Hannah McCurrie
Year 12 Literature Book Report
A Clockwork Orange
A Clockwork Orange is a novel by Anthony Burgess, an English author and composer. Born in Manchester, to catholic parents, who were part of the lower middle class background, who were relatively well off shopkeepers. Within his earlier life he spent time solitary and alone, Burgess even stated ‘I was despised…ragged boys in gangs would pounce on the well-dressed like myself’. In 1942 Burgess married Lynee Jones. Burgess spent six weeks in 1940 as an army recruit in Eskbank and then went on to become a Nursing Orderly Class 3 in the Royal Army Medical Corps. In 1946 Burgess left the army and began his teaching career. Burgess was predominantly a comic writer, his dystopian satire A Clockwork Orange remains his best known novel. Malayan trilogy The Long Day Wanes was Burgess's first published fiction.
His dystopian novel A Clockwork Orange was published in 1962. It was inspired originally by an incident during the Second World War in which his wife Lynne was robbed, assaulted and violated by deserters from the US Army in London during the blackout. The book is an examination of free will and morality, although this is significant Burgess was also inspired to write A Clockwork Orange during a visit to Leningrad in 1961. During this time the Soviet Union was ahead of the United States in the space race, and communism was establishing itself in countries as far-flung as Vietnam and Cuba. A Clockwork Orange
A Clockwork Orange, by Anthony Burgess, develops a fictional account of a violent futuristic society, while integrating commentary on current political and social issues.
A Clockwork Orange, a novel written by Anthony Burgess in the 1960’s takes place in dystopian future in London, England. The novel is about a fifteen year old nadsat (teenager) named Alex who along with his droogs (friends) commit violent acts of crime and opts to be bad over good. In time, Alex finds himself to be in an experiment by the government, making him unable to choose between good and evil, thus losing his ability of free will, and being a mere clockwork orange. A “clockwork orange” is a metaphor for Alex being controlled by the government, which makes him artificial because he is unable to make the decision of good verses evil for himself and is a subject to what others believe is right. In A Clockwork Orange, Anthony Burgess
Stanley Kubrick's 1971 film production of the Anthony Burgess novel, A Clockwork Orange, is a truly unforgettable film. It is narrated by one of the most vicious characters ever put on screen, Alex DeLarge. The promotional poster for the film advertised it as "The adventures of a young man whose principle interests are rape, ultra-violence, and Beethoven" (Dirks 1). Needless to say, music plays a very important role in A Clockwork Orange. The expressive use of music in this film gives the viewer a look into the psyche of the vicious Alex, a psyche that equates violence with art. By doing so, the film shows us the complexity and duality of the human mind through a character who loves both
Change can be good to a society, but to what extent? In the book A Clockwork Orange the main character Alex and his droogs run the streets at night committing crimes. After a slip up that leads him to get caught by the authorities, Alex is giving the chance to “fix his ways” that makes the reader question the meaning of human freedom. Anthony Burgess’ A Clockwork Orange is a true dystopia because of the high rates of crime, unethical medical practices, and dehumanizing policing used by the government.
“A Clockwork Orange” starts with Alex posing the question: “what’s it going to be then, eh?”. Burgess begins the story by demonstrating that Alex
The movie was pulled from British theaters in the early seventies and is still illegal, in any form, in the United Kingdom (Contemporary Authors 491). In addition, ripples from the film tarnished the novel's popular image. On account of the movie, some readers regard the book as "a flip testimonial on behalf of mindless, juvenile violence" (Edelheit 126), and Burgess is dubbed "an antisocial writer" and the "stepfather" of a "punk cult" (Burgess, "A Clockwork Orange: A play with music") which sprung up around the Kubrick film.
“What’s it going to be then, eh?” is the signature question in Anthony Burgess’s novel, A Clockwork Novel that not only resonates with the moral identity of the anti-heroic protagonist, Alex, but also signifies the essential choice between free will that perpetrates evil and deterministic goodness that is forced and unreal. The prison chaplain and the writer F. Alexander voice the most controversial idea in the novel: man becomes ‘a clockwork orange’ when robbed of free will and tuned into a deterministic mechanism.
Anthony Burgess's writing style in his most famous novel, A Clockwork Orange, is different to say the least. This novel is praised for its ingenuity, although many are disturbed by Burgess's predictions for the future. However, for many, it is close to impossible to comprehend without outside help. This is because Burgess created a language specifically for this novel, called Nadsat. This Russian-based language forms conversations between the narrator, Alex, and his teenage, delinquent friends. There are many assumptions as to why Burgess chose to complicate A Clockwork Orange by filling it with the confusing Nadsat language. Some opinions are that the language shows A Clockwork Orange readers
A Clockwork Orange demonstrates the philosophically issues of free will and determinism through how the main character was treated in the movie. It also addresses important issues such as ethics, philosophy of the mind, free will and determinism, and the problem of perception. Philosophers such as John Hospers, B.F. Skinner, and Jean-Paul Sartre have different views on the issue through their theories of how individuals are or are not responsible for the free will choices that they make in life. The main character in the movie was a very violent , and reckless person. He participated in sinful acts such as being a gang member, raping women, being involved in fights, etc. These actions resulted in him being sent to prison and eventually being brainwashed into doing things out of his character. The three philosophers have very different interpretations of how the main character should have been dealt with and the reasonings behind his actions.
In the novel A Clockwork Orange, the author Anthony Burgess tells a story about a young man name Alex and his friends, every night they go around and start committing violent acts. In the novel Alex expresses his freedom of choice between good and evil. The freedom of choice is a decision that every person must make throughout his life in order to guide his actions and to take control of his own future. This Freedom of Choice, no matter what the outcome is, displays person power as an individual, and any efforts to control or influence this choice between good and evil will take way the person free will and enslave him. In this novel the author uses this symbolism through imagery. He shows that through the character of
I think that A Clockwork Orange is a book worth reading because it is relatable, makes you think, and is interesting. The author, Anthony Burgess, was born February 25, 1917. At the young age of two his mother passed away. He was brought up by his aunt and later his stepmother. Even with such an unstable childhood Burgess continued on to enroll in college and major in English. He had a passion for music, which he expressed in the main character of A Clockwork Orange. Burgess wrote several accomplished symphonies in his day, as well as over fifty books. He was diagnoses with a brain tumor at about age 40 but well outlived his doctor’s expectations continuing his artistic output until his death from lung cancer at age 76.
The created patch-work language of Nadsat in the novel, A Clockwork Orange, satirizes the social classes and gang life of Anthony Burgess's futuristic society. The most prominent of these tools being his use of a completely new language and the depiction of family life from the eyes of a fifteen year old English hoodlum. Burgess effectively broke arcane traditions when he wrote A Clockwork Orange by blending two forms of effective speech into the vocabulary of the narrator and protagonist, Alex. Burgess, through his character Alex, uses the common or "proper" method of vernacular in certain situations, while uses his own inventive slang-language called "Nadsat" for others. Many
Freedom and liberalism are catchwords that appear frequently in both philosophical and political rhetoric. A free man is able to choose his actions and his value system, to express his views and to develop his most authentic character. What this kind of idealistic liberalism seems to forget, however, is that liberty does not mean a better society, better life or humanistic values such as equality and justice. In his novel A Clockwork Orange (1962), Anthony Burgess portrays an ultimately free individual and shows how a society cannot cope with the freedom which it in rhetoric so eagerly seeks to promote.
The created patch-work language of Nadsat in the novel, A Clockwork Orange, satirizes the social classes and gang life of Anthony Burgess’s futuristic society. The most prominent of these tools being his use of a completely new language and the depiction of family life from the eyes of a fifteen year old English hoodlum. Burgess effectively broke arcane traditions when he wrote A Clockwork Orange by blending two forms of effective speech into the vocabulary of the narrator and protagonist, Alex. Burgess, through his character Alex, uses the common or “proper” method of vernacular in certain situations, while uses his own inventive slang-language
A Clockwork Orange, by Anthony Burgess, is one of the most experimental, original, and controversial novels of the twentieth century. It is both a compelling work of literature and an in-depth study in linguistics. The novel is a satirical, frightening science fiction piece, not unlike others of this century such as George Orwell's Nineteen Eighty-Four or Aldous Huxley's Brave New World. However, the conflicts and resolutions in A Clockwork Orange are more philosophical than social, and its message is far more urgent.