these women who reverse or redirect the hegemonic gaze that had been centered on their backsides for so long, these Eurocentric derived presumptions and idealizations of female blackness, nevertheless, remain. However, attempts to redefine these social constructions, while accentuating this feature Beyoncé refers to as “bootylicious,” has transformed beauty industries and ideas of sexual desirability which “subverts social hierarchies and normalcy” (Hobson 88). These redefinitions of beauty, more specifically, black beauty, from the “grotesque, carnivalesque body,” (Hobson 88) seeks “a healthier body image than their white counterparts” who are exclusively depicted as slender and petite (Durham 36-37). Thus, black women begin to visualize their own bodies and other black women bodies in ways that lead to non-sexualized, non-deviant conclusions. Challenging these “controlling images,” as Patricia Hill Collins identifies in Hobson’s article, only “unmirrors” black femininity and its history, a term Hobson cited from black artist and theorist, Lorraine O’Grady, because in order to “name ourselves rather than be named we must first see ourselves” (89). She later adds

“You would look so much prettier with your hair straight!” is a comment my sister of mixed descent has been receiving from her classmates since childhood. Straight hair is a Eurocentric beauty standard that has been pushed onto my lighter skinned sister for most of her life. I am of a darker complexion however and therefore am complimented often on my naturally curly hair. This leads to the question; do black beauty standards differ from white ones? The answer to this query is explored in Maxine Craig’s work Ain’t I a Beauty Queen? She claims that in many regards, though not all, the answer is yes. While Craig does a good job of defining the historical moments that lead to black beauty standards today, she lacks an explanation as to why darker skin tones are stigmatized the way they are and neither does she factor in how many people consider personality when determining beauty.

A common argument against the existence of cultural appropriation is; “Well, how about when Asian people who dye their hair blonde, or when African Americans straighten their hair?” This is not appropriating ‘American culture’ but assimilating to it. Assimilating is adopting the dominant culture in order to be successful and carry out day to day life. Instead of questioning why people of color are forced to fit in, we should be asking why the American standard of beauty is so