Sophocles’ Antigone is a Greek tragedy concerning the nature of fraternal and sororal bonds, and to what extent one is bound by them. After Creon declares that Antigone’s late brother Polyneices cannot be buried, Antigone usurps Creon’s authority and buries her brother of her own accord. Ismene attempts to dissuade Antigone, but to no avail. The sisters both mourn for their brother, but the distinction of their actions is drawn along the lines of what each of them holds to be more valuable- the decrees of the living, or the honor of the dead. As the play unfolds, the contrast between the sisters continually grows more and more apparent. Antigone’s loyalty is clearly to her brother; Ismene’s loyalty to her sister is easily drowned out by the …show more content…
Sophocles was perhaps attesting to the proper alignment of domestic values with lawful ones. After all, a good city is built upon good families, and good families are built upon good people. Oedipus tried to defy the will of the gods, and his misfortune continues through the line of his children. Antigone wants to acquiesce to this will, all the while completely disregarding her earthly obligations. Her actions imply an impulsivity and hubris that is not so unlike her father's. She does indeed fulfills the requirements of a tragic “hero”- she is royalty, she has a tragic flaw, and she has an unhappy ending- but the fact that It should be noted that just because Antigone's actions were not justified does not imply that Creon's actions were, but just because someone commits an unjust act does not mean that responding with an equally unjust one is permissible. Antigone’s actions result in the deaths of three people should cause the reader to reflect upon the justice and righteousness of her actions, and whether or not she is truly heroic. Alternatively, Ismene does not act rashly, instead correctly balancing lawful behavior with familial loyalty: she chooses to not participate and discourages her sister from doing so, but when the choice is between following the law or supporting the last remaining member of her family, she chooses her sister. Ismene desires that Antigone choose to do what is right, but when Antigone does not, she still stands beside
The first specification for the tragic hero is one of the few that both Antigone and Creon exhibit; both characters are between the extremes of perfect morality and pure villainy. Antigone’s moral neutrality is illustrated through her noble intentions and the unorthodox way she acts upon them. When she is confronted by Creon and demanded to give an explanation for her disobedience, Antigone says, “For me it was not Zeus who made that order. Nor did that Justice who lives with the gods below mark out such laws to hold among mankind” (Sophocles 207 ll. 450-2). Along with love and loyalty to her brother, Antigone is largely motivated by her desire for justice and appeasement of the gods. While her intentions are noble, Antigone’s actions in the
In Sophocles’ Antigone, gender roles are a major conflicting theme throughout the entire play. The setting of the play was written during the Greek mythological days, around 442 B.C. During these days, men were dominant and held all of the power, so women were automatically treated as less. Antigone and Creon portray the conflicting sides between male and female, and Ismene and Haemon portray opposing sides to Antigone and Creon’s actions. Antigone, Ismene, Creon, and Haemon each show differences in behavior due to their sex versus the actions each character chooses to take. Antigone tells Ismene about her plans to bury their brother, Polynices, which is going against Creon’s orders. Antigone and Ismene, have contrasting perspectives on
Her determination to honor the deceased led to her eternal rest. The play Antigone by Sophocles is a tragedy about a young woman named Antigone whose brother died in combat and was not permitted to be buried by the king. This leads Antigone to bury her brother and face the wrath of the king’s punishment. After Antigone’s death, fate changes for Creon, the king, when he loses all of his family members for going against the laws of the gods. As the eponymous character of the play Antigone, Antigone breaks Creon’s law by burying her brother and is sentenced to death, even if it were her uncle’s decree. Nevertheless, the character Creon suffers a fate far worse than death for upholding a law he had set up. The role of family ties in Antigone is
The relationship between Antigone and Ismene is close because they are both sisters but at the same time their relationship isn’t that strong. One of reasons they are foils to each other is because of their disagreement about burying the body of their brother Polyneices. Antigone already knows that she is willing to die to let her brother rest in peace but Ismene on the other isn’t on her side, instead she doesn’t want to help Antigone because she want to face the consequences that come with burying Polyneices. Antigone and Ismene are foils to each other because on one hand Antigone is willing to defy the orders of the king who has power over her, while her
First off, Ismene, Antigone’s sister, actually was the one that incited Antigone's actions that led to everything else that happened in the story. Without Ismene, there would not be a plot. In lines 52-59, Ismene said to Antigone “What? You'd bury him— when a law forbids the city?” Antigone replied “Yes! He is my brother and—deny it as you will—your brother too. No one will ever convict me for a traitor.” Ismene said “So desperate, and Creon has expressly—” and Antigone interrupted with “He has no right to keep me from my own.” Here Ismene is telling Antigone that her actions are not something that are legal and that comply with Creon’s laws. Antigone, being hard-headed, decides that she is not going to let a law determine what she does for
Imagine being put in a situation where honor towards your own blood opposes the law. In the city-state of Thebes, King Creon issues a law that bans the burial of Polyneices. The dead man’s sister, a young woman named Antigone, buries her brother against King Creon’s blessings. Antigone’s courageous actions lead her to her own fatal death. Sophocles emphasizes the importance of choosing family over authority in his play “Antigone”.
“The strength of a family, like the strength of an army, is in its loyalty to each other.” - Mario Puzo. The play “Antigone” by Sophocles demonstrates the paramount significance of unconditional love and loyalty to family, including keeping one’s promises. It also implies the lesson of never taking the loved ones in our lives for granted. “Antigone” takes place in Ancient Greece, and is so well told that I felt as if I were experiencing this tale for myself in the city of Thebes. The tragedy focuses on a young girl named Antigone, who has heard the news of her two brothers killing one another in a battle for control of Thebes. Her younger sister, Ismene, however, is a fascinating individual who refuses to help her older sibling give one of
Sophocles symbolizes family over authority by using Antigone and Creon to conflict each other's core beliefs, showing that Antigone is willing to die to honor the love for her family, while Creon is willing to kill to honor and enforce his own authority at any cost. As we see in the story, when Antigone's brothers die, she chooses to bury Polyneices even though she knows this will cost her her life. In the play when Antigone tells her sister what she’s going to do, ismene says, ”But think of the danger! Think what Creon will do! ANTIGONE: Creon is not enough to stand in my way” This shows Antigone represents family for the great lengths she will go to to honor her brother. By contrast, Sophocles paints Creon to symbolize authority through murder of his own bloodline. In the play he plans to kill Antigone for choosing her love for her brother over his rule, and so he plans out her execution although she is family to Creon. The Choragos asks Creon “Do you really intend to steal this girl from your son?,” which then he responds by saying “No; Death will do that for me.” Which shows the reader that Creon is unsympathetic to who Antigone is in relation to him. He disregards the importance of family to uphold his authoritative values. By the end of the play the author has shown us Creon has come to realize his ways have cost him his family, and he regrets his decisions.
A tragic play called Antigone; written by Sophocles, who has created a stubborn, hubris, and cursed king; king of Thebes- a man named Creon. He had a son, Haimon, who fell in love, and was engaged to his cousin, Antigone. Antigone was royalty, with characteristics like her father. She was strong-headed, hubris and loyal to her family. Creon’s respect for Antigone vanished, because she buried her brother, Polyneices with pride and love. One of Creon’s law was not to bury Polyneices or even pray for him, and whoever does will be punished. Antigone did not deny her deeds, family or not, Creon, her uncle, still punished her for her crime that she has committed. Creon and Antigone, who are both hubris and stubborn people, who’s plan ended their lives; either in a cruse or a rope around their neck. However the true tragic hero is someone who has
Reason and truth are never based on authority. Not even a supreme ruler can decide the right and wrong things to do. Antigone, in “Antigone” is set on honroing her dead brother even if it means going against her uncle Creon, resulting in a classic father or fatherly figure daughter conflict. In Sophocles’ play “Antigone”, the combination of Antigone’s stubborn loyalty and her uncle Creon’s hubris result in the main conflict, while also demonstrating that stubornness and pride lead to destruction.
Family is very important and is shown through the many ways in society. That family will often be more important than the authority or law. The tragic Greek play, Antigone written by Sophocles. Within Antigone, Sophocles presents many situations where characters are forced to face their feelings of law or family. Throughout Antigone, Sophocles proves his strong devotion to family, even more. Sophocles presents these through the actions of Antigone, Creon, and Haemon with the choices that they make throughout the play. For instance, Antigone had many chances to obey the law or her own familial bonds. Antigone chooses to obey family, and bury Polynices even though burying breaks Creon's law. Antigone pleads with her sister to help, but when she says no, Antigone responds, “But as for me/ I will bury the brother I love” (Prologue. 192). Antigone was willing to break Creon's authority as a family means much more to her, this presents her as selfless. Along with breaking the law, Antigone also risks execution for that crime. When Antigone learns of her punishment, after Creon discovers, Antigone decides if entombing her brother was worth it. Following Creon's warning, she says, “This death of mine/ is of no importance; but if I had left my brother/ lying in death unburied, I should have suffered. / Now I do not” (Scene II. 208). Antigone shows the courage that even death won't scare her from her goals. Antigone chooses family, when in the face of the capital punishment.
Universal themes that are outside of time and space, but are rather applicable to human nature itself, are a key element in Greek tragedy. Antigone has a clearly defined theme of family versus state. In Sophocles's tragedy, he depicts the conflict of Antigone wanting to save her family from dishonor against Creon's obsession with law and civil order. Antigone is portrayed as a headstrong and close-minded woman who is determined on following the rituals Greek gods expect upon death by burying her brother, Polynices. Her sister, Ismene, warns her multiple times to pay her loyalty to the state, especially since they are women and cannot strive against men. However, Antigone wishes to create and live by her own rules. She buries her brother without feeling she owes any obligation to the law. On the contrary, Creon is shown as a very prideful man who eventually brings his own destruction upon himself. He believes his word is the law for he was appointed by the city.
This story is marked by tragedy after tragedy; Antigone and Ismene are presented with a father, that dare to killed his father to married his own mother. Two brother that followed the similar example, and consequently killed each other to for throne to have power. We don’t know what age they were when her parents died, but by inference we can argue that they were young. Although, Antigone and Ismene experience some life-hard moments together, their view on certain situation are shaped differently throughout the play. Antigone, see the situation with her brother Polynieces as outrageous offense to her and her family values, especially after being an active member of leadership in the city of Thebes. Antigone, experiences had made her a stronger than other women, she doesn’t fear man, and is
Antigone is a play that was written in ancient Greece by the playwright Sophocles. It is the third play in a trilogy of tragedies about the city-state of Thebes, revolving around Oedipus Rex. Antigone starts the day after a civil war fought between the two sons of Oedipus Rex after his death. The civil war ended in death for both brothers, so their uncle, Creon, assumed the role of King of Thebes. The main conflict of the play begins when Creon gives one brother, Eteocles, a burial with honors, but passes a law forbidding a burial for the other brother, Polyneices with the penalty of death. One of the sisters of Eteocles and Polyneices, Antigone disagrees with this law, and decides to bury Polyneices, resulting in Creon sentencing Antigone to death. A conflict emerges between Antigone and Creon, who appear to be opposites. However, despite Antigone and Creon’s different stances on law, they are ultimately more similar than different because of their shared value of loyalty and their shared characteristic, hubris.
Even though Antigone has familial love toward her brother, she expresses sympathy toward him. Antigone does this by telling her sister that Creon “Promotes one of them and shames the other” by denying his burial rights (22). In this part of her speech, Antigone chooses her words carefully to describe the situation to her sister and express the sympathy she has for Polyneices, especially when she uses the phrase “shames the other” and “miserable corpse” (22-26). Antigone is sympathetic of her brother Polyneices because he is not given a proper burial and is left to the “vultures, unwept, unburied” like he is forgotten (29). It is also intriguing to see how Antigone’s sympathetic response to the lack of her brother’s burial is actually the familial love she has for him. Because she loves and considers him a part of her family, she is emotionally sorrowful for the way he has been treated.