Comparing Mary Anne in Sweetheart of the Song Tra Bong and Kurtz in Apocalypse Now

Mary Anne adjusted to the life in Vietnam, as did the soldiers that were there, and as time progressed she began to enjoy or get a thrill out of being in Vietnam. "I mean when we first got here-all of us- we were real young and innocent, full of romantic bullshit, but we learned pretty damn quick. And so did Mary Anne,"(97). The learning curve in war is quickened by the fact that it is a matter of life or death when you are working in a war, and it did not matter who you were the you quickly learned how to operate in a battle field. Mary Anne did not fit in a first and did not know or understand her role in the war, and just like the fresh soldiers coming from America did know or understand their role in the war. As the soldiers, as well as Mary Anne, begin to realize the realities of the war they move their focus away from their homes in America and begin to focus on the work that needed to be accomplished in Vietnam. The physical changes that occur to Mary Anne as she begins to be assimilated into the Vietnam War are like night and day. She came as your typical American girl, but then becomes a fighting soldier looking and anticipating ugly war

O’Brien casts doubt on the veracity of the story to let you experience what the war felt like for him. When him and his fellow soldiers would sit around the campfire telling stories some where obviously made up for entertainment while others actually were authentic. This is how you have to view the book as like you are there with the troops listening to these war stories and deciding for yourself whether or not you believe them. The underlying theme isn’t really the vietnam war in itself, its the act of storytelling.

Going back to the Vietnam War and its effect on Mary Anne. At this point, it can be seen that Mary Anne has completely crossed over. She has a necklace of human tongues, which is crazy weird. However, Mary Anne is still wearing her culottes and her pink sweater, the very pieces of clothing that made her appear so American at the beginning of the story. The reason for Mary Anne’s change is not because of the Vietnamese or even Vietnam, even though it appeared to be at the beginning. It's the war itself. The war is half-Vietnamese and half-American. A example that shows Mary Anne going through her change is in the quote, "Mary Anne made you think about those girls back home, how clean and innocent they all are, how they'll never

From the moment Mary Anne arrives at the base, the other soldiers know that this was a mistake. But Mark Fossie, blinded by love, doesn’t realize this. He believes that Mary Anne’s innocence could be preserved. But oh how he was wrong. In perhaps the greatest mistake in the entire Vietnam war, a soldier brought his girlfriend to Vietnam. Quickly her innocence disappears, and she turns into something wicked. She wears a necklace of human tongues and begins to take risks not even Ethan Hunt would. She behaves dangerously; she refuses to carry a weapon. This wickedness fundamentally changes Mary Anne’s personality and her attitude toward life. While she feels that she is finding herself, she is instead losing herself. May Anne loses herself to the jungle and the war. Like a hyperbole of the entire Vietnam era, Mary Anne loses her purpose. Around this time, some might say so did the American Dream. Contributing to the entropy of the American Dream, soldiers felt lost, confused, and in a metaphorical fog. Soldiers stopped thinking of the war as just good and bad, and instead as one of lesser

The Vietnam War had a life changing effect on the soldiers, including O 'Brien. They came into the war as boys as young as seventeen and left either in body bags made of their own poncho or they came out alive. But were they ever really alive? No, they had their innocence ripped out. They weren 't young boys anymore. Their young selves were killed out in that jungle and all that was left was a carcass of gruesome memories of the tragedy of war, the deaths of their fellow soldiers. They changed as people. O 'Brien came into the war as a young man against war. A young soul believing that the Vietnam War was wrong and there was no need for fighting or killing. However, toward the end of the book he tells us the story of how he got revenge on a fellow soldier. This soldier, while in the middle of war, took too long in treating O 'Brien for a bullet wound and also should have treated him for shock. O 'Brien almost dies on the field but fortunately

Change In The Things They Carried a war novel by Tim O'Brien, we are told many short stories compiled to make a whole. I want to emphasis on the importance of the chapter "Sweetheart of the Song Tra Bong". In this chapter we are introduced to the character Mary Anne. She shows the changing power of Vietnam, that a sweet innocent young girl can come into this land and be forever consumed by her surroundings. The speaker show us this through character action, character description, dialogue and metaphor; this enhances the literary work by showing us that the soldiers will always be a part of Vietnam no matter how hard they try to get away from it.

Tim O'Brien is confused about the Vietnam War. He is getting drafted into it, but is also protesting it. He gets to boot camp and finds it very difficult to know that he is going off to a country far away from home and fighting a war that he didn't believe was morally right. Before O'Brien gets to Vietnam he visits a military Chaplin about his problem with the war. "O'Brien I am really surprised to hear this. You're a good kid but you are betraying you country when you say these things"(60). This says a lot about O'Brien's views on the Vietnam War. In the reading of the book, If I Die in a Combat Zone, Tim O'Brien explains his struggles in boot camp

"Twice/ she came in late at night. Very late. And then finally she did not come in at all." (99). Mark became worried that she might be sleeping with someone else. He woke up Rat and him go check out the barracks to see if Mary Anne was with any of the guys. "All accounted for. No extras." (101). Then they got the idea that she was with the "Greenies" and she was, in a way. Mary Anne was out on Ambush with the Green Beret's. Poor Mark Fossie tried to talk some sense into her, but it was to no avail. Before long Mary Anne was gone again, this time there would be no reckoning with her. She had made her decision to be where she felt she belonged. When Mark finally realized this, he was hit with an emotional artillery shell that could have taken

In Heart of Darkness and Apocalypse Now, both Joseph Conrad and Francis Ford Coppola create similar statements through their creations as they both centralize their views upon the effects of environmental changes that affect the human condition. The film Apocalypse Now vaguely reflects a similar message pursued by Conrad’s novella, due to the difference in time period, place setting, and circumstances in which the film was created. Conrad wrote his novella during British colonization, focusing upon imperialism. Coppola’s film similarly focused upon the barbaric nature of man, which demonstrates the insanity of the Vietnam War. In Heart of Darkness, Conrad centers his main focus upon the journey of Marlow, a sailor, who travels into

Ultimately, this novel is not about Vietnam--in fact, it is not about war at all. It is about the narrator 's attempt to find a place where the erosion of time will have no effect. By working through the "threads" of this novel, O 'Brien 's intentions become obvious: He is fighting to preserve the physical against deterioration, and by extension, to preserve life by immortalizing it in fiction. He is not writing as a result of neurosis or as a form of therapy; he does this since

Mary-Anne was a completely different story all together. "The way Rat told it, she came in by helicopter along with the daily resupply shipment out of Chi Lai. A tall big-boned blonde." She came from the sky like it was no big deal, to see her boyfriend Fossie. A girl coming into a war among the rations and medicine. She was barely a woman, only 17, and when she came to join them at the medical camp she was described as, "had long white legs and blue eyes and a complexion like strawberry ice cream. Very friendly too." It was the "very friendly" part that should have been the problem. It was a

When Joseph Conrad sat down to write Heart of Darkness over a century ago he decided to set his tale amidst his own country's involvement in the African Congo. Deep in the African jungle his character would make his journey to find the Captain gone astray. Over eighty years later Francis Ford Coppola's Willard would take his journey not in Afica but in the jungles of South Asia. Coppola's Film, Apocalypse Now uses the backdrop of the American Vietnam War yet the similarities between the Conrad's novel and Coppola's film remains constant and plenty.

The story of Heart of Darkness is narrated by its central character, the seasoned mariner Marlowe, a recurring figure in Conrad's work. "Apocalypse Now"

Heart of Darkness, written by Joseph Conrad and “Apocalypse Now”, a movie directed by Francis Coppola represent two outstanding examples that compare relevant ideas regarding racism, colonialism, and prejudices. The two combine film along with descriptive language to portray their mastery during different eras. For Heart of Darkness, Conrad uses his writing techniques to illustrate Marlow in the Congo, while in “Apocalypse Now”, Coppola uses film editing and close ups on important scenes with unique sounds to identify Willards’ quest for Kurtz. Both portray the idea of colonization in foreign lands that otherwise may have been uninhabited by their own people if left alone.

      In both Apocalypse Now and Heart of Darkness certain elements of darkness attempt to show how deep one must look inside themselves to discover the truth. Conrad portrays the idea of the darkness of the human heart through things such as the interior of the jungle and it's immensity, the Inner Station, and Kurtz's own twisted deeds. Coppola's heart of darkness is represented by the madness of the Vietnam War and how even to look for a purpose in it all; is itself quite mad.