Compare and Contrast the Garden Party and the Yellow Wallpaper

Charlotte Perkins Gilman’s, “The Yellow Wallpaper”, published in 1899, is a semi-autobiographical short story depicting a young woman’s struggle with depression that is virtually untreated and her subsequent descent into madness. Although the story is centered on the protagonist’s obsessive description of the yellow wallpaper and her neurosis, the story serves a higher purpose as a testament to the feminist struggle and their efforts to break out of their domestic prison. With reference to the works of Janice Haney-Peritz’s, “Monumental Feminism and Literature’s

The Story of an Hour by Kate Chopin and The Yellow Wallpaper by Charlotte Perkins Gilman written in the 1890s both reflect gender roles of this time, specifically women’s roles. In these stories both of the women are oppressed by their marriages, and by the end of the stories both wish to be rid of their husbands. Also, in both of these stories these women experience mental illnesses, mainly depression. These illnesses were looked at as something minor during this time, was it because psychologists were uneducated, or because as women their mental stability did not really matter? These stories connect so well because of their work to bring to the surface the reality of gender roles in the 1800s. Even though these stories were fictional their ideas were very real. By comparing how men and women were treated during this time, and how they are treated more equally now, it shows that with time American has come a long way.

She has to tear off all of the wallpaper to free the woman, which in turn will free her. “I wasn’t along a bit! As soon as it was moonlight and that poor thing began to crawl and shake the pattern, I got up and ran to help her. I pulled and she shook. I shook and she pulled, and before morning we had peeled off yards of the paper” (416). She is becoming obsessed with the wallpaper, and it is now beginning to consume her. She moves slowly into her insanity, and separates herself from the observation of others. In the end, “I’ve got out at last . . . And I’ve pulled off most of the paper, so you can’t put me back” (417).

Many critics might agree that what makes a work of literature great is its attention to detail. Subtleties in a story can truly immerse the reader in its plot and provide a new level of storytelling. This is especially important in the short stories “The Story of an Hour” by Kate Chopin, “The Yellow Wallpaper” by Charlotte Perkins Gilman, and “A Jury of Her Peers” by Susan Glaspell. All three stories are notable feminist literary works published between the late nineteenth century and the early twentieth century. They concentrate on the struggles of women against their own husbands and against society as a whole, in which women in these works dealt with sexism, abuse, repression, and confinement in their forced domestic roles. Uniquely, all three stories also feature their main conflicts within a confined setting, often limited to one or two rooms in a house. While this detail may go unnoticed to some, the specific settings of “The Story of an Hour”; “The Yellow Wallpaper”; and “A Jury of Her Peers” play a role in furthering the theme of the domestic confinement and

“The Yellow Wallpaper,” written by Charlotte Perkins Gilman in 1892, is a great example of early works pertaining to feminism and the disease of insanity. Charlotte Gilman’s own struggles as a woman, mother, and wife shine through in this short story capturing the haunting realism of a mental breakdown.The main character, much like Gilman herself, slips into bouts of depression after the birth of her child and is prescribed a ‘rest cure’ to relieve the young woman of her suffering. Any use of the mind or source of stimulus is strictly prohibited, including the narrator’s favorite hobby of writing. The woman’s husband, a physician, installs into his wife that the rest treatment is correct and will only due harm if not followed through. This type of treatment ultimately drives the woman insane, causing her to envision a woman crawling behind the yellow wallpaper of her room. Powerlessness and repression the main character is subject to creates an even more poignant message through the narrator’s mental breakdown. The ever present theme of subordination of women in “The Yellow Wallpaper” is advanced throughout the story by the literary devices of symbolism, imagery, and allegory.

While reading the Doll's house Henrik Ibsen by poem it had a strikingly similar theme to "the Yellow wallpaper" by Charlotte Perkins Gilman. It was quite shocking that Doll's house was written by a man since the story seems to be told from the wife's point of view how she feels about how her husband value treats her. Both poems is about women rights but during this time period women's didn't have rights and was subject to their husband

In the novels written by Charlotte Gilman and Kate Chopin, the concept of marriage is contradicted from the romanticized relationship to a notion of imprisonment. Through the feminist perspective the reader gains a sense in which marriage may be the primary cause to gender oppression. In “The Yellow Wallpaper” Gilman’s central figure, who is unknown to the reader, is metaphorically imprisoned in a house in which the warden is her own husband. In contrast to this Chopin’s Character, Louise Mallard, gains a sense of liberation from a bleak marriage. It is clear that there two works illustrate how the characters are imprisoned through marriage. In both works there is a fine-line between the concept of domesticity and masculinity that ties

Kate Chopin’s the most well-known work The Awakening and Charlotte Perkins Gilman’s short story “The Yellow Wallpaper,” both initially published in 1899, present astoundingly analogous stories of the role of women in society. Both texts are narrated from the point of view of a female protagonist who breaks away from the restraining conventions of a male-ruled society before eventually emancipating through separation from the thinking world, via suicide in The Awakening and insanity in “The Yellow Wall-Paper.” Some would argue that the narrators are unreliable and the stories are misrepresented simply because

Despite differing story lines, Charlotte Gilman’s The Yellow Wallpaper, John Steinbeck’s The Chrysanthemums and Kate Chopin’s The Awakening, depict the same suffering; the isolation that women have been forced to endure throughout history. In the time period that all three characters were placed, it was culturally acceptable for wives to be dominated by their husbands; their responsibility revolving around the needs of their children and those of their spouse. Most women simply did not have a means or an idea of how to rebel against their husbands. The women in all three stories are protagonists who have poor relationships of emotional attachment with their spouses. While the main character of Gilman’s story endures multiple psychotic

attitudes and how they were stuck behind a proverbial,“set of bars.” At the time “The

husbands death but soon realizes this means she is free from him, and in “The Yellow Wallpaper” it

Topics of great social impact have been dealt with in many different ways and in many different mediums. Beginning with the first women’s movement in the 1850’s, the role of women in society has been constantly written about, protested, and debated. Two women writers who have had the most impact in the on-going women’s movement are Kate Chopin and Charlotte Perkins Gilman. The Awakening and The Yellow Wallpaper are two of feminist literature’s cornerstones and have become prolific parts of American literature. Themes of entrapment by social dictates, circumstance, and the desire for personal independence reside within each work and bond the two together.

The narrator in the novel “The Yellow Wallpaper ” and the main character, Lily, in the novel “The House of Mirth” are both women in the 19th century. They both face the gender roles driven by the society they live in. The gender politics imprison the women physically and mentally. While both women struggle to find their place in their gender roles, only the narrator survives, whereas, Lily falls victim to society and perishes.

“The Yellow Wallpaper” is a short story telling about a young woman who is eventually driven mad by the society. The narrator is apparently confused with the norm defining “true” and “good” woman constructed by society dominated by man. “The Awakening” addressed the social, scientific, and cultural landscape of the country and the undergoing of radical changes. Each of these stories addresses the issue of women’s rights and how they were treated in the late 19th century. “The Awakening” explores one woman's desire to find and live fully within her true self. Her devotion to that purpose caused friction between her friends and family, and also conflicts with the dominant values of her time.

In the early nineteen century, women were not explicitly part of literature. they were used male pseudonym to publish their works. However, later in the century, there was a shift in women’s implication in literature. women began to be publicly recognized as writers, and they were using their writings to advocate for women’s rights and to reject stereotypes that were commonly associated with them. For example, in the early nineteen century, books and novels were mostly describing “piety, purity, submissiveness, and domesticity” as attributes of a good woman (Fortin). Writings by women were describing women that where rejecting values of the patriarchal society; women that wanted freedom and independence. The writings of Kate Chopin and Charlotte Perkins Gilman exemplify the features of the Feminist phase of female literary tradition. Published respectively in 1892 and 1895, “The Yellow Wall-Paper” by Charlotte Perkins Gilman and “The Story of an Hour” by Kate Chopin are the quintessence of feminist literature. They both used characterization, setting, ad irony to protest a misogynistic society and to request women’s rights and autonomy.