Ah marriage! That one blissful day all young girls dream of, standing at the altar in a beautiful white dress, gazing into the dreamy eyes of her beloved and promising to be wed till “Death do them part.” Reality soon sets in after that. Her Prince Charming is a real man! His feet stink, and he throws his dirty laundry on the floor. Was it not meant to be? How does Cinderella handle it? I talked with a young woman in my church that is still relatively a newlywed. Mrs. Jewel Ward was raised in church, has been married for a little over 2 years and is expecting their first child. She is the only young woman in our church who is married and I was interested to see how she dealt with “reality” once the honeymoon phase was over. Would marriage be full of struggles like the world likes to tell us, or would having a solid foundation in God strengthen the bond?
Every girl plans out their life to some extent or another, and Mrs. Ward was no exception. Sitting in school, she thought of the future. “I want to get married halfway through college and be able to announce my first pregnancy on my graduation day.” she decided. Check, and check! Her life is coming together the way she hoped. One thing though that she planned on did not come to pass; before her wedding day, she was preparing herself for the inevitable struggles that would come along with the wedded bliss. Many of those struggles that she was sure would come along never have. Why? Aren’t young marriages bound to be full of ups
People believe that marriage is easy and is the key to love and happiness, but in reality marriage is harder than it looks. Everyone marries for different reasons, for good or for bad. People today don’t understand the meaning of marriage; it is more than just money and appearance. Seeing today’s world of marriage is being influenced by media shows like Jerry Springer, Judge Judy, and Murray makes you realize how society today identifies marriage different. Couples who live unmarried will be happier and have more choices than those that are married in agreement with Catherine Newman’s essay called I Do. Not.: Why I Won’t Marry in the book “Acting Out Culture: Reading and Writing “, by: James S. Miller. Catherine Newman is a writer and an author
In Peggy Orenstein’s article, “What’s wrong with Cinderella?”, she analyzes the obsessions young girls have for stereotypical feminine products and toys, such as princesses and the color pink. Orenstein claims that such obsessions have negative effects on girls as they grow into women, restricting them into playing a specific role in adulthood. Although the author expresses much bias, she effectively supports her claims through her positions as a feminists and parent.
Growing up children are surrounded with a fairy tale life, the ‘happily ever after.’ As girls we are supposed to wait for our prince charming and he will love us forever; and for boys it is finding and rescuing a beautiful princess who can cook, clean, and is loved by all creatures. That is what marriage is based off of as a child, but that perspective changes once we get a small grasp of the concept of love and we really see what marriage is. Marriage is not something anyone goes into lightly and maybe our expectations of the fairy tale life are why divorce is so commonly sought.
Have you ever had a dark and gloomy day? Imagine having that feeling every single day. The Grimm’s Cinderella was written in 1812. 1812 was one of the harshest years for America. An event that formed it was the war against Great Britain and the United States. Not only was there a war, but there was also a series of disastrous harvests. Taxes got higher, and more than twenty people who were involved with a Luddite Act were hung. In 1812, there was also the only assassination of a prime minister, who was shot dead in the House of Commons. The Grimm Brothers have put the dark times of 1812 into their stories. Some of their stories contain violence, child abuse, and wicked mothers. They came up with these types of stories after their father died, and when they struggled out of school. That gave them enough time to research and put together a collection of folk tales. Now you can see why the Grimm’s Cinderella was dark and gloomy. Although the plot stayed the same, over the years, the story did get lighter. Disney’s Cinderella came out in 1950. In 1950, learning information was not by fear, but by engaging happiness. Disney’s Cinderella transforms the Grimm’s Cinderella into a happier atmosphere. While some similarities between Disney’s Cinderella and Grimm’s Cinderella are noticeable, the differences are pronounced, especially when referring to the slippers, her father, and the ball.
The story of Cinderella is well-known by most people, however, there are several versions of this beloved tale. There is the one told by the Grimm Brothers, depicting a world where moral choices can affect your life in extreme ways, but it is Walt Disney’s 1950 cartoon version of Cinderella that most children think of when the story is mentioned. This version leaves behind both the question of morality and the bloody punishments, allowing children to enjoy an eye-catching, G-rated film. Both of these versions use their respective mediums to emphasize what the creator deems to be most important: a lesson about piety and goodness in the Grimm tale and the entertainment factor in the Disney cartoon. These are each shown in different ways, according to the medium used.
A fairytale that almost everyone knows is Cinderella. Cinderella is about a young girl whose father decides to remarry after her mother dies. The women who he remarries is evil with two evil daughters. As Cinderella's father is out of town for various things the evil step-mom makes Cinderella do all the chores. They treat her like a servant rather than someone apart of the family. Since Cinderella has no friends she becomes friends with animals who help her complete her daily chores. One day they receive an invitation to a ball. Cinderella is allowed to go if she completes a set of chores but Cinderella ends up staying home while her stepmother and stepsisters go to the ball. Cinderella's fairy godmother shows up and makes her beautiful (changes her dress, etc) but says she has to be home at midnight because her beautiful dress will disappear and she'll go back to her old self. She goes to the ball and the prince falls in love with her but she has to leave at the strike of midnight. As she is running out of the ball she loses one of her glass slippers. The prince searches town for Cinderella. He then finally finds her and they live happily ever after.
The story that most of us know as “Cinderella” actually has a lot of different versions. These different versions contain several elements that are similar, but yet even more elements that differ from one another. The three main difference between all the different versions of this story are the characters, how others treat the main character, and the setting in which these stories take place.
The story of Cinderella has become a classic fairy tale, known around the world, and past down from generation to generation. Yet, over the years, the story has been rewritten to better relate to different cultures. While some things never change, authors still manage to convey different messages by making the story their own. This can be clearly seen when the Grimm brothers version of Cinderella is compared to Charles Perrault’s version of Cinderella. While the core of the story does not change, the moral, tone, and “magical” aspects of the two stories are clearly shaped by the different cultures in which they were written in.
Each person in the world has heard of Cinderella, no matter what kind of version it may be. Cinderella is the one fairy tale story that has been popular and will always be the one tale that has to be told to children. Words and story lines might be twist and turn, but in the end the knowledge of the story will be learned in similar ways. As we all know when one story is told another is created, when one is at its best then another is at its worse. One version will always be better than another, but no matter what version it might be the story will be told.
Cinderella is a fairytale for children that displayed love, loss and miracles; however, when it is further analyzed, it has a deeper meaning. Cinderella is a story about a young girl who became a servant in her own home after her father remarried a malicious woman with two spoiled daughters. She was humiliated and abused yet she remained gentle and kind. She received help from her fairy godmother to go to the prince’s ball after her stepmother rejected her proposal. Cinderella and the Prince fell madly in love but she had to leave at twelve o’clock and forgot to tell him her name but she left her glass slipper behind. He sent his servants to find her and Cinderella was the only maiden in the kingdom to fit into the shoes. She
The two stories of “Cinderella” are “Tam and Cam”; and “The twelve Months: A Slav legend adapted by Alexander Chodzko. These stories have similar ways in portraying the hard working Cinderella including her suffering, but they are different in Cinderella’s motive of rescue one tale use violence if necessary; the other just more of a genuine resourceful approach. This means this character isn’t relying on a prince charming to be her rescue, so this makes the concept different from the other because “Tam and Cam” Cinderella lives forever happy with her lover, while “The twelve Months: A Slav legend adapted lives by herself and then a farmer she likes shows up. These tales went for a more sophisticated setting, each displaying the peasant overcoming the struggle; in which she is set free from all of her hurting. Throughout each story Cinderella is taking and caring she always seemed to get the short end of the stick. But, when the odds back fired on the step-sisters and step-mother the karma was naturally set upon to benefit Cinderella in her favor “Tam and Cam” or set in motion by her as payback to get even with her rival characters of a family in “The twelve Months: A Slav legend adapted lives.
Feminism and gender roles play a huge role in our everyday lives, even if you do not quite notice right away. It can be anything from men having more power than women in, work areas, or political equality. It can be seen in stories, movies even newspaper articles to this day. One story in particular is Cinderella by the Grimm Brothers (1857). This essay will provide an in-depth look of feminism and how it is seen in the story such as; not being able to choose your own husband in certain situations, to women have to wear tight clothing, and the most obvious women not having the power men do.
When examining adaptations of fairytales you must look at the original source. This can be a very difficult task because with fairytales we never really know where the original came from. I will base my paper on the theory that the original tale of Cinderella comes from the Grimm Brothers version of Ashputtle. In comparison we will examine two movies. First there is the Disney version Cinderella. Secondly we will look at the movie 'Ever After'.
Cinderella is a well beloved folktale following the life of a kind hearted heroine trapped in an abusive household, yet despite the obstacles faced, she manages to attend a ball and eventually receives her happily ever after. The story has been reinterpreted in numerous countries where it is estimated that there are nearly seven hundred versions out there. With the continuous popularity of Cinderella, there has been much criticism concerning the representation of Cinderella and the effects it has on the female demographic. By analyzing Cinderella’s gender representation of a particular version in accordance to generated criticism related to the effects it has on the female demographic, it can be determined that as new renditions are being created over time, it can be noticed that Cinderella’s gender representation are gradually becoming more independent, and active.
In “Cinderella: Not So Morally Superior,” Elisabeth Panttaja makes a claim that the Grimms’ version of “Cinderella” provides reasons that Cinderella may not have been so fortunate due to her being “good and pious.” One main point that she discusses within the article is the mother/daughter relationship Cinderella shares with her deceased mother, in comparison to the mother/daughter relationship shared between the stepmother and stepsisters. Panttaja argues that the mothers in each relationship are both motivated by the same thing, “to ensure a future of power and prestige for their daughter” (Panttaja). Panttaja continues to identify how both mothers’ motives are similar, but her argument falters when she attempts to bring Cinderella’s