' By Mark Twain Mark Twain Fenimore Cooper's Literary Offenses?

It is not difficult to at first dismiss the similarities of Mark Twain’s The Adventures of Huckleberry Finn and Homer’s Odyssey as entirely superficial. Both are examples of the narrative pattern of The Hero’s Journey; the Odyssey presented as an epic that was so influential it birthed the entire western cannon of story telling and The Adventures of Huckleberry Finn written in the tradition of the Great American Novel that defined the spirit of the age in the United States. Each respective hero embarks on a journey, encounters strange places and people, overcomes the odds they are confronted with, winning the day and ultimately returning home before their next adventure (Coupe). Beneath this pattern however, lie similarities so consistent, that one cannot help but wonder, did Twain use Homer’s Odyssey as a blueprint for The Adventures of Huckleberry Finn? By examining the story of Huck Finn’s trip down the Mississippi through the lens of the Odyssey, I endeavor to show how the deeper similarities between these two classics not only tie them together from centuries apart, but that the influence of Homer’s epic is alive and well in Twain’s novel.

     "Mark Twain, which is a pseudonym for Samuel Langhorne Clemens, was born in 1835, and died in 1910. He was an american writer and humorist. Maybe one of the reasons Twain will be remembered is because his writings contained morals and positive views. Because Twain's writing is so descriptive, people look to his books for realistic interpretations of places, for his memorable characters, and his ability to describe his hatred for hypocrisy and oppression. HE believed he could write. Most authors relied on other people and what they said, but because Twain was so solitary, he made himself so successful. 1"

The first half of Life on the Mississippi was ideally written and reading the extremely detailed and captivating account of Twain's apprenticeship was quite enjoyable. However, the second part of the book was not as fascinating. The short stories were frequently only two pages long and were not very well connected to be a clear read. Though a few of the characters Twain met on his journey were quite interesting, the majority of them merely served as an example of a certain characteristic which he wished to further discuss. This may be due to the fact that Twain was much older by the time he made the trip in the second half of the book, and he had grown aware of the various faults of humanity and thus wrote more analytically and critically than he did in the first half to reflect his change in character and the change of the times he lived in.

Mark Twain was a world renowned novelist and a beloved American Writer. He wrote things about what was happening in the world around him and is also a huge part of American Literature. Although Mark Twain is a famous novelist his home life, background/achievements, and greatest accomplishments are what made him who he is today.

The highly lauded novel by Mark Twain, The Adventures of Huckleberry Finn, entertains the reader with one adventure after another by a young boy (and his runaway slave friend Jim) in the mid-1800s who is on strange but interesting path to adolescence and finally adulthood. What changes did he go through on the way to the end of the novel? And what was his worldview at the end of the novel? These two questions are approached and answered in this paper.

Mark Twain is important to American literature because of his novels and how they portray the American experience. Some of his best selling novels were Innocents Abroad, Life on the Mississippi, Huckleberry Finn, and The Adventures of Tom Sawyer. In these books, Mark Twain recalls his own adventures of steamboating on the Mississippi River.

Another way to divide the criticism of the ending of the novel is to split the seriousness and the satire. The novel can be viewed as satire, with Tom providing the comic relief with his Romanticist like ideas. On the contrary, it can be viewed with utter disappointment, in regards to an overall poor and easy way to end the novel. As Marx argues, humour is used to mask the very human existence in which Huck faces (Page 337-338). I believe that Twain wants to abandon the notion of seriousness (slavery, southern hospitality, etc) to that of foolishness and childlike antics. Take, for instance, when Huck does some reconnaissance dressed as a woman, but gets caught in the act when he catches the lead ball between his legs (Page 48-54).Or when the town first realizes that Huck is gone and fires cannon over the water and throws mercury poisoned bread into the river. Superstitious, but silly antics like these and many others help back up the notion for humour. Although both of these events occur near the beginning of the novel, their direct sense of humour can be linked to the ending and its own satire. I believe that Twain’s message was impartial to that of the touchy subjects of slavery and general prejudice, but more so to that of the direct targeting of laughter and folly of the

In this essay, Julius Lester talks about the morality of the story itself. Lester talks about how Twain wants the readers to believe certain things that are not credible or with emotions related to fiction stories. Lester mentions how the readers think that Twain is including into his story some sort of a connection between Tom and Jim, when Tom decides to help Huck to free Jim from slavery, but is not what it

James Fenimore Cooper's, The Last of the Mohicans is a novel about the racial divide between the Native American people and English colonists. Cooper suggests that interracial mingling is both desirable and dangerous for the characters of the novel. Cooper uses historical events, such as the unique friendship between Chingachgook, Uncas, and Hawkeye, the love affair of Cora and Uncas and the changing idea of family to demonstrate the idea that interracial relationships played a key role in unifying people from two very different societies.

In The Last of the Mohicans by James Fenimore Cooper, historical romance is apparent through settings, characters and plots. Cooper is considered by many critics to be the father of the American historical romance. Fred Lewis Patee said, 'Not only was Cooper the pioneer (of the historical romance) in America, and thus worthy of the highest praise, but in many respects his romances have never been surpassed.'; (212) Cooper celebrated the creative spirit of the individual and had a deep appreciation for nature. He was a romantic who enjoyed the mysteriousness and exoticness of the frontier. He favored the use of emotions over reason. Through his romantic writings, Cooper is able to captivate the reader and led them on journey through his

This chapter, set in another part of the woods, introduces three more characters. Two of them are familiar; that is, they are familiar if the reader is familiar with other works by James Fenimore Cooper. Hawkeye (or Natty Bumppo) and Chingachgook have been serialized in several of the author's books. This chapter not only shows the close ties of these characters as they discuss familiar subjects but also shows the knowledge of the author about Indian customs and the historical background of America. It also depicts his sympathy for the Indians who were colonized and driven off their lands by European settlers. Cooper depicts his Indians as having keen senses and extensive skills. Hawkeye, for all his woodcraft, cannot match them; he cannot

Mark Twain’s Huckleberry Finn is widely considered a classic - an embodiment of American literature. It rightfully tackles the issue of slavery through the illustration and vernacular of the young protagonist, Huck Finn and his adventures with a runaway slave, Jim. However, beneath a linear challenge towards slavery, Twain’s depiction of Huck’s changing views of Jim reveal Huck’s unique attitude and philosophy towards slavery, and in particular - his partner-in-“crime” - Jim. Although Huck never abandons societal opinions of slavery and never opposes the bondage, his exception for Jim unveils the follies of his society and flawed upbringing.

On the contrary, Cooper is more realistic when he wrote The last of the Mohicans, basically because there is composed with a historical basis, like Irving with Rip Van Winkle, but in Cooper’ story the way to tell the things is more realistic, there is not exaggerated fictional elements such as time travels, or strange atmospheres. His story is focus on telling a specific moment of the American history from the point of view of different characters that composed the story. This is maybe because Cooper led the literary movement that it was the fashion in this period: the Romanticism. One of the characteristics of this writer in the romanticism is the nationalism using the politics or the forest, savage and free, as a way to represent the character of

The following paper will briefly show arguments, and conclusions within the writings of Mark Twain’s story Huckleberry Finn. I will discuss the various themes that Mark Twain is bringing to light within his story. This paper will show how Mark Twain uses those themes within the story, and how they are specifically used. I will also briefly discuss the life of Samuel Clemons, the author known as Mark Twain, and give the reasoning behind choosing the name of Mark Twain when writing his novels. Themes of escapism will be discussed.

Fenimore Cooper’s contemporary critics labeled this subversive political allegory as his “failure”. The Knickerbocker or New York Monthly Magazine harshly criticized the novel in August 1835. This critical review marked the beginning of all other attacks on the novel, which later caused the total absence of this novel in any anthologies.