It has been said in an old French proverbial which dates back to the 1700s that, “revenge is a dish best served cold.” While the saying is one that speaks to the satisfaction that revenge can provide the individual when enacted meticulously, and in great violence, the opposite is more often the case. Rather than providing satisfaction and wholeness, retribution is a device that can serve to sever the individual from their sense of principles, so as to result in a harmful reconfiguration of identity. In both William Shakespeare’s play, Hamlet, and director David Cronenberg’s film, Eastern Promises (2007), the creators explore how the individual, in heroic attempts to achieve justice and vengeance for past atrocities, is instead paradoxically …show more content…
Both works examine this through the use of dark transitional shifts in character persona, the recurring pattern of action of the destruction from within, as illustrated through rot and parasite imagery, and the recurring pattern of action of dehumanization as expressed through images of prostitution, along with the devastation of the innocent. Similarly, these ideas are further expressed in director Denis Villeneuve’s film, Incendies (2010) which demonstrates how the exploration of a repressed traumatic past can lead to the liberation of a painful truth, and how the perception of the self falls to catastrophe by the corruptive power of the …show more content…
In Hamlet, the Prince attempts to avenge his father, Old Hamlet, whose death is exposed as a murder for power and status by Hamlet’s uncle Claudius. The nature of this murder as “unnatural” is revealed through a conversation between Hamlet and the ghost of his father in unremoved ground (1.5.25): “Tis given out that, sleeping in mine orchard,/A serpent stung me; […] The serpent that did sting thy father’s life/ Now wears his crown” (1.5.35-36/39-40). As a result of this conversation, Hamlet makes the decision to murder Claudius in order to avenge his father and free him from the purgatory his murder has trapped him in (1.5.14). To enact this revenge, the Prince undergoes a transitional shift in character and takes on a persona of madness: “As I perchance hereafter shall think meet/ To put an antic disposition on,” (1.5. 173-174). While Hamlet originally adopts this “antic disposition” to deflect those around him so that he is able to have freedom to plot his vengeance, the identity shift instead results in a damage to Hamlet’s mental state and temperament. Hamlet’s transmutation to madness does not protect him and his motives as intended, but rather, contributes to his own death at the end of the play (5.2.351). This damage to Hamlet’s self, and his change in disposition, is revealed through the play’s
Hamlet is one of Shakespeare’s many tragedies. Common themes in these works by Shakespeare are murder and deceit. Hamlet is full of each. The protagonist of the play, Prince Hamlet, is a young man whose father was murdered two months before the beginning of the story. Early on in the play Hamlet is approached by the ghost of his father. He explains to Hamlet that his brother, Claudius, murdered him. Before he returns to purgatory, he asks that Hamlet take revenge on Claudius, who, since the murder has taken the Crown of Denmark and taken Hamlet’s mother as a wife. Hamlet then makes a vow that he will avenge his father, but as the play progresses Hamlet passes up multiple opportunities to kill Claudius. This begs the question, Why does
Hamlet’s father died a tragic death. Shakespeare never clearly states the atmosphere and setting of where Claudius poisoned his brother but Branagh chose a clever way to show it. The scene started off outside of the castle on a snowy day. King Hamlet was taking a nap in a chair when Claudius snuck up behind him. Claudius poured poison in the ear of the king and that is when Hamlet awoke from his sleep and started choking. He looked his brother in the eye and died. Kenneth really made it apparent how evil Claudius is. He watched his own brother die and he felt nothing. He made Claudius act the same way as Shakespeare wrote his character to be. Shakespeare had chosen to have Claudius tell the people of Denmark that Hamlet had been killed by a snake. The snake is a perfect symbol of Claudius. Ever since the beginning of time snakes have been viewed as evil because of the story of Adam and Eve. G-d told Adam and Eve to not eat the fruit from the tree of knowledge. While Adam was elsewhere a snake, the devil, came to Eve. He used his sly ways to convince Eve to eat
In Shakespeare’s play, Hamlet, Hamlet, a studious young man and Prince of Denmark, struggles to face the death of his father and the task to kill his father’s murderer, Claudius. He was once known as a charming, smart young man before his father’s death. However, Hamlet experiences depression and anger at the world, causing him to look outwardly on society but failing to look inwardly on himself. The death of his father and the task for vengeance leads him to question whether or not he should follow through in killing Claudius. He becomes a man of thought rather than a man of action. In addition, the delay of King Claudius’ murder leads the readers to believe that he wishes not to kill him; he
It’s clear that Hamlet is not in favor of King Claudius to begin with - he finds him to be a poor choice on his mother’s behalf even stating “My father’s brother, / But no more to my father than I to Hercules.” (1 2 11) If the ghost says to him that “the serpent that did sting thy father’s life / Now wears his crown” (1 5 24) it gives Hamlet proper justification to murder King Claudius. After all, justification is the difference between homicide and vengeance. If Hamlet were to hear that his uncle had killed his father it would then be his duty as a son to avenge this murder. It is, again, exactly what Hamlet wants to hear. Therefore, it can be concluded that this conversation only took place in Hamlet’s mind with the words he wanted his father to
Throughout time, people have served justice for the wrongs of others, often through revenge. Because of this, some people see justice as taking an eye for an eye, and a tooth for a tooth. Shakespeare’s play The Tragedy of Hamlet, Prince of Denmark is no exception. The primary form of justice throughout the play is through revenge. There are three characters who demand and successfully achieve the justice by taking revenge on the wrongdoer. Hamlet seeks justice for his father’s murder, Laertes for the death of his father and sister, and Fortinbras for both the death of his father and the loss of his land.
This, in turn, exploits Hamlet’s similar flaw of ego and furthers the conflict, but what’s more, it illustrates Claudius’ sheer audacity and lack of repentance. He continues to try to cover up the sin and appease Hamlet into complacency rather than confess and ask for forgiveness. In a mark of pure arrogance, Claudius tells Hamlet to “throw to earth / This unprevailing woe and think of us / As of a father”, conceitedly requesting that Hamlet merely forget the murder and replace his father with the murderer himself (I, ii, 110-112). Similarly, instead of directly confronting Hamlet about his mental condition, the king more or less hires Rosencrantz and Guildenstern to spy on the prince, again cementing his smug mindset. The king does not believe he can be caught or, rather, that Hamlet is competent enough to figure out his plan and foil him. Claudius, too, thinks only of himself after Hamlet’s inadvertent killing of Polonius, pondering “how shall this bloody deed be answered? / It will be laid to us” instead of considering the ramifications of the murder with respect to Hamlet (4.1.17-18). The other two paper-thin traps the king hatches only reinforce his failure to see beyond the apparent; his attempt to deport Hamlet to England and have him killed reeks of treachery and, luckily, Hamlet realizes the king’s subterfuge, crushing the plot and flipping it back on him. Claudius remains steadfast in his efforts to remove Hamlet, going so far as to set up a
He wants to avenge his father but he knows that killing someone is wrong. This conflict appears when the ghost of his father tells him the Claudius killed him. The ghost tells Hamlet that Claudius poisoned him, and that he wanted hamlet to avenge his death. Hamlet tells his father “Haste me to know ‘t, that I, with as swift/ As meditation or thought of love,/ May sweep to my revenge” (I,V, 35-37). At this moment, Hamlet declares that he will take vengeance against Claudius. He plans to take revenge right away; however, as the play moves on Hamlet does not. Deep down Hamlet knew that killing someone was wrong for any reason. He also did not know if what the ghost said was true, he wanted solid proof that Claudius was indeed a murder, so Hamlet came up with a plan. The plan was to have a play performed for Claudius and Gertrude. Depending on how Claudius responds to the events in the play was going to show Hamlet if Claudius killed his father. Unfortunately, it was not long into the play when Claudius came out screaming, “Give me some light. Away!” (III, II, 295) after the scene in which the Player King is killed in is garden, the same way Claudius killed the old King. The outburst by Claudius proves to Hamlet that the ghost was telling the truth, giving Hamlet all the reassurance he need to fulfill his promise, but he doesn’t. He continued to question himself on whether he should kill
William Shakespeare’s “Hamlet” is a play illustrating a prince seeking revenge for his father tragic death. Hamlet, the prince, is left clueless about who has killed his father until some night watcher gives him some news about a ghost that looks like his dead father. Hamlet decides to go see the ghost for himself and is shocked with what the ghost has said to him. The murder of his father was not an accidental snake bite, but instead Hamlet’s father was the murdered by his uncle, Claudius, the new king of Denmark. Hamlet becomes angry at Claudius for killing his father and is also angry at his mother, Gertrude, for betraying his father and marrying Claudius. Hamlet begins to act insane because he wants to distract the people around him so he can avenge his father’s death.
William Shakespeare’s The Tragedy of Hamlet relays Hamlet’s quest to avenge the murder of his father, the king of Denmark. The late King Hamlet was murdered by his brother, Claudius, who took the throne and Hamlet’s mother Gertrude for himself. Hamlet is beseeched by the ghost of his father to take vengeance upon Claudius; while he swears to do so, the prince inexplicably delays killing Claudius for months on end. Hamlet’s feeble attempt to first confirm his uncle’s guilt with a play that recounts the murder and his botched excuses for not killing Claudius when the opportunity arises serve as testimony to Hamlet’s true self. Hamlet is riddled with doubt towards the validity of the ghost and his own ability to carry out the act necessary to
v. 29-31). Hamlet’s words of hatred directed towards the new king alone describe the emotion he has begun to experience, in order to restore his family loyalty, and honor his father’s memory, but at the same time, he is unsure of the consequences of such a revenge. In the end, it is evident that the character, Hamlet, experiences many conflicting feelings and sights of death as a result of his choice to seek revenge on Claudius. As Rene Girard puts it in Hamlet, a book edited by Harold Bloom,
After a ghost that claims to be his father appears to Hamlet, he begins to think about how he is going to take revenge on the king. Hamlet states, “…The play’s the thing/ Wherein I’ll catch the conscience of the king” (Shakespeare 73). Although Hamlet is avenging his father, there is nothing positive that can come out of his plan. It was inevitable from the start that their fate would either result in misery or death. After Hamlet is aware of the fact that King Claudius killed Hamlet’s father, Hamlet sees the king repenting and in those moments, Hamlet states, “Now might I do it pat, now he is praying;/ And now I’ll do’t. And so he goes to heaven,/ And so am I revenged. That would be scanned” (Shakespeare 103). Hamlet was not thinking about the outcomes of taking revenge, but instead, he was trying to acquire proof that King Claudius was guilty. Hamlet was ready to pierce his sword into the king and an act of kindness was not his reason for stopping during a prayer. If wronged enough, one will not think twice to commit ruthless revenge acts. After many tragedies, Hamlet makes sure to add to it and this is explained when he forces the king to drink the poison. The prince’s words to the king before the king dies are, “Here, thou incestuous, murd’rous, damned Dane/ Drink off this poison. Is thy union here?/ Follow my mother” (Shakespeare 175). Such
Although deeply sorrowed by his father?s death, he did not consider payback as an option until he meets with the ghost of his father. The ghost tells Hamlet King Claudius, his own brother, murdered him. The ghost then tells Hamlet ?to revenge his foul and most unnatural murder? (I.v.25). Although murder was an acceptable form of revenge in Hamlet?s time he is uncertain about killing Claudius. However, upon his father?s command, Hamlet reluctantly swears to retaliate against Claudius. Hamlet does this not because he wants to, but because his father makes it clear that it is his duty as a son. Hamlet promises to prove his love and duty by killing Claudius.
In the play, Hamlet, William Shakespeare plants the plot of revenge into Hamlet's head. In Denmark, Hamlet's father is murdered by Claudius. Claudius is the new king and Hamlet's uncle. Hamlet does not like Claudius because he marries Gertrude, his mother, and because Hamlet's father dies. The ghost of Hamlet's father appears to Hamlet to tell him to seek revenge on his murderer. The ghost then tells Hamlet Claudius has murdered him by pouring poison into his ear. Hamlet loves his father and believes he needs to kill Claudius. The opportunity to kill Claudius appears when Claudius is in his room. Hamlet walks in on Claudius praying and is about to kill him. Hamlet refuses to murder Claudius in that moment. In Hamlet, Hamlet does not kill Claudius when he is given the opportunity because Claudius is praying, Hamlet is not ready to kill, and Hamlet is insane.
Along with Revenge comes Hamlet’s streak of Madness, He feigns madness almost like a tool at his disposal. Hamlet first uses the illusion of his madness as a way of proving Claudius’s guiltiness. His madness acts as an excuse so that he can get away with strange behavior, and he won’t be held accountable for his actions. He feigns madness for so long that his depression over his father’s death and his mother’s remarriage pushes him into a madness which is not faked but rather quite real. He goes as far as to consider suicide. “To be or not to be, that is the question: Whether ‘tis nobler in the mind to suffer the slings and
In William Shakespeare’s Hamlet, the Danish prince sets out to avenge his father’s assassination at the hands of his uncle Claudius, the new king. At first, Hamlet is fragile because of his father’s sudden death and the following marriage of his mother Gertrude and uncle Claudius. Originally contemplating suicide, Hamlet dissuades himself from doing so on the grounds of it being a sin. Shifting from an internal struggle to an external one after he meets his father’s spirit, he seeks to kill Claudius but cannot due to his religion again. Finally Hamlet thwarts Claudius’ plans to be assassinated in England and returns to Denmark. He finds peace in his Christian faith before dying in