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Borderline Personality Disorder In Othello

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Individuals that suffer from borderline personality disorder often undergo dramatic personality changes when faced with an event where they feel they are being deserted by loved ones. To be exact, “The perception of impending separation or rejection, or the loss of external structure, can lead to profound changes in self-image, cognition, and behavior” (American Psychiatric Association 663). This can be seen in Act 3, Scene 3 of Othello. The text states,
Yet, tis’ the plague of the great ones;
Prerogatived are they less than the base.
‘Tis destiny unshunnable, like death.
Even when this forkéd plague is fated to us
When we do quicken. (Shakespeare 3.3.291-294)
Othello’s tone about women and love in this piece of evidence is very different from his original point of view displayed in the beginning of the play, displaying a distinct personality change as a reaction to his wife cheating on him. Othello was a general; he obviously had a lot of pride in himself. When Iago told him Desdemona was cheating, rather than begging for an answer of what he did wrong, he chose to turn his love for her off and see her as the person Iago made him believe she was. The shocking event caused him to look at the love of his life in a completely different light and resulted in a complete personality change from cool and calm to stressed and on edge. As a result of his personality change, he became very short tempered, which is a distinct characteristic of borderline personality disorder, “They experience intense abandonment fears and inappropriate anger even when faced with a realistic time-limited separation” (American Psychiatric Association 663). This can be seen when Othello is confronting Desdemona about her ‘whorish’ behavior. Othello says, I should make very forges of my cheeks
That would to cinders burn up modesty
Did I but speak thy deeds. What committed?
Heaven stops the nose at it and the moon winks,
The bawdy wind that kisses all it meets
Is hushed within the hollow mine of earth
And will not hear ’t. What committed!
Impudent strumpet! (Shakespeare 4.2.76-83)
He is so angry with how she beseeched his name that he reacts out of pure adrenaline rather than thinking through what he is saying and the effects

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