Compare And Contrast Marcus And Pontus

The highly emotional scenes in Othello give the audience a means of catharsis for the audience. It is necessary for this to transpire within a tragedy. H.A. Kelly writes in his book “Ideas And forms Of Tragedy From Aristotle To The Middle Ages” that “the representation generates certain passions in souls that moderate themselves, to pitying or fearing.” The reader connects with the powerful emotions of sadness in the story. The overwhelming feelings allow the reader to let out the suppressed feelings in a way that is allegedly therapeutic. Furthermore, Professor W.A. Neilson of Harvard University says “This is in part due to the splendor of its poetry, the absorbing nature of the plot, and the vividness of the drawing of characters who marvelously combine individuality with a universal and typical quality that makes them appeal to people of all kinds and races.” In the tragic story of Othello and Desdemona, pain and heartache is a paramount emotion from the beginning through to the end of the play. For example, the story begins with Iago and Roderigo enacting their plan to tell Desdemona’s unknowing father, Brabantio, of her marriage to Othello. Brabantio then becomes irate with emotions of anger and betrayal. In scene III, he expresses these emotions while addressing the Duke and a handful of senators by saying “She is abused, stol’n from me and corrupted.” (Shakespeare) The reader can connect and

In William Shakespeare’s drama, Othello, a reader does not need to search tirelessly to find one of the numerous victims of the tale. While it is true to state that many characters in this story endure great suffering and sorrow during their arcs, it is natural to wonder, “Who is the ultimate victim of this tragedy?” Is it the title character himself? Othello, mercilessly betrayed and emotionally tormented by his friend, Iago. Perhaps, it is Othello’s wife, Desdemona; she pays the ultimate price for Iago’s deeds at the hands of her beloved. Emilia, Desdemona’s handmaiden, could also be considered the most tragic character. Still, there is one man who rises above the others in his suffering; a man whose own daughter was stolen from him before he even knew she had been taken. Ultimately succumbing to his grief, only one character can truly be deemed the ultimate victim of this play, Desdemona’s father, Brabantio.

Both Marcus Aurelius and Cicero try to create a guide, based on their stoic views, on how a person is supposed to live a purposeful life. Marcus Aurelius was an emperor and Cicero was a politician, so both serve somebody or something. In Cicero’s “On Friendship” he bases his guides on what he has learned from important people in his life. In Marcus Aurelius’ “Meditations” he bases his guide off of what he has learned as an emperor with stoic views. Some of what he Aurelius has learned is different from Cicero’s view of stoicism; an example of this is in section seven of Meditations. Section seven of Meditations is about what Aurelius learned from his tutor. He states, “Endure hardship, and have few needs; to do things for myself and not

In examining the histories presented by Livy and Tacitus, it is crucial to take into account the agendas of the respective authors. While both set out to portray as accurate of a historical representation as possible, it is evident that both renowned historians and rhetoricians intended to deliver several significant messages regarding their thoughts on Rome. Both authors do, indeed, acknowledge the greatness of Rome and champion the core of Roman values; however, Livy and Tacitus tactfully elaborate on different troubles that face the Roman Empire. The histories put forth by these great men aim to present the past as an aid to promote

The accounts of emperor Tiberius’ reign by both Suetonius and Tacitus have qualities that serve to show how differing authors viewed Tiberius in various flattering and unappealing ways by their personal reasoning and desire to preserve truth as much as possible in scope of their respective intentions to provide scholars with treatments of him that give a through picture of his traits, strengths and weaknesses. Overall, by examining both accounts of Tiberius’ reign, readers are able to form independent judgement of Tiberius and if each description is biased beyond any semblance of objectively. Overall Suetonius and Tacitus leaves books that differ in style and accuracy but both do indeed want the residing public to understand the true

Marcus Aurelius was born on April 26th, 121 AD. He was born as Marcus Annius Verus. His family was a very wealthy family who claimed that they were descendants of Numa, The Second King of Rome. His father was Annius Verus and his mother was Domitia Lucilla.

A journey is the act of traveling from one place to another and in the case of Aeneas and Augustine, it was taken to accomplish a goal. Aeneas and Augustine both take distinctive journeys in the works written by Virgil and Augustine. Virgil opens The Aeneid with stating his subject of "warfare and a man at war," in which he illustrates the sense of war. Aeneas has a destiny and takes a journey to find a new home for his people, as a leader would. In contrast, Augustine, in Confessions takes a journey to find his final resting place with God. Though both of these trips are exceptionally different, there are a number of similarities between the two. The physical journey of Aeneas and Augustine were similar in the sense that they both had the same goal in mind of uncovering something along the way. Both of these characters take individual journeys and face their own troubles along the way, but in the end, Aeneas and Augustine accomplish the destiny that was brought upon them at different times in their lives.

Oedipus and Jocasta seem interesting because how they react to the situations that they are presented upon them. They also share very similar characteristics but yet each are different in the story of Oedipus Rex. Oedipus was going to get to his fate no matter what ways he turned because the curse put upon King Laius. It was the fact that he had been cursed that made it seem more interesting and the circumstances that he would bring upon himself. Jocasta also could’ve been cursed along King Laius and her role to stop the oracle from happening was what brought the plot forward from the start.

Tiberius Gracchus and Cicero were two men who were both concerned with wellness of the citizens of Rome; however, they had different opinions on the best way to achieve political advancements. Throughout the different generations of the two men, the same issues plagued Rome, and throughout their lifetimes the separate factions of the senate became more polarized as they continued to disagree about the fate of Rome. Cicero wrote letters to his friends and family which today offer great primary information about what it was like in Rome during the late republic. In our virtual reality game, Saeculum, I get firsthand insight into the issues that plagued Rome when my clients come to me with the issues of land, food, and water. I am tasked with

The Greek heroes Achilles and Odysseus both embody strong characteristics classically found in Greek mythology, but this doesn’t mean they don’t possess flaws like mortal men. While Achilles and Odysseus are different in lineage, one being a demigod and the other a mortal, they still share similar attributes. Both of the heroes are prideful and selfish in nature and allow their arrogance to stunt their growth as individuals believing they are above showing humility for their actions. Another similarity they share that I find admirable is the endless amount of courage and sheer determination they possess as they fearlessly face danger head-on. In contrast, both heroes differ greatly in their strengths; in battle Achilles uses his physical strength to his advantage while Odysseus relies on his intelligence and wit, often outsmarting his opponents. Another significant difference between the two men is their differing view towards the Trojan War. Achilles is driven by his anger and hatred of Paris and impulsively reacts in a self-destructive manner, whereas Odysseus is the complete opposite of Achilles, as he takes control of the situation using logic and rational thinking to solve his problems.

In William Shakespeare’s play Twelfth Night, love as the cause of suffering is one of the most prominent theme of the story. Even though this play ends in love and wedded bliss, Shakespeare also shows us that love can also cause pain. The characters often view love as a curse, something that is thrust upon you and you cannot easily or willing escape. Examples include Malvolio’s love for Olivia, the love triangle between Olivia, Duke Orsino, and Viola as Cesario, and Antonio’s crush on Sebastian. There are countless occasions where unrequited love for another results in heartbreak and sorrow.

Achilles and Odysseus are quite different in the way they view combat and take down their enemies. Achilles seems to rely on his physical prowess, often charging in headfirst into battle using surprise and brute force to overpower his opponent whereas Odysseus has a tendency to use his intelligence and cunning nature in both the battlefield and politics as he stealthily plans the demise of his unsuspecting opponent. “Gnashing his teeth with rage, Achilles leaped from his chariot, made for his enemy, and lunged out at him with his sword” (341). Even when faced with a seemingly invincible assailant, Achilles uses his anger and sheer power to overtake Cycnus and impulsively attacks his unblemished skin in the hopes to end his life. It is Achilles’ agile and finesse in battle that has led to many victories for him. Even though the reasoning for his actions are more simplistic and even quite animalistic in some scenarios, it is this godlike strength and vicious temper that makes him the physical embodiment of a vengeful hero and in the Greeks stories he possesses all of the physical traits a hero should exemplify. “For now Odysseus began to boil with envy and thought up a despicable plan to end his rival” (342). Odysseus is quick and decisive in his actions but he relies on his sly nature to defeat and overwhelm his opponent in battle. Odysseus is valued for his wisdom and fair counsel, he has experience in the real world and this shows in the way he manipulates and even plays

Bravery, the ability to perform accordingly, even when half scared to death is an exceptional trait possessed by humans, which allows us to move ahead in spite of fear and take risks to be successful within our lives. Perseus, son of Olympian King Zeus, is a prestigious hero in Greek mythology, illustrious for severing the head of vicious Gorgon Medusa. Theseus, son of Poseidon and King Aengus, is a prominent hero in Greek mythology, distinguished for the innumerable quests he participated in for the welfare of others to help eradicate notorious, obnoxious monsters. Theseus is extraordinarily courageous, which he proves throughout the multitudinous quests he goes on, while Perseus on the contrary demonstrates inconsequential courage when compared to Theseus. Correspondingly, Theseus justifies he is intelligent as he successfully completes his quests individually,

There are two specific characters in Greek mythology that act, and think in very diverse ways. These characters belong to the stories of The Iliad and The Odyssey written by Homer, and translated by Robert Fagles. The main personalities that will draw the focus in these novels are the heroes Achilles and Odysseus. Despite their differences, both heroes have their similarities as well, such as their suffrage through an internal struggle. Unfortunately the differences are more obvious. Throughout the odyssey’s of both heroes it’s made clear that Achilles is a reactive character while Odysseus is a proactive character. Yet another differing quality between Achilles and Odysseus is that they each handle the gods play in things differently. In the texts The Iliad and The Odyssey by Homer the two heroes can be both compared and contrasted as epic heroes.

Even today, Meditations by Marcus Aurelius is read by every class from kings to common people. The book is a universal classic, meaning it can be related to at any time, by anyone. The philosophies included in his book have spanned the centuries, and Meditations remains to be one of the most influential books ever written.