Compare And Contrast The Opening Scenes Of Tim Burton's Corpse Bride And The Nightmare Before Christmas

Throughout the novel Dracula, the text prominently features the ‘uncanny.’ In literature and other texts, the uncanny refers to an unfamiliarity that is frightening familiar. It’s presence in Dracula is obvious as we and the novel characters see Dracula as uncanny. Both appropriations of Dracula, Nosferatu (1922) and Bram Stoker’s Dracula (1992), reflect their context and hence reflect the values, idea and themes prominent in their context. Nosferatu resembles its isolated German Expressionist Cinema context through its jewish propaganda portrayed by many techniques, most notably its heavy use of dramatic lighting. Bram Stoker’s Dracula’s contrasting themes include its romanticisation of Dracula which expresses the romantic notions prominent

Indisputably, Tim Burton has one of the world’s most distinct styles when regarding film directing. His tone, mood, diction, imagery, organization, syntax, and point of view within his films sets him apart from other renowned directors. Burton’s style can be easily depicted in two of his most highly esteemed and critically acclaimed films, Edward Scissorhands and Charlie and the Chocolate Factory. Burton ingeniously incorporates effective cinematic techniques to convey a poignant underlying message to the audience. Such cinematic techniques are in the lighting and editing technique categories. High key and low key relationships plus editing variations evinces the director’s elaborate style. He utilizes these cinematic techniques to

Tim Burton is one of the most unusual and unique directors of our time. He brings characters to life by putting them in a habitat they don’t belong. His movies “Alice in Wonderland”, “The Corpse Bride”, “Charlie and the chocolate factory”, and “Edward Scissorhands” all demonstrate how one of a kind his movies are. Using cinematic techniques, Tim Burton points out the misfit character and shows how different they are then everyone else. His use of camera angles, lighting, and sound give the viewers a different perspective on the movies, and help pick out the individual character.

What is common between most horror films and texts? They all use similar types of codes and conventions. These codes and conventions differ between genre and can be easily identified. These also reflect the values of the audience they are intended for. The 1993 stop-motion animated film, ‘The Nightmare Before Christmas’, directed by Henry Selick, and the 1845 poem, ‘The Raven’, written by Edgar Allan Poe, are both a part of the horror genre, as they follow the codes and conventions of that genre. They use similar visuals, sounds, characterisation, and themes. Using these and other conventions, audiences can identify a genre, which influences their opinions and feelings about the genre.

Edward Scissorhands, written by Tim Burton, tells the tale of a young man who is lovable, childlike and sensitive, bewildered by the humanity around him, yet is terrifying- someone who has scissors, the deadly weaponry, for hands. Many viewers may read this film as a “Tim Burton” type of fairytale which includes both an alternative aspect and romance. However, through the presentation of mise-en-scene in this film, Burton drives in a much more serious subject of social criticism by establishing two different understandings of life in the movie.

Unnerving, spooky, disturbing, frightful… All common characteristics of a hauntingly terrific tale by the famous Edgar Allan Poe. His story “The Masque of the Red Death” brought a grotesque taste to the horror genre throughout the 19th century with the use of literary devices. To summarize, Poe’s story discussed, in detail, the horrifying inevitability of death, which reveal the value of a device known as symbolism used by Poe in this literary work. As people are familiar with, Poe’s psychological weaknesses spurred his creativity to which he poured his problems into Gothic Literature, and he produced these unforeseen symbols as pawns of his life. In this popular short story, subtle objects are manipulated to reflect Edgar Allan Poe’s misfortunes. Symbolism is used throughout his short years of living as a narrative device for his eerie publications. Within this composition, I will be justifying how Poe’s influence on the use of symbolism constructed a disturbed and almost misleading

In usual fairytale movies, filmmakers intend to make films that give happy endings with simple miraculous entertainments. However, in the fable movie, Edward Scissorhand, the director, Tim Burton, positions the viewers to understand the significant meaning of particular issues. “E.S” is can be seen as a story of stereotypical suburbia with social criticism. In this essay, starting from analysing this film and providing dominant discourse, the use of characters will be discussed followed by debate of technical and symbolic codes which help to put up the discourse. In particular, this essay will consider the technical code of camera angle and symbolic codes of colour which emphasize the dominant discourse.

FW Murnau’s 1921 film Nosferatu is an appropriation of Bram Stoker’s 1897 novel Dracula. Despite it being an appropriation, explicit gothic conventions remain evident, which explore societal fears and values. These fears and values differ from Dracula, due to distinct contextual influences of different time periods.

“One person’s crazyness is another person’s reality” was once said by the famous director, author, inspirer, Tim Burton. He creates films that have surprised many of his supporters. Most of the films he has directed have had elements of horror and modernness. Tim Burton uses cinematic techniques such as flashbacks, high key lighting, and dolly/tracking to express his style natural creepiness throughout his movies.

In Bowen’s article, he discusses the different gothic motifs that make up gothic literature such as power and restraint, clashing time periods, strange places, terror versus horror, and a world of doubt. “Edward Scissorhands” has always been considered a strange film while We Have Always Lived in a Castle has always been considered a gothic novel. According to Bowen’s list of gothic motifs, “Edward Scissorhands” would be considered more gothic than the novel We Have Always Lived in the Castle because it fits more of the gothic conventions.

Novel in particular and literature in general is more than just a work of fiction but in fact the hidden reflection of a specific historical era. Although, Frankenstein, Wuthering Heights and Dracula were written in different times and each leaves its readers with different emotion and contemplation stages, they all share an affinity: the presence of Gothic elements. Indeed, these novels are designed to lead their reader into thrilling journeys through spooky dark setting, suspense horrifying plot, and claustrophobic atmosphere. These elements, though appear in various forms throughout these three novels, still excellently accomplish their mission of enticing the readers to be caught up in the narrative.

Bram Stoker’s ingenious piece of work on writing Dracula has set the expectation for gothic novels all over the world and time to come. The mindset of writing Dracula through the Victorian Era really sets the tone for the reader by creating a spine-tingling sensation right through the novel. With this in mind, Stoker wouldn’t have been able to succeed his masterpiece without the effective uses of symbolism, imagery, foreshadowing, and its overall theme.

As a master of short stories of horror, Edgar Allan Poe is knowledgeable, learned and imaginative. He could skillfully manipulate the words in his literary works to create everything people can think of. The masterful use of the symbols, objects intensify the readers’ nerve as the typical elements of horror in Poe’s short stories, and therefore it is also a feature which makes Poe 's stories different from other writers.

Timothy William Burton was born on August 25, 1958, in Burbank, California. His father was a former minor league baseball player and his mother owned a cat gift shop. His younger brother was born in 1961. Although he grew up in a typical American family in a typical American suburb, Tim Burton really didn’t have a great childhood. He was

It’s strange trying to think about these original film properties—Frankenstein and Dracula, respectively—as serious pictures, void of camp and cheese. However, most of this comes from age. It’s interesting then, watching the Hammond-era films, and trying to view them as anything remotely serious. They aren’t. However, they do, at times, manage to disguise themselves as such. In reality, these movies are no Rosemary’s Baby, but rather the birth of a new brand of gothic horror—the gore filled, B-movie, spin-off franchise films; a weird series of twisted exploitation reboots, upping the ante and upping the ridiculous names. The two things that immediately came to mind when watching these films is the obvious influence they had on the work of Mexican director Guillermo Del Toro, and Kate Bush’s song “Hammer Horror” — I admire both artists greatly, so I went in the Hammerverse with my eyes wide open.