Greek Theatre Essay

During the 5th century, only men were able to participate and act in plays. Greek and Medieval Theatre both did play during special occasions. Greek and Medieval Theatre had playwrights, themes, actors, produced worldwide theatre, both were located in a type of amphitheater, costume, staging, and a type of genre. Both had their first play during the 5th century. Greek Theatre has a lot to do with Greek mythology, like god and goddesses as well mystical heroes. The Medieval Theatre presented epic hero sometimes dealing with demigods and normal people that challenged the gods. It also portrays to Marcuity plays.

When people think of theatre they usually think of acting, directing, and maybe script writers. They would correct, all of those disciplines are part of theatre but there's more to theatre than just that; however, due to personal interests those specific disciplines will be exactly what this essay is about. What most people don't think of when they think of theatre is how much thought is put into it. The different type of methods, not just for acting but, for directing, and script writing as well. Everyone has a different method of running a show but this paper will discuss some of the legendary people that have influenced theatre the most.

Creativity of this production is the reason for the success. Their expertise in the field proves that they were qualified for this wonderful production. The theater environment of this play was thrust structure, which allows them to innovation stunning method to display all of scenes.

In the play roles and relationships were used to show the roles of each person and what their relationship towards each other was. For example when Namatjira was on stage at one time he was going side to side (moving on the spot) and changing his voice like at times he would make his voice deep sounding rough ish then h would make his voice soft ish showing us that he was playing more than one person. There was also audience participation because he was being comical with the audience like for example

Drama often generates levels of meaning that are not directly stated (sometimes called sub-text). Explore some examples of the presence of sub-text and its dramatic importance in at least two of the plays you have studied. (May 2014)

A discourse community is a group of people with similar ideologies, goals, life experiences and ways of communicating. A lot of us have been in a discourse community without even knowing it. They are so easy to be a part of, you are practically born into one, for your family has a culture and background, which fits the definition of a discourse community. I am actually a part of a few communities myself, and you probably are too. Some examples of mine are my family, being a UTA student, Italian, a woman and a part of UTA’s musical theater program. Which brings me to the most important community I have been a part of, so far in my life, Colleyville Heritage High schools theater department, I am no longer a part of it, but in the short four years I was, my life has changed for the better. In my paper, I will talk to you about my time at Colleyville Heritage High School theater department, and how the community gave me a sense of belonging, taught me how to persevere, by means of loving art and preforming. This will be backed by ethos, logos and pathos, for I have experienced all the emotions of joining a new group, along with the four years of taking acting, and singing lessons and doing shows, paired with real life events to prove everything in this paper is one hundred percent real.

"A Philosophy of Theater « " East of Mina. N.p., n.d. Web. 19 Jan. 2011.

The Greeks were known for giving offerings to their gods. They decided to build a theater where they could give their offerings. Although the main thing that they used it for was giving offerings, it was also used for some other things. This paper will be talking about Greek drama genres, why theater was so important, and how they make their voices heard.

For decades people found theatre one of the most enjoyable form of entertainment all across the world. With every play comes a cost. A value which somebody's story is told. Obviously it can be comic drama or despairing,. Each second of these plays are genuinely delightful and exceptional. Where the performing artists show a totally distinctive side of characters to the group of onlookers where they demonstrate to them something new and pleasurable. And behind the theatre and its plays is one person who keeps it all in check and that is the director. The director is like the heart of a person. You don’t see the heart but you know if it’s doing its job correctly

I never took myself as much of an actress, even though I chose the role. Every day, I go in the dressing room and put on my costume. My hair and makeup were done, and it’s show time. The bright spotlight comes directly onto me. The curtains open and it begins. I give the performance of a lifetime. It’s amazing how much the audience believes the story they’re being told. They’re gullible, but they’re not dumb. They know when the show goes sideways and that’s when they begin to ask questions. As always, I reassure them nothing is wrong, and the act is a hit. The curtains close, I return to my dressing room, and I take off the costume. I wish I could give the role back.

I have found Siddhartha to be sharp and insightful when it comes to pushing the limits of his mind. In the face of economic downturn when the organization was challenged with profit margins, I remember him having said that we needed creativity to overwhelm the tough times and not the other way thereby challenging the fear of failure. He pitched in an idea for improvement initiatives - identifying projects with potential benefit (cost savings, etc.) in respective work areas. He organized idea generation workshops with the teams with the twin objectives of increasing team bonding and thinking out of the box solutions. He established his credibility to get his colleagues’ buy in by sharing examples of how his team had implemented value generating projects in their area. Going forward, seeing the tangible and intangible benefits of this initiative, the department decided to formalize it as forum. On a particular occasion, a constructive suggestions related to departmental quality processes given by Siddhartha led to faster implementation of a project through a more streamlined Quality Assurance process. This trait of his sums up the old adage “Be the change you wish to see in the World”.

In Kabuki theatre, everything that is seen on the stage is the result of a meaningful inner dynamic which completes the performance by the coordination of the actors with all the various components of the mise-en-scène and then by the traditions of all the various elements being assembled into an organic whole (Kawatake 1990, 247).

The Public Sphere within theatre was a concept that was first delineated by philosopher Jurgen Habermas in his book titled The structural transformation of the public sphere, in which he refers to the right that all citizens hold, the right to participate and engage into discussions on public matters of interest and public issues. Habermas writes: “the audience does not constitute a space for spectators and listeners but a space for speakers and addresses who engage in debate.” (Habermas in Balme 2012). The Public sphere has now become a space, a stage, for performers, speakers and protesters to have a voice rather than for the preliminary use of entertainment for the audience, spectators and listeners.

Theatre is an art that transcends time and builds a new world for the audience atop the stage. A play is defined as “a dramatic composition” or “the stage representation of an action or story” (The Merriam-Webster Dictionary). This refers to drama being performed live by actors on a stage. Ancient Greece is accredited to inventing theatre and drama. In Greece during that time, at the height of popularity, were the stories of the well known flawed heroes and their journeys.

Iago’s character is equally important for the development of plot structure of the play. The aesthetics used in the play and the obsession with the lyrical beauty allured the Indian audience, which caused the adaptation and translation of the play. It has been developed into movies like Omkara in Hindi and Kaliyattam in Malayalam; and has been adapted into classical world (Kathakali) which was penned by Sadanam Balakrishnan and performed by the artists of International Centre for Kathakali. Another enthralling adaptation has been into Kathaprsangam (literally story speaking) in which a single person narrates the whole story by V. Sambashivan. In Shakespeare’s Othello according to Bharat Gupta, “Envy, indeed, overpowered Othello, yet, it was caused by anger and frustrated sex. According to the Indian system, the sthayi in Othello are krodha and rati”. The vyabhichari bhavas (transient emotions) are moha and chintha. There are 36 vyabhichari bhavas or emotional states. Some of them are nirveda (sorrow. Depression), sanka (ambiguity), asuya (jealousy), glani (guilt), moha (affection) and chintha (anguish). Abhinavagupta interpreted rasa as a “stream of consciousness”. He then went on to expand the scope and content of the rasa spectrum by adding the ninth rasa: the Shantha rasa, the one of tranquility and peace. Abhinava explained that Shantha rasa underlies all the other mundane rasas as