Leaves of Grass is Walt Whitman’s life legacy and at the same time the most praised and condemned book of poetry. Although fearful of social scorn, there are several poems in Leaves of Grass that are more explicit in showing the homoerotic imagery, whereas there are several subtle – should I say “implicit” – images woven into the fabric of the book. It is not strange, then, that he created many different identities in order to remain safe. What Whitman faced in writing his poetry was the difficulty in describing and resonating manly and homosexual love. He was to find another voice of his, a rhetoric device, and his effort took two forms: simplified, and subverted word play.
The first was to understand and render the experience in
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The difficulty is, however, that there is no language of sexuality by which this knowledge can be conveyed.
As seen above, the majority of homoerotic images is concentrated in a cluster of poems titled Calamus. It is noticeable that Whitman tried to express his sexuality directly, but ended up fabricating “a persona that obscured his true nature” (Bergman 387), thus it is only a bit more particularized than Song of Myself. In The Base of All Metaphysics the lyrical subject speaks of “the attraction of friend to friend” (Whitman 141), the Socratic notion of love, and it is this kind of love that Whitman seems to be most interested in.
Worth mentioning is that in Whoever You Are Holding Me Now in Hand, for example, Whitman has abandoned his mission to be the bard of democracy and took on his own private voice. According to Davidson, “He has become assertive, even arrogant: the ordinary reader is, as it were, pushed aside” (55), and the reader is supposed to understand it deeply, fully, or understand nothing at all. In the middle of the poem the lyrical subject challenges the reader: “Here to put your lips upon mine I permit you, / With the comrade’s long-dwelling kiss or the new husband’s kiss, / For I am the new husband and I am the comrade” (135).
Another poem interwoven with homoeroticism is To a
The soul is also mentioned earlier in the poem as beautiful, despite the faces he sees which are at most "despising," (Whitman, `Faces'). Whitman was apparently very much intrigued by the soul, he tried to find a "path," to the soul even though he admits that he was not sure what the soul was. However, he was determined he would find a "path between reality and their souls," (Allen, 192). Like most of the pantheists of his time he wanted to connect many things, reality and the soul; even individualism and the nation. Whitman quoted, "The empowerments of each element of the country individually but at the same time their merger in the collective empowerment of the nation
In “Song of Myself” Whitman attempts to speak on behalf of the entire American population. He tries to pull the reader into a world of many possibilities. Whitman makes a
As a forerunner to the free-love movement, late eighteenth century poet, engraver, and artist, William Blake (1757-1827), has clear sexual overtones in many of his poems, and he layers his work with sexual double entendres and symbolism. Within the discussion of sexuality in his work Songs of Innocence and of Experience, Blake seems to take a complicated view of women. His speakers use constructs of contraries, specifically innocence/ experience and male/female. Of the latter sex, he experiments with the passive (dependent, docile, virtuous) and active (independent, evil, a threat to the masculine) female subjects. Blake’s use of personification specifically of nature and botany suggest the use of nature to discuss human society. In Songs
What Whitman does, though, is reverse Emerson's logic. He takes simple, innocent images in nature and makes them shockingly sexual. Whitman sets the sexual tone stating, "Firm masculine colter it shall be you!" and he continues on stating simple natural images that now seem to represent something more sexual, (Whitman Section 24 Line 34). The maple tree has "trickling sap," the brook is "sweaty," and the wind has "soft-tickling genitals,"(Lines 41-45). All of these natural images serve to represent something very different from what they commonly do. Therefore, the images are symbols in nature that the poet, Whitman, gives meaning to. While this use of symbols illustrates what Emerson discusses in principle 15, Whitman takes the power of what he can do with natural symbols further than Emerson does. Similarly, Whitman takes Emerson's principle of nature symbols and expands them beyond being used only in nature.
"WHITMAN WAS MORE MAN THAN YOU'LL EVER BE," said a student of Louisiana State University. When asked questions of your sexual preference or thoughts on the issue of sex, I would venture to say it makes most people uncomfortable. This is an age-old topic that people know about, yet do not want to talk about. He was particularly reticent about his issues regarding sex and his particular sexual preference. In fact, of Whitman's struggles the most difficult for him to deal with was his ever so strong homosexual desires (Hubbell 283). Whether homosexuality is right or wrong is not for me to decide. Though I feel it should not be used so explicitly in works of
Unlike other forms of literature, poetry can be so complex that everyone who reads it may see something different. Two poets who are world renowned for their ability to transform reader’s perceptions with the mere use of words, are TS Eliot and Walt Whitman. “The love song of J Alfred Prufrock” by TS Eliot, tells the story of a man who is in love and contemplating confessing his emotions, but his debilitating fear of rejection stops him from going through with it. This poem skews the reader’s expectations of a love song and takes a critical perspective of love while showing all the damaging emotions that come with it. “Song of myself”, by Walt Whitman provokes a different emotion, one of joy and self-discovery. This poem focuses more on the soul and how it relates to the body. “Song of myself” and “The love song of J Alfred Prufrock” both explore the common theme of how the different perceptions of the soul and body can affect the way the speaker views themselves, others, and the world around them.
Whitman wrote broad stanzas and focused on the whole of America as his inspiration. His lines covered a wide range of topics and generated multiple points of view for the reader. He called his life’s work “Leaves of Grass”; stressing the
Paragraph 9:Whitman sexuality was judged rather he was homosexual or bisexual people that because of the way he wrote on his poems most of his poems were depicts love and sexuality in a more earthy individualistic way. Though Leaves of Grass was often labeled pornographic or obscene.
Whitman was able to change people’s views on life and was able to give people something that they wanted and were looking for in his creation of a new writing style. His writing about real life experiences connected him well with the common man, which is another aspect of the Romantic period. Whitman is also thought of as the “father of free verse.” He enjoyed using free verse because it could further distinguish him from other writers of the past, and of his time.
Walt Whitman's "Song of Myself" is a vision of the American spirit, a vision of Whitman himself. It is his cry for democracy, giving each of us a voice through his poetry. Each of us has a voice and desires, and this is Whitman's representation of our voices, the voice of America. America, the great melting pot, was founded for freedom and democracy, and this poem is his way of re-instilling these lost American ideals. In this passage from "Song of Myself" Whitman speaks through his fellow man and speaks for his fellow man when his voice is not socially acceptable to be heard.
The creation of an acceptable persona is essential to Whitman's poetic program. In "Song of Myself" this is
Walt Whitman is considered one of the most important writers in the history of American Literature. The people of his own time called him a radical, a madman, and a pornographer. These days he is greatly appreciated and entitled as a fearless prophet of a new stage of human development. Sometimes Whitman would be in a slump and he felt that he needed to deflect the people who inquired too directly. This even meant using examples of homosexual elements in his work, as well as unbelievable stories of him having affairs with numerous women and fathering many children, unknown to him. Throughout these sorts of times W. Whitman has gone through both resentment and flattery, nevertheless showing us
On this verse, we can see how Whitman tries to connect to mind, body, spirit and nature. In “Song of Myself” Whitman attempted to change the meaning of American poetry. I described identity issues that pertain to him, but that the audience was able to identify with. Whitman, opened the door to
In his first anthology of poems entitled “Song of Myself”, Walt Whitman reveals some of his views on democracy through the use of symbolism and free verse poetry. His use of symbolism and free verse poetry creates indeterminacy, giving the reader hints rather than answers about the nature of the poem. In the sixth part of “Song of Myself”, a child asks the narrator of the poem, “What is the grass?” (Whitman). Instead of simply giving an answer, the narrator cannot make up his mind, and stumbles on how to explain the grass to the child. Through the use of specific symbolisms, Whitman, as the narrator, explicates his views while remaining under the façade of explaining grass to the child. The views Whitman conveys remain indeterminate and
Whitman is known for being revolutionary for his use of free form verse in the nineteenth century. This style is evident throughout Song of Myself which aids in his descriptions and devices used to get his meaning across. His grouping of three lines per stanza for this section is common for the entirety of “Song of Myself”, which has variations of three line to occasionally five line stanzas. His freedom in his poem’s style and lack of rhyme scheme allow him to fully showcase his thoughts in a new way for this time period. An overall summary of the poem is Whitman’s pondering of himself and the world in behavior and personality to him being fully confident in himself with no existential crisis. For the first half of section 20, Whitman’s character of himself questions everything beyond the ownership of himself. He questions the integrity of other people’s identities and characters as well as ignoring social norms involving manners and religious behavior. The declaration of a lack of manners and questioning the church would have been scandalous to