Essay about The Things they Carried Symbolism

The symbols in Tim O’Brien’s “The Things They Carried” are essential to understanding the soldiers and their lives during the Vietnam War. At the opening of the story, Lieutenant Jimmy Cross would dig into his foxhole and read the letters while imagining romance with Martha; however, at the end of the story after the death of Ted Lavender, he “crouched at the bottom of his foxhole and burned Martha’s letters” (402). The inner feelings of Cross would be mistakenly ignored without the help of symbols throughout his travel through Vietnam. O’Brien uses the emotional and physical weight carried by the soldiers as a representation of their personalities and how they prefer to cope with the war. The

In the short story “The Things They Carried”, Tim O’Brien wrote about the experience of war and the feelings young soldiers felt during their long days of travel. During the story he keeps referring back to the things the soldiers chose to carry in their packs. Some of these items included necessity items like grenades and ammunition, but they also carry sentimental items like love letters and pictures. These items help the reader better understand each person for who they are and help us to understand the physical situation the soldiers are in. In “The Things They Carried”, Tim O’Brien describes the item the soldiers carry in their packs and the emotional weight they carry to help give a better

They carry many things, they carry a massive amount of weight on their shoulders. However, the heaviest thing that they carry cannot be touched. The intangible weight of fear, loss, anger, and guilt far outweigh any tangible item that they could possibly possess. The Thing They Carried is not only an eye-opening collection of war stories, but it is also a love story, a memoir, and a tribute to the unimaginable things that happen to our soldiers in war zones. War changes men, makes them different, and when they come home they are not the same person and they often have trouble readjusting to the life of a civilian.

In “The Things They Carried,” by Tim O’Brien the theme of “carrying” both physical and emotional objects by the main characters can be found in the novel. While these men carry the same standard physical army gear, they differentiate with personal tangible and intangible items. From Lieutenant Cross’s responsibility of his men, to Henry Dobbin’s girlfriend’s pantyhose for its magic, each man faced the war with these things attached.

The first three words of the chapter “How to Tell a True War Story” are, “This is true” (67). Although Tim O’Brien begins this chapter with such a bold and clear statement, throughout the chapter he has the reader thinking and confused when he contradicts himself by stating things such as, “In many cases a true war story cannot

Somebody's novel can have “echoes or refutations” of a book they have never read before.

One of the most overlooked aspects in the life of a soldier is the weight of the things they carry. In Tim O'Brien's story, "The Things They Carried," O'Brien details the plight of Vietnam soldiers along with how they shoulder the numerous burdens placed upon them. Literally, the heavy supplies weigh down each soldier -- but the physical load imposed on each soldier symbolizes the psychological baggage a soldier carries during war. Though O'Brien lists the things each soldier carries, the focal point centers around the leader, Lieutenant Jimmy Cross, and his roles in the war. Lt. Cross has multiple burdens, but his emotional baggage is

The events happening in the story can really happen, and this allows open-minded readers to put themselves in the story line and feel what O’Connor makes the characters feel. A great example of creating fear and sympathy in the audience is when O’Connor writes, “There were two more pistol reports and the grandmother raised her head like a parched old turkey hen crying for water and called, ‘Bailey Boy, Bailey Boy!’ as if her heart would break” (O’Connor 454). In this line, readers feel hearts almost break in sympathy for the grandmother as if they have lost their own son, but soon fear creeps up because everyone has been murdered except the grandmother, leaving her alone with evil. Through characterization, O’Connor creates an emotional and relatable connection between the story and the readers, which is a great element that defines good writers from great writers. Reading is just a way for people to escape the everyday redundancies of life, even if it is met with fear and sympathy.

The Vietnam War had a life changing effect on the soldiers, including O 'Brien. They came into the war as boys as young as seventeen and left either in body bags made of their own poncho or they came out alive. But were they ever really alive? No, they had their innocence ripped out. They weren 't young boys anymore. Their young selves were killed out in that jungle and all that was left was a carcass of gruesome memories of the tragedy of war, the deaths of their fellow soldiers. They changed as people. O 'Brien came into the war as a young man against war. A young soul believing that the Vietnam War was wrong and there was no need for fighting or killing. However, toward the end of the book he tells us the story of how he got revenge on a fellow soldier. This soldier, while in the middle of war, took too long in treating O 'Brien for a bullet wound and also should have treated him for shock. O 'Brien almost dies on the field but fortunately

            Tim O’Brien brings the characters and stories to life in The Things They Carried. He uses a writing style that brings stories to life by posing questions between the relationship of reality and fiction (Calloway 249). This is called metafiction and it exposes the truth through the literary experience. Tim O’Brien uses metafiction to make the characters and stories in The Things They Carried realistically evocative of the Vietnam War.

Throughout Tim O'Brien's short work "How to tell a true war story" O'Brien has two reoccurring themes. One is of the desensitization of the troops during their hardship regarding the events of the Vietnam War, and the other is of the concept of truth. Truth may seem simple enough to explain, but is in fact endowed with many layers. The story is chalked full of contradictions, as well as lies, and embellishments, and yet O'Brien claims that these are the truth. The truth, whether it be war or society's, is in fact a concept that can be conveyed many times and in many ways. Whereas each is independently untrue, the combined collaboration of these half-truths is in essence the only real truth.

One of the main characters in the short story “The Things They Carried”, written by Tim O’Brien, is a twenty-four year old Lieutenant named Jimmy Cross. Jimmy is the assigned leader of his infantry unit in the Vietnam War, but does not assume his role accordingly. Instead, he’s constantly daydreaming, along with obsessing, over his letters and gifts from Martha. Martha is a student at Mount Sebastian College in New Jersey, Jimmy’s home state. He believes that he is in love with Martha, although she shows no signs of loving him. This obsession is a fantasy that he uses to escape from reality, as well as, take his mind off of the war that surrounds him, in Vietnam. The rest of the men in his squad have items that they carry too, as a way

“The Things They Carried” provides a personal view into the minds of soldiers, and tells us the emotional and psychological costs of war. The soldiers may have carried physical objects, but some of these objects connect to a deeper psychological weight most do not see.

Ultimately, this novel is not about Vietnam--in fact, it is not about war at all. It is about the narrator 's attempt to find a place where the erosion of time will have no effect. By working through the "threads" of this novel, O 'Brien 's intentions become obvious: He is fighting to preserve the physical against deterioration, and by extension, to preserve life by immortalizing it in fiction. He is not writing as a result of neurosis or as a form of therapy; he does this since

Believing in the what the author writes is an important fact for fictional books. Grafton creates well developed characters and places that are believable and real; even if they are complete fiction. Thompson Writing Program at Duke University explains that believing in the author’s world is an important fact (Writing Studio, 2018).