British Romantic Poetry As A Revolutionary Part Of England 's Culture Essay

A leader of the romantic era’s poetic revolution, Lord Byron transformed poetry by incorporating realistic perceptions into his works. The romantic era, known for it’s innovative belief in “[praising] imagination over reason, emotions over logic, and intuition over science,” assisted in helping Byron create pragmatic, dramatic tones in his poetry (“The Romantic Era”). One of the most flamboyant of the English Romantic poets, Byron captivated readers through his dynamic views of independence and politics. However, his perceptions of love and women, shown through narrative perspectives, rendered his writings as the “image and name [of] the embodiment of Romanticism” (“Lord Byron (George Gordon),” Poetry Foundation). Love and poetry, constantly

BibliographyAsbee, S. (2006) Approaching Poetry, Milton Keynes, The Open UniversityReid, N. (2006) Coleridge, Form and Symbol, Or the Ascertaining Vision, Aldershot, Ashgate PublishingWellek, R. (1963) The Concept of Romanticism in literary historyin Bygrave, S (2006) Romantic Writings London, The Open UniversityZuk, E. Coleridges Blank Verse [online], http://www.expansivepoetryonline.com/journal/cult072004.html (Accessed 28th April 2008)

The Romantic Period centered on creative imagination, nature, mythology, symbolism, feelings and intuition, freedom from laws, impulsiveness, simplistic language, personal experiences, democracy, and liberty, significant in various art forms including poetry. The development of the self and self-awareness became a major theme as the Romantic Period was seen as an unpredictable release of artistic energy, new found confidence, and creative power found in the writings of the Romantic poets Blake, Wordsworth, Coleridge, Keats, and Shelley, who made a substantial impact on the world of poetry. Two of the Romantic poets, William Blake, and Percy Bysshe Shelley rebelled against convention and authority in search of personal, political and artistic freedom. Blake and Shelley attempted to liberate the subjugated people through the contrary state of human existence prevalent throughout their writings, including Blake’s “The Chimney Sweepers,” from “Songs of Innocence”, “London,” from “Songs of Experience” and Shelley’s A Song: “Men of England.”

In 1830 some of poets define romanticism as “liberalism in literature but the end of 18th century it was made cracks to classicism by poet called William Blake. Blake was inspired to write about the ancient thing as like all religions are one, and there is no religion, all their religion was made by people to improve life style. As this period of time all other poet like Wordsworth were writing about the war between France and England and

In the late eighteenth century arose in literature a period of social, political and religious confusion, the Romantic Movement, a movement that emphasized the emotional and the personal in reaction to classical values of order and objectivity. English poets like William Blake or Percy Bysshe Shelley seen themselves with the capacity of not only write about usual life, but also of man’s ultimate fate in an uncertain world. Furthermore, they all declared their belief in the natural goodness of man and his future. Mary Shelley is a good example, since she questioned the redemption through the union of the human consciousness with the supernatural. Even though this movement was well known, none of the British writers in fact acknowledged

Imagine a candle-lit dinner on a starry night in Paris, the Eiffel Tower just in view with dazzling lights shining into the night. This image is probably what you think of when you hear the word “romantic,” correct. However, this image is a stumbling block when people think of the “Romanticism Period” in literature. Where “romantic” means having a lovely time with the person you love the most, “Romanticism” is a piece of literature written with key themes in mind. Those themes tend to be a strong emotion, imagery or worship of nature, and individuality and subjectivity. The peak of inspiration for these pieces was in the years 1800-1850, and there are famous poems that are well loved today from this period. Many of the poets that you enjoy reading and know are, in actuality, Romanticism writers, and instill the themes above in our minds.

William Wordsworth’s poem, “Composed A Few Miles Above Tintern Abbey, On Revisiting The Banks Of The Wye During A Tour. July 13, 1798” (also known as simply, “Tintern Abbey”), was included in the book Lyrical Ballads, with a Few Other Poems. This was a joint effort between himself and author Samuel Taylor Coleridge. “Tintern Abbey” remains one of Wadsworth’s most famous poems, and at its printing, the book was completely sold out in two years. The name of the poem reflects the inspiration Wadsworth felt upon visiting the ruins of an old church called Tintern Abbey, with his sister Dorothy.

(3) In addition to some other pieces of poetry, the Lyrical Ballads by William Wordsworth and Samuel Coleridge are known to have initiated the English Romantic Movement. Published originally in 1798, the initial plan for the book was for two sections, the first with two plays, but later it was rearranged with an anonymous print beginning with ‘The Rime of the Ancient Mariner’.

This emphasis to various emotions, almost blurring the intellectual aspect of the text, is another characteristic of Romantic literature, not only of England, but of continental Europe as well. The whole text, instead of just

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and emotion. William Wordsworth was generally acknowledged as the father of Romantic poetry and was one of the most

Lastly, the Romantic Era blended human emotions with nature. The interfacing of emotion and nature was emblematic of Romantic poetry, whether it engrossed the idea of bequeathing human emotions to an innate article like a river or connecting the scenery to the temperament of the writer. (James, 491) This kind of beauty that is

During the Romantic Period, poets believed themselves to be very politically aware and important. William Blake and Charlotte Smith are those amongst those Romantic Poets who took it upon themselves to educate the public on the events of the time; particularly the established Church, the Industrial Revolution and the Slave Trade in Haiti: ‘[Poetry] speaks to a divided society in an attempt to constitute its readers as citizens of what [Geoffrey] Hill calls… the just kingdom… and the commonwealth’.

The major writers in Romanticism are Percy Shelly, Lord Byron, John Keats, William Blake, William Wordsworth, and Samuel Taylor Coleridge. I will be examining two second generation Romantic poets Lord Byron, Percy Shelly, I have chosen to examine the poems; She walks in beauty, and A Lament based on the ideas most valued by Romantic poets; Love and beauty, and youth and inevitable death.

One of the most popular themes for Romantic poetry in England was nature and an appreciation for natural beauty. The English Romantic poets were generally concerned with the human imagination as a counter to the rise of science. The growing intellectual movement of the 18th and 19th centuries placed scientific thought in the forefront of all knowledge, basing reality in material objects. The Romantics found this form of world view to be restrictive. They felt that imagination was crucial to individual happiness. The imagination also provides a common human bond; a means of sympathy, of identification. However, the absence of imagination, the Romantics felt, would lead