Celie And Shug In Alice Walker's The Color Purple

Shug Avery is Mr. Albert’s long lost love and she comes in to move in with Mr. Albert’s family since she had gotten very sick and needed the support. The minute Celie saw a picture of Shug she had fallen for her, finding her very beautiful. Shug has supported Celie in every possible way after she realized that when Celie puts her full effort in helping her even though she was rude to her when they had first met. Shug helps Celie with self-identity, which help builds her confidence. “She say my name again. She say this song I’m bout to sing is call Miss Celie’s song. Cause she scratched it out of my head when I was sick.” (Walker, 73). In this quote Celie recognizes that someone has done something for her, they have valued her enough to do something sweet as this. Celie realizes that she has one more person who cares and loves for her. This leads Celie to believe in herself be able to take control, since she is aware that she has someone next to her. Shug also has the effect on Celie to take control when Celie confronts Mr. Albert telling him that she is leaving him, “You bitch, he say. What will people say, you running off to Memphis like you don’t have a house to look after?” said by Mr. Albert who was referring to Celie. This is a big step for Celie because she is going to be living the life she wants with the person she loves, Shug Avery. Celie has wanted for so long to get out of the

Shug Avery is not only a friend to Celie but also a lover. It is by being a lover that Celie learns self-respect and a little happiness in her life. Like when Shug Avery showed Celie how to enjoy herself. Listen she say, right down there in your … is a little button that gits real hot when you do you know what with somebody. It get hotter and hotter and then it melt. That the good part. But other parts good too, she say… (P. 79). I found this real important as it showed Celie she can enjoy herself and there is more to her then just being a slave to Mister.

The book focuses mainly on a woman named Celie, who has lived a hard life already when, at the age of 14 she begins

Celie practically struggled for happiness her whole existence. Her father sold her to a man who had no intent of loving or caring for her. Celies’ husband whom she refers to as Mr. physically and verbally abused her. Mr. felt that the only way to keep a woman in check was to beat her and he did just that throughout the movie. Like any woman would though the abuse Celie lost herself and respect for herself. Living with Mr. was a life full of darkness and hatred. Life with her husband was no better life than life with her stepfather. It took years for Celie to become brave enough to fight back for what she accept as true and gain understanding of how to convey amusement and have little outlook on life. After years of abuse, Celie no longer was afraid of Mr. She no longer cared for her husband or the

In The Color Purple, Alice Walker illustrates the lives of a female African American before the Civil Rights Movement. A novel that describes female empowerment, The Color Purple demonstrates the domestic violence women faced in the South. Walker tells the story through Celie, a young African American girl who faces constant hardships until she stands up for herself with the help of her closest friends – other women undergoing the same difficulties. Even though men controlled females in the South, the author emphasizes the strength of female empowerment because females struggled to survive during this time.

At the end of the novel Celie has finally created a permanent life for herself.  The way she interacts with the other characters and attitude towards things has

There are numerous works of literature that recount a story- a story from which inspiration flourishes, providing a source of liberating motivation to its audience, or a story that simply aspires to touch the hearts and souls of all of those who read it. One of the most prevalent themes in historical types of these kinds of literature is racism. In America specifically, African Americans endured racism heavily, especially in the South, and did not gain equal rights until the 1960s. In her renowned book The Color Purple, Alice Walker narrates the journey of an African American woman, Celie Johnson (Harris), who experiences racism, sexism, and enduring hardships throughout the course of her life; nonetheless, through the help of friends and

Celie's transformation from Mr. ____'s slave into an independent women is successful thanks to two strong women that become role models for Celie in her everyday life; Shug Avery and Sofia. Sofia is a role model in a more unconscious way for Celie then Shug is. Sofia's whole appearance and behaviour is proud, she lets no one sit on her and Celie is, at first, jealous of Sofia's self-confidence and tries to destroy it by giving her husband Harpo the advice to beat her to make her obedient; "I think about this when Harpo ast me what he ought to do to make her mind. [---] I think bout how every time I jump when Mr. _____ call me, she [Sofia] look surprise. And like she pity me. Beat her. I say"2. When this does not work, Celie realises that Sofia is someone to become more alike, not someone to destroy.

In the beginning of this novel, Celie is a young and naive adolescent. She is

Celie is able to accept her past and establish a clear vision of herself and fulfillment through the acts of love. She meets other women who tell her that she should stand up for herself and fight, but Celie feels that it’s better to survive than to fight and risk not surviving. However, there are certain triggers that lead Celie to stand up. Like a true fighter, Celie proves herself to be willing to stand up for the people she loves. Even as a downtrodden victim of her Pa, Celie sacrifices herself and offers herself to her father so that he keeps his hands off of Nettie. As mentioned in this quote, where Pa is sexually abiding Celie, “First he put his thing up gainst my hip and sort of wiggle it around. Then he grab hold my titties. Then he push his thing inside my pussy. When that hurt, I cry. He start to choke me, saying You better shut up and git used to it. ” (Walker, 4). Celie has the potential by putting her efforts into other people, but not realizing she is able to stand up for herself the same ways he does for Nettie. Relating it back to the novel, “Beloved”, Sethe does the same representation when she is trying to save Beloved even though the idea is bizarre of her killing her own child, but she only does it so that she would not have to suffer the way Sethe did. Celie is introduced with Shug Avery a blues singer, who she was first found “rude”, but as the story moves along, Shug Avery becomes the reason Celie learns to love herself. Because Celie is finally opening herself up by loving someone, Celie becomes more lovable. Through Shug’s love, Celie begins to realize her own self-worth, from the minute when Shug Avery wrote a song for Celie, as said in this quote: “This song I'm bout to sing us call Miss. Celie's song.”(Walker, 73).By the end of the novel, Celie loves more

Sometimes life brings experiences of abandonment through difficult times. Celie shows an expression of abandonment from God with her intimate friend Shug Avery, who challenges Celie where she thinks God is. “What God do for me?...He gave me a lynched daddy, crazy mama, a lowdown dog of a step pa and a sister I probably won’t see again...The God I been praying and writing to is a man. And act just like all the other mens I know. Trifling, forgetful and lowdown...Miss Celie, You better hush. God might hear you. Let’im hear me, I say. If he ever listened to poor colored women the world would be a different place” Celie said in anger (192). It is times like this that society tells the world to push life’s disasters under the rug. When instead it requires the attention of others to become endured. To be human is to go through the struggles of life and face them. Without them, life can become meaningless. Celie experiences this through oppression and her loss of faith in God. Throughout

Shug arrives in the summer 1916 and Celie’s first real love is born. Mister’s name, Albert, is discovered during Shug’s first day at the farm. Celie watches Albert, with child-like amusement and curiosity, as he fumbles through trying to impress Shug by making her breakfast. In an effort to win over Shug, who previously declared Celie as “ugly,” she prepares an award winning breakfast that even Shug couldn’t turn away. Over time, a relationship begins to form between Shug and Celie, leading Shug to write and sing a song dedicated to her at the jook joint, filling Celie with an unknown type approval and love. Celie shows us that her capacity to love and to be loved is blooming during the scene of her first kiss with Shug.

As a result of these tragic events, Celie writes to an unknown audience, resembling her unknown identity. In the beginning, the only person she can talk to is God. She writes her first letters to God shortly after her so-called father raped her. Each one of the letters is short, choppy and has a similar rhythm. The patterns found in her letters symbolize her state of mind; she feels depressed and weak. "Celie does not think of her letters as anything else than just that, as written documents saying the things she wishes to tell the recipients she cannot speak to in person”, making God the person she has always wished to communicate with (Boynukara). Her letters in the beginning are also mostly written to God and not signed off, illustrating her lack of identity. Her conception of God is a “Big and old and tall and graybearded and white. He wear white robes and go barefooted” (Walker 195). Celie’s first letter proves that she has a low self-confidence when she writes, "Dear God, I am fourteen years old. I am I have always been a good girl. Maybe you can give me a sign letting me know what is happening to me." (1). According to Janoff Bulman, “cognitive strategy used to make

The overarching trauma of this novel is highlighted by Celie’s relationship with Shug Avery. Though the brutality continues, Celie still manages to find an escape allowing her to come closer to the line of thriving. For Celie her first notion of Shug comes from her abusive husband's obsession with the singer. Her growing sense of imagination and curiosity began to develop a more nuanced character. The reader is given a new looking at the character; Celie crosses the threshold of survival to thriving only for a few fleeting seconds. Our first encounter of this diminishing joy unfortunately encapsulated a well-rounded sense of author's purpose. “And then I think about Shug Avery. I know what he doing to be done to Shug Avery and maybe she like it. I put my arm around him”(Walker, 12). There are several key elements that the author has intentionally created. The first being the motif of sex, for Celie sex has been a brutal massacring for her body, which resulted in two heartbreaking children. While these children were taken from her and killed, Walker highlights the wedding night sex scene shifting from brutal to sad. The reader can clearly see that the idea of Shug is what allows Celie to escape from her horrid reality. As Charmaine Eddy notes in his paper entitled Marking the body: the material dislocation of gender in Alice Walker's The Color Purple “Because Shug's picture has initiated lesbian sexual desire in Celie, this imitation must be seen as a transvestism, a drag

Shug constantly threw diatribes at Celie. Celie endured Shug’s attacks, too stunned by her infatuation with Shug, to care. Mr.____ is Shug’s sycophant which entices jealousy in Celie. Celie starts to think self-deprecating thoughts because she is not as beautiful as Shug or as wanted by Mr.____. Soon after Shug and Celie start to have a sexual relationship. “Us kiss and kiss till us can’t hardly kiss no more” (Walker 113). In the 1930’s African Americans weren’t accepted as equals to whites so a lesbian relationship would be even scarcer at that time. With religion still a substantial factor in Celie’s life she had to bend her morals into accepting her new sexuality. Shug opens up many doors for Celie and instills in her that she too is worthy of being loved. “Well, she say, looking me up and down, let’s make you some pants” (Walker 146). These pants are a symbol of Celie’s psyche transformation as she becomes more independent and stands up for herself against her husband. With Shug, Celie overcomes her fear of men and no longer has a submissive-psychological stance when dealing with situations and that is a gift Celie is deserving