Comparing There's A Certain Slant Of Light And Black Rook In Rainy Weather

Throughout Some, too Fragile for Winter Winds written by Emily Dickinson the poem discusses nature that has alternative meanings. This is also shown throughout The Raven by Edgar Allan Poe. Both texts use nature to discuss how we face the harsh times in our life. Each of the texts shows a way that a person copes with the harsh times in their life while using nature. Throughout Some, too Fragile for Winter Winds by Emily Dickinson a mother is shown coping with the harsh times in her life after her children have died. While in The Raven by Edgar Allan Poe we see someone coping with harsh times by looking for answers. Throughout both texts the speaker is coping with the harsh times that they have encountered by describing nature.

Emily Dickinson’s poem, “After great pain, a formal feeling comes-“is a profound portrayal of the debilitating process of grief human beings undergo when confronted with a horrific tragedy. The response to that ultimate pain is the predominance of numbness, “After great pain, a formal feeling comes-/The Nerves sit ceremonious, like Tombs-“(1-2). This is a poem that must be read slowly to become saturated in the melancholy, the dehumanization of suffering as it affects each aspect of the body without reference to the chaotic emotionality of it. The abundance of metaphors within Dickinson’s poem provides the means to empathize the necessity of numbness. It is also through the use of punctuation and capitalization, depicting the presence of a

Have you ever taken something too literal. Poetry can be an enigma. Emily Dickinson, a poet who expresses her life through metaphorical poems. Metaphorical poems are poems that are used to apply something that is not literally relevant but resembles something else. In the first poem, “We Grow Accustomed To The Dark” , Dickinson explains how her everyday life frustrates her and she was ready for a change. In the second poem, “Before I got my eye put out”, indicates how much Dickinson appreciated her sight before it went away. In this essay there will be some explanations on how Emily Dickinson expresses her life experience in an descriptive way.

In Emily Dickenson's "We Grow Accustomed to the Dark," and in Robert Frost's "Acquainted with the Night," the poets use imagery of darkness. The two poems share much in common in terms of structure, theme, imagery, and motif. Both poems are five stanzas long: brief and poignant. The central concepts of being "accustomed" to something, and being "acquainted" with something convey a sense of familiarity. However, there are core differences in the ways Dickenson and Frost craft their poems. Although both Dickenson and Frost write about darkness, they do so with different points of view, imagery, and structure.

Dickinson’s tone seems to portray suffering throughout the beginning of her poems, but gradually develops into a more hopeful and optimistic attitude

Nonetheless, my chosen work has multiple facets to this period. In the poem “After Great Pain, a Formal Feeling Comes—“, Dickenson has an emotional proposition. I believe that when she mentions her pain, it is heartache and something that can't be physically seen. When Dickinson says “A Wooden way regardless grown, A Quartz contentment, like a stone" (7-9), she is referring to the feeling that she has deep within that no one can help with. The pain that she is enduring is so terrible that she literally can’t take it anymore, so her heart goes numb. I feel that with the piece of poetry being a part of the Romanticism, it is rejecting a dark and gothic emotional ambience, with a tone that is gloomy or even pessimistic. Dickinson uses imagery in her words to get the reader to empathize with her pain. Her words draw emotions across your eyes that can help you better understand the true meaning of the poem. This piece of work resembles the Romanticism by Dickinson focusing on her own hurt. As a replacement of her using a cause and effect method to present her physical suffering, she focuses on declaring her pain through each

In Emily Dickinson’s “Slant Of Light,” Dickinson looks upon the world from the standpoint of death. In the first lines of the poem, the sounds of the cathedral combine with a saddening feeling of winter afternoons. Going into the second verse, this image is further developed with the phrase “Heavenly Hurt.” The use of this phrase depicts the hurt being felt may not be bad, but joyous which is referred to as the “Seal Despair” in the third stanza. This can be interpreted as the seal awaiting a person between the stages of life and death when read within the context of the third stanza. The third stanza reads “None may teach it- Any-/ ‘Tis the Seal Despair/ An imperial affliction/ Sent us of the Air-.” This stanza represents being promised an afterlife when the time comes. The seal is a promise of some sort that comes from a place on high. The poem also references the “Slant of Light” as “it” in the poem. The use of “it” in the poem

Dickinson’s “After great pain, a formal feeling comes” is a short poem about the struggles and hard transition of getting over the heartbreaking feelings that come after a great tragedy in one’s life such as losing someone; a friend, a lover etcetera. In a sense, this poem is very general, yet it cannot be applied to just any situation. It is general in the sense that those who have gone through such feelings of pain and lose know exactly what kind of “numbness” and hollow that Dickinson writes about; the feeling of not wanting or caring about what life has to offer anymore for a time once the “great pain” has first occurred and how hard it becomes to continue daily tasks, activities and routines. This poem is specifically about confronting the pain and making sense of it, and understanding that a great pain is a very

The last two lines of the poem are a timid reflection on what might happen “Had I the Art to stun myself/ With Bolts—of Melody!” (23-24). The idea that creation is a power that can get loose and injure even the creator illuminates why in this poem the artist positions herself firmly as a mere spectator. In these first two poems, we meet a Dickinson who is not entirely familiar to us—even though we are accustomed to her strong desire for privacy, these poems can be startling in the way they reveal the intensity of Dickinson’s fears. She is, after all, shrinking from what is dearest to her—nature, one of her favorite subjects, becomes a harsh judge, and poetry, her favored medium of communication, can suddenly render the reader “impotent” and the writer “stun[ned]” (19, 23). The extremity of her positions in shrinking from the small and beautiful things she loves creates the sense that this is just the beginning of a journey by leaving so much room for change.

In Emily Dickinson’s poem “Pain—has an Element of Blank” symbolism, as well as poetic devices are used to discuss the theme of pain not having a beginning, but it’s always there and with it brings complications. Literary devices such as personification, and irony are used by Emily to convey the meaning of pain, and how it is everywhere. The future, and the past both are used in the poem as symbols that represent where pain is and where it will be.

With the numerous literary devices at hand, a poet can choose to portray a topic in infinite ways. With this potential diversity two poets may write of the same topic yet may each may represent the subject as completely different symbols or may convey them with separate attitudes. One such example is the set of poems written by Emily Dickinson and Robert Frost. The two poems, We Grow Accustomed to the Dark and Acquainted With the Night, each portray darkness as something beyond its literal meaning, yet in each poem the dark signifies a different idea. By using literary devices two opposite representations of darkness are formed. In Dickinson’s poem, darkness represents a difficulty that must be overcome. To her, darkness is not a negative or positive thing, it simply is. This differs from Frost, to whom darkness has negative implications. In his poem, the night is used to portray is singularity and acceptance. While Dickinson uses the idea of adjusting to darkness to signify the overcoming of obstacles, Frost instead associates the dark with the isolation that he has accepted. While Dickinson uses the idea of adjusting to darkness to signify the overcoming of obstacles, Frost instead associates the dark with the isolation that he has accepted.

This poem is written in ballad form which is odd because one would think of a ballad and think a love story or an author gushing on about nature not an allegory about personified Death. Dickinson both unites and contrasts love/courtship with death, experimenting with both reader’s expectations and the poetic convention dictating specific poem form. This is why Dickinson is widely hailed because of her unconventional writing methods.

The poem, "She Walks in Beauty," plays with the opposing forces dark and light. Immediately the poem begins by the speaker saying that "the best of dark and bright meet" in the woman's eyes. Additionally, the words "shade" and "ray" in the first line of the second stanza make the reader think of dark and bright. Further into that stanza, once again, the opposites are combined when her "every raven tress...softly lightens o'er her face." "So We'll Go No More A-Roving" also plays with the contrast of both dark and light. The poem takes place

Emily Dickinson a modern romantic writer, whose poems considered imaginative and natural, but also dark as she uses death as the main theme many times in her writings. She made the death look natural and painless since she wanted the reader to look for what after death and not be stuck in that single moment. In her poems imagination play a big role as it sets the ground for everything to unfold in a magical way. The speakers in Dickinson’s poetry, are sharp-sighted observers who see the inescapable limitations of their societies as well as their imagined and imaginable escapes. To make the abstract tangible, to define meaning without confining it, to inhabit a house that never became a prison, Dickinson created in her writing a distinctively elliptical language for expressing what was possible but not yet realized. She turned increasingly to this style that came to define her writing. The poems are rich in aphorism and dense

In Emily Dickinson’s lyrical poem “There’s a certain slant of light” she describes a revelation that is experienced on cold “winter afternoons.” Further she goes to say that this revelation of self “oppresses, like the Heft of Cathedral Tunes” and causes “Heavenly Hurt”, yet does not scare for it is neither exterior nor permanent. This only leaves it to be an internal feeling, and according to Dickinson that is where all the “Meanings” lie. There’s no way for this feeling to be explained, all that is known is that it is the “Seal Despair”, and an “imperial affliction”. These descriptions have a rather powerful connotation in showing the oppressive nature of his sentiment. There is an official mark of despair and an imperial affliction