Comparing Song Of Myself, I Sing The Body Electric, And Calamus

Frances Willard and Walt Whitman are two significant nineteenth century American figures. Although Willard and Whitman are famous for different reasons, they do have one characteristic in common: they have both been accused of being homosexuals. However, most people do not know this because it is not put in history textbooks or taught in the classroom, for good reason. Public school students should not learn about Willard and Whitman’s homosexuality through their textbooks and teachers because it does not affect the significance of what these two Americans had accomplished. Not only does it not affect their importance in United States history, but it also cannot be proven. Teaching public school students that Willard and Whitman were homosexuals would be disrespectful to the brave and inspiring acts they have made towards the history of America.

“For the Sake of the Song” and “Song of Myself” share several key similarities, including a strong use of figurative language, making a connection with humanity, and both are considered romantic poems. Walt Whitman’s poetry contains much figurative language and connections between individuals and how they relate to the whole of society. Walt Whitman and Townes Van Zandt both seem pretty okay with death, as they talk about dying in their writings a lot and they both seem pretty nonchalant about it. In “For the Sake of the Song” you can find metaphor, personification, assonance, and many more forms of figurative language throughout the piece.

The suggestions of equality between all people are not blatant and are not abundant in “Song of Myself” but they do exist, showing that Whitman was not as neutral as most readers are led to believe. He believed in equality.

As a forerunner to the free-love movement, late eighteenth century poet, engraver, and artist, William Blake (1757-1827), has clear sexual overtones in many of his poems, and he layers his work with sexual double entendres and symbolism. Within the discussion of sexuality in his work Songs of Innocence and of Experience, Blake seems to take a complicated view of women. His speakers use constructs of contraries, specifically innocence/ experience and male/female. Of the latter sex, he experiments with the passive (dependent, docile, virtuous) and active (independent, evil, a threat to the masculine) female subjects. Blake’s use of personification specifically of nature and botany suggest the use of nature to discuss human society. In Songs

What Whitman does, though, is reverse Emerson's logic. He takes simple, innocent images in nature and makes them shockingly sexual. Whitman sets the sexual tone stating, "Firm masculine colter it shall be you!" and he continues on stating simple natural images that now seem to represent something more sexual, (Whitman Section 24 Line 34). The maple tree has "trickling sap," the brook is "sweaty," and the wind has "soft-tickling genitals,"(Lines 41-45). All of these natural images serve to represent something very different from what they commonly do. Therefore, the images are symbols in nature that the poet, Whitman, gives meaning to. While this use of symbols illustrates what Emerson discusses in principle 15, Whitman takes the power of what he can do with natural symbols further than Emerson does. Similarly, Whitman takes Emerson's principle of nature symbols and expands them beyond being used only in nature.

"WHITMAN WAS MORE MAN THAN YOU'LL EVER BE," said a student of Louisiana State University. When asked questions of your sexual preference or thoughts on the issue of sex, I would venture to say it makes most people uncomfortable. This is an age-old topic that people know about, yet do not want to talk about. He was particularly reticent about his issues regarding sex and his particular sexual preference. In fact, of Whitman's struggles the most difficult for him to deal with was his ever so strong homosexual desires (Hubbell 283). Whether homosexuality is right or wrong is not for me to decide. Though I feel it should not be used so explicitly in works of

The road of life can be a bumpy one. There will always be twists and turns that can alter a person’s life, changing the course of their destination. Even though life can be tough, you have to draw upon your inner strength in order to persevere. The songs, “Move Along” by The All-American Rejects and “Good Riddance (Time of Your Life)” by Greenday sing about this message. The lyrics in their songs have many literary devices such as personification, repetition, symbolism and juxtaposition. The personification will help you

Whitman wrote broad stanzas and focused on the whole of America as his inspiration. His lines covered a wide range of topics and generated multiple points of view for the reader. He called his life’s work “Leaves of Grass”; stressing the

Michael Conlin, professor at the University of Wisconsin, stated, "But Whitman was, in the 1850s, consumed by the coming of the Civil War. It was in the midst of the crisis that Whitman wrote some of the most egalitarian and profound verse relating to African Americans." Being born into a lifestyle where he was taught to take full advantage of white privilege and to show nothing more but hatred towards blacks can explain why he was often between mind and matter when expressing himself. The Civil War caused dismay for many whites because they believed that blacks would make life in the North chaotic. Post Civil War drew in even more worry and tension between black and white men. As humans we all want feel accepted by our peers and sometimes worrying about validation from them drifts us away from our own self beliefs. That may have happened to Walt Whitman as well. Deep down he knew that even a scientific theory could not come to the conclusion that integrity, wisdom, and lack of humane quality was based on race. With that thinking, his works provided and showed how e really felt about African Americans. This dismay could have caused him to be called a "nigger lover" by his peers. His thoughts being diminished based on how his peers felt about him may have been what caused him to take advantage of his white privilege and turn the blind eye towards blacks, the ones he once adored and stuck up for. Later on he discovered that that did not solve any problems because he was also confused on how he actually felt himself. That caused his later works to be bright line in which he was helping both races see the sides of their own madness, he too was expressing how he had connected both with the white and the black man. However, some people

Loneliness was an important characteristic of both poet's lives during the writing years. Whitman, whose sexuality has been questioned, was never one for social interaction. Much of his time was spent

Paragraph 9:Whitman sexuality was judged rather he was homosexual or bisexual people that because of the way he wrote on his poems most of his poems were depicts love and sexuality in a more earthy individualistic way. Though Leaves of Grass was often labeled pornographic or obscene.

Whitman was able to change people’s views on life and was able to give people something that they wanted and were looking for in his creation of a new writing style. His writing about real life experiences connected him well with the common man, which is another aspect of the Romantic period. Whitman is also thought of as the “father of free verse.” He enjoyed using free verse because it could further distinguish him from other writers of the past, and of his time.

Walt Whitman is considered one of the most important writers in the history of American Literature. The people of his own time called him a radical, a madman, and a pornographer. These days he is greatly appreciated and entitled as a fearless prophet of a new stage of human development. Sometimes Whitman would be in a slump and he felt that he needed to deflect the people who inquired too directly. This even meant using examples of homosexual elements in his work, as well as unbelievable stories of him having affairs with numerous women and fathering many children, unknown to him. Throughout these sorts of times W. Whitman has gone through both resentment and flattery, nevertheless showing us

In 1855 when the first edition of Leaves of Grass was published, the first Women’s Convention had already taken place in Seneca Falls. According to Walt Whitman, Leaves of Grass is a women’s book. In the epigraph of Sherry Ceniza’s Walt Whitman and 19th-century women reformers she quotes him having said “Leaves of Grass I essentially a woman’s book: the women do it know it, but every now and then a woman shows that she knows it” (Ceniza). The implication here combined with the text in Song of Myself suggest a phenomenon that is all too common. Whitman is seen as and sees himself as a poet beyond racial and gender distinctions but like many in a position of privilege, their appropriation of the pain felt by these opposed groups serves only

As seen above, the majority of homoerotic images is concentrated in a cluster of poems titled Calamus. It is noticeable that Whitman tried to express his sexuality directly, but ended up fabricating “a persona that obscured his true nature” (Bergman 387), thus it is only a bit more particularized than Song of Myself. In The Base of All Metaphysics the lyrical subject speaks of “the attraction of friend to friend” (Whitman 141), the Socratic notion of love, and it is this kind of love that Whitman seems to be most interested in.