Essay about Clothing and Gender in Virginia Woolf's Orlando

    In Great Expectations, Charles Dickens explores the perception that the value of a man increases with his attainment of material wealth. Dickens probes the truth of such a system of values through Pip's quest for material gain. This quest is the literal pursuit of a better suit of clothing but is conducted without regard for the kind of man wearing the suit. Thus Dickens poses the question: does it profit a man to gain the world at the risk of losing his soul. It is clear, we see, in Great Expectations, that the answer to Dickens's question is no.

Have you ever wondered what people in the Elizabethan Era wore? Fashion was just as important in those days as it is to some people today. What people were wearing mattered to others, and even the government. During the Elizabethan Era clothing, accessories, and cosmetics were all a part of daily life.

The Modernist skepticism is vivid in Woolf's portrayal of a woman, Isabella, who has not conformed to society's accepted norms and would seem to be - at first glance - all the better for it.  But, upon closer inspection it is with a sigh of resignation that Virginia recognizes the illusion that her fanciful exploration created for her.  Isabella (possibly representative of Virginia herself or of womanhood in general) is elevated and

Back in the day almost everyone viewed woman to be the person who cleans, cooks, has children, and obeys her husband. Even woman themselves had this view hammered into their minds at such a young age, the views that women are inferior to men. This stigma of woman can be found traced throughout Virginia Woolf’s essay of two meals, a meal for men and a meal for women at a college. She uses numerous composition techniques and effectively disperses them throughout her narrative. By doing so, she accurately demonstrates her views on society’s stigma of a woman's role in an eloquent manner.

The notion of separate spheres serves to set up the roles of men and women in Victorian society. Women fulfill the domestic sphere and are seen as submissive and emotionally sensitive individuals. Conversely, men are intelligent, stable, and fulfill all of the work outside of the home. In Bram Stoker’s novel, Dracula, the Count seems to actually embody the fear of the breakdown of such separate spheres. However, Stoker breaks down these separate spheres and the fear associated with their breakdown through the theme of the “New Woman” intertwined with the actions and behaviors of the characters in the novel.

In the late nineteenth century, women were beginning to take a stand for their equal rights in society. The term “new woman” was used to describe these women, openly proclaiming their independence from men. It was a woman’s way to threaten the conventional ideas of society, and to bring about their own changes (Buzwell). Following their well-known suffrage movement, women claimed their freedom sexually, physically, and in the workplace. For many years’ prior, women were expected to be the typical housewife, watching over the house, cooking, and cleaning. They were property of their husbands. During their equal rights revolution, women pursued careers like doctors or lawyers and fulfilling their sexual desires for purposes other than bearing children. As today’s society may never know the struggles and misfortunes during the Victorian era, Dracula leaves a time capsule behind to elaborate on the realities during such a prominent generation (Podonsky). Considering this given criteria, a new woman comes in a variety of forms; some women represent a stronger sexual desire while others demonstrate character traits on equality in work and education. In the case of Dracula, the two main female characters take two different forms; one blatantly sexual and one chaste (Humphrey). Bram Stoker’s novel Dracula portrays the ideas of a “new woman” in a modern society, utilizing Mina’s and Lucy’s characters to display opposite characteristics of the feminist movement which draw attention to

she does not wear a lot of clothing. This oversexualizing of this character shows that men view women

Expressing one's sexuality is often considered a taboo, especially if it concerns women’s sexuality. A woman expressing her sexuality is often looked down upon because of the notion that women must be innocent and demure. These notions were meant to repress women’s sexual gratification and constrict women into feminine roles as mothers or as wives. These stereotyped feminine roles caused women to be viewed as less of a threat to male masculinity. However, in the Victorian Era, new ideas on what it meant to be a woman challenged these feminine roles and the patriarchal order. The “new woman” wanted to be equivalent to men, financially independent, and sexually liberated. The new woman threatens the patriarchal order because equality of the sexes challenges power dynamics and gender roles. In Bram Stoker’s novel, Dracula, he challenges the social constraints that limit individual and sexual desires through vampires who are capable of revealing the characters’ repressed desires. With the use of vampires as figurative representation of the new woman, the novel reveals the fear of female sexuality through the erotic acts presented by the women and the men who must confront them.

In Anne Mellor’s article “Possessing Nature: The Female in Frankenstein,” she focuses on the role that women play in Mary Shelley’s Frankenstein. Mellor explores the patriarchal society by providing evidence for the claim that Frankenstein is a feminist work. Mellor argues that Victor Frankenstein’s downfall is due to his fear of femininity and his need to become the creator of a human being. She begins the article with the argument that the division of spheres (public and private) within the book caused the destruction of many women. Mellor then explored the spheres that men and women occupied. Men would “work outside of the home” while women were “confined to the home”. This division of spheres had negative consequences as much for men as they did for

An expecting couple awaits to discover the gender of their baby. The nurse announces that it’s a girl. The couple is extremely excited, but do they truly grasp the weight of what this implies? Gender is not simply a physical trait, as it affects nearly every aspect of a person’s life. Stereotypes repress the potential in all men and women. The same stereotypes are found throughout literature such as Medea by Euripides, Chaucer’s “The Wife of Bath’s Tale”, “Sonnets” by Shakespeare, “The Yellow Wallpaper” by Charlotte Perkins Gilman, and Frederick Waterman’s “The Best Man Wins”. A common thread between these pieces is that power can be gained by those who are suppressed by defying gender stereotypes and social hierarchies.

Presenting literature to the public that is meant to be a commentary on social or political issues, masked under the guise of entertaining and fictional, is a tool implemented by authors and activists for centuries. While not all satire is as overt as Jonathan Swift’s suggestion that we eat the babies, it does not diminish the eyebrow raising suggestions that are conveyed once the meaning has been discovered. In Aphra Behn’s The History of the Nun and Eliza Haywood’s Fantomina, the established expectations of the female role within society are brought into question then directly rejected. These expectations establish that women should be deferential to men, morally unblemished, and virtuous at all times. Men, however, are not held to these expectations in the same way. The masculine roles assumed by Isabella and Fantomina demonstrate a private rebellion against the established patriarchal society as it warns against the under-estimation of women and proves that women exist independently.

In this paper, I plan to put into conversation Bram Stoker's Text, "Dracula," with Appendix G: Gender. My working thesis: In the novel "Dracula," Bram Stoker analyzes the relationship between masculinity and femininity, as well as traditional gender roles. He not only critiques and depicts these gender roles within his characters, but also obscures these roles with the concept of vampirism. Specifically, Stoker uses the relationship between Jonathan and Mina Harker and their respective vamping by Count Dracula to portray these complex and convoluted gender norms. Bram Stoker pulls from several gender related texts and further develops them into his twisted vampire tale.

To the Lighthouse and The Picture of Dorian Gray both present the dichotomy of legacy into male and female legacy. The women within Virginia Woolf’s novel come to see

1. Go to a public place and OBSERVE the community of people in that place for at least 30 minutes; perhaps as long as 60 minutes. In your report, describe the setting and note the date and time of your observation. Describe the element of “community” that you observed.

The narrator returns home disappointed that she hasn't found some piece of truth to explain the poverty that women don’t share with men. Woolf thinks she needs a historian to describe the conditions of women through history. Compared to men, woman’s lives seem non-existent. She describes fiction as being connected to life but as careful as a spider-web and, in