The Term “Mendacity” And Its Thematic Contributions to Cat on a Hot Tin Roof by Tennessee Williams “[They are] all liars, all liars, all lying dying liars” (2.1.985). The preceding is one of the most emotional lines at the end of the second act in Tennessee Williams’ play Cat on a Hot Tin Roof. It also succeeds in setting the tone for the entire play. The story centers on a dysfunctional southern family who is plagued by lies and deception. The closing of the second act is one of the most intense and critical moments in the play where Big Daddy finds out his son, Gooper, and daughter-in-law, Mae, have been lying to him about his rapidly declining health. Just before this gripping climax, however, Big Daddy has an emotional conversation with his youngest son, Brick, about mendacity. This term is central to the play’s themes and is mentioned continuously throughout the play. Still, the lies and dishonesties come from many different entities within the play. The roots of most problems the characters face in the play come from mendacity within the society, their family and the characters themselves. Cat on a Hot Tin Roof is set in the 1950’s, a time when society still considered homosexuality as a mental disorder, as it was not removed from The Diagnostic and Statistical Manual of Mental Disorders (DSM) until 1973 (Drescher). In the play, it is repeatedly mentioned that Brick and his deceased friend Skipper may have had feelings for each other that were deeper than those
In the game of life man is given the options to bluff, raise, or fold. He is dealt a hand created by the consequences of his choices or by outside forces beyond his control. It is a never ending cycle: choices made create more choices. Using diverse, complex characters simmering with passion and often a contradiction within themselves, Tennessee Williams examines the link of past and present created by man's choices in "A Streetcar Named Desire" and "Cat on a Hot Tin Roof."
Mark Twain states in his essay on the Decay of the Art of Lying that “No fact is more firmly established than that lying is a necessity of our circumstances” The characters in Cat on a Hot Tin Roof often deny their circumstances and outright lie to one and another about their personal lives. However, these lies are spoken out of necessity, at the expense of social ranking and past remembrance. Tennessee Williams communicates to readers that verbal abuse and inabilities to tell the truth create unclear communication which breaks down relationships.
The Glass Menagerie by Tennessee Williams and Death of a Salesman by Arthur Miller are two of the twentieth century’s best-known plays. The differences and similarities between both of the plays are hidden in their historical and social contexts. The characters of The Glass Menagerie and the Death of a Salesman are trapped by the constraints of their everyday lives, unable to communicate with their loved ones and being fearful for their future. There are a lot of comparisons that exist, especially between the settings, symbolism and characterization drawn between the two plays. The contrast comes form the ways that the characters choose to deal or not with the harsh circumstances of life.
Communication is a very important aspect of any type of relationship. There are many themes in the play, Cat On A Hot Tin Roof, by Tennessee Williams, but the major theme is that of isolation and the lack of communication. This type of theme involves many character such as Brick and Margaret. Big Daddy and his oldest son Gooper. And Big Daddy and his youngest son Brick. The entire Pollitt family manifests the theme isolation and lack of communication.
Nevertheless, I appreciate William’s compassion towards her as audiences see their flawed lives echoed in hers. Subsequently, “mendacity is a system we live in” as it links contextually to Williams societal perceptions, by devising characters around these stereotypical mendacious Americans, highlights the corruption within society. In ‘Cat on a Hot Tin Roof’ however, instead of illusions we’re presented with truth regarding characters and their relationships. In all three plays studied above, Williams utilises an Ibsen-like technique of retrospective exposition: “the [pasts] never dead, it isn’t even the past.” Brick’s state of denial regarding life (and possible homosexuality) causes him to degrade Maggie. Maggie however publically rejects the heteronormative role of the Southern Belle and submissive wife, instead displaying her newfound authority in the town. Yet modern feminists may argue Maggie’s a ‘dependent creature’ tied by societal constraints, forcing her to occupying “the same cage” as
In the play Cat on a Hot Tin Roof, Williams explores a theme of sexuality. The story focuses on Brick and his wife, Margaret. Margaret cares deeply for Brick and refuses to leave his side. Brick is ashamed of his sexulity in the play. When he was younger he was great at sports and had a very close relationship with his friend, Skipper.
Tennessee Williams wrote the play “Cat on a Hot Tin Roof” in the mid-1950’s.The play takes place in Mississippi during one of its hot, humid summers. Most of the play is centered in the bedroom and sitting room of Big Daddy’s home on a Mississippi plantation. The characters are members or acquaintances of the family. On one summer evening, the Pollit’s family is gathering to celebrate Big Daddy’s birthday. The previous evening Brick break’s his leg, while trying to jump hurdles. Brick’s wife, Maggie, then tries to stop Brick from his miss-behaving due to his alcoholism, while trying to seduce him at the same time. Maggie feels as if it is urgent for her to have a baby, but Brick is too drunk to even care much about
The world is crafted through humanity’s perceptions, shaped by their shared experiences of the world, yet differentiated by each individual experience. Within The Glass Menagerie, by Tennessee Williams, the ideas of overwhelming truth, individual perceptions, and the flaws of humanity are all explored. Through the various characters, with a specific focus on Tom’s narration, Williams argues that the truth is only a subjective idea that is created through the perceptions of humankind, molded through humanity’s flaws.
In the play, Cat on a Hot Tin Roof, Tennessee Williams mentions explores realism on a new dimension. He mentions controversial themes such as suicide, sex, marital issues, alcoholism, and greed. Although Williams experienced his fair share of drama in his lifetime, he is able to bring together many of the issues that many Americans were experiencing in their own homes. A critic once said, “His plays deal with a serious them- a them as in self-pity, the persistence of memory that holds people in its grip, and will not let them get on with their lives”. In this play, he specifically relates this self-pity and haunting memories to one of
The American dream is the idea that “every US citizen should have an equal opportunity to achieve success and prosperity through hard work, determination, and initiative”. A Raisin’ in the Sun by Lorraine Hansberry and Cat on a Hot Tin Roof by Tennessee Williams presents us how the American dream plays its role in two different families in the same period of time, 1950. These two plays demonstrate the readers how race and class difference impacts the growth of a family and highly impacts the generation that follows. In these two particular plays, two families lived in the same historical time period represents two different background race and class; which shows the readers how the class is the hugely impacted by the race and why it was
Tennessee Williams’ play, “The Glass Menagerie”, gives the reader a look into a truly dysfunctional family. At first it could seem as if their lives are normal and the Wingfields are a typical family just struggling to get by. Their problems, however, stem from their own fears after they are deserted by their husband and father. They are unable to effectively communicate with each other and resort to desperate acts. The desperation that the Wingfields hold on to has led them to create illusions in their minds and in turn become deceiving.
Tennessee Williams experiments with the idea of conformity vs. rebellion in his plays, specifically in The Glass Menagerie, A Streetcar Named Desire, and Cat on a Hot Tin Roof, by defying social customs in discussing human existence in relation to sexual identity, which is reflected in the characters, as well as in his use of different symbols and themes.
Although Cat on a Hot Tin Roof is not a very long play, it addresses many major themes throughout the three acts. Mendacity, one of Brick’s “five-dollar words” is omnipresent in the play and this untruthfulness used by every character as a protection tool. Being realistic to one’s self and to one’s family is presented as tough, but necessary to have a cohesive and well-lived life. And finally, it is revealed that even the biggest of people have to face death for what it is.
Cat on a Hot Tin Roof by Tennessee Williams, in which the theme is ultimately about the lies, greed, and desires driving people to act. There is also a topic of the female characters being “cats,” who are projected to be greedy women trying to compete to take the wealth of Big Daddy. The play is about Maggie and her declining marriage to Brick and his tragic past of his homosexual connection Skipper had to brick. Throughout the play Big Daddy and Maggie try to make Brick recall his memories of Skipper and their relationship. Mendacity is Brick’s explanation to show why he is a drunk and everyone’s lies.
Tennessee Williams was a renowned Pulitzer Prize-winning playwriter for his numerous plays throughout his career. One of such plays is The Glass Menagerie. After perfecting his play for many years, The Glass Menagerie was first introduced to Broadway on March 31, 1945. As a young writer, Williams lived vicariously through his plays. Throughout this play in particular, there are several allegories that pertain to Williams ' life. Although Williams had a relatively happy childhood, his life changed when he was relocated to St. Louise, Missouri. “The carefree nature of his boyhood was stripped in his new urban home, and as a result Williams turned inward and started to write” (bio). Writing plays was a way for Williams to express his frustration within his family. The Glass Menagerie is a representation of a majority of things. Primarily however, it represents nothing lasting forever and the fragility within Williams’ own family.