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Buddhist Art, Law, And Manuscript Culture

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Buddhist Art, Law, and Manuscript Culture in Dunhuang

The Dunhuang cave temples have preserved evidences of the intense religious, cultural, and artistic exchanges between the western regions and central China from the fourth to the fourteenth century. The discovery of manuscripts and paintings there in the early twentieth century has forced scholars to reconsider the history of Buddhism 's development in China. This panel brings together art historians and scholars working with manuscripts to shed light on the visual and textual representations of religious experiences in Dunhuang. By analyzing textual and visual materials from the Dunhuang cave temples, presenters in this panel will discuss various aspects of religious practices in Dunhuang ranging from dialogues between Buddhism and other religious traditions to issues and challenges within the Buddhist community in Dunhuang. Specific topics to be discussed include the appearance of Brahman ascetic figures and artistic shift in the portrait of Buddhas in Dunhuang caves spanning from Northern Wei to the transition between the late Sui and the early Tang, legal disputes within Dunhuang nunnery that shed light on the implementation of legal theories outlining procedures to handle conflicts between religious and secular law in Tang China, and institutions and their staff associated with the production of Buddhist manuscript in Dunhuang and beyond.

This panel opens with an analysis of the accommodation of non-Buddhist

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