Comparing the Downfalls of Sophocles' Oedipus and Shakespeare's Othello

Othello’s love for Desdemona was so deep he could not bear the thought of another being with her; “If she be false, O! Then heaven mocks itself. I’ll not believe’t.” Iago uses the characters of Cassio and the obsessive Roderigo as his weapons in his cunning plan. Iago drives the idea into Othello’s mind that Desdemona has been unfaithful, inciting him into a state of jealousy. “Excellent wretch! Perdition catch my soul, but I do love thee; and when I love thee not, chaos is come again.” Othello growing insecurities about his wife’s faithfulness only adds to his psychological suffering which in turn acts as a catalyst towards the suffering of other characters involved in the play.Iago tells these lies with the intention of driving Othello insane as well as establish his dominance and influence the situations of those characters close to Othello. Evidence of this comes in one of Iago’s soliloquies from act two, scene one; “That Cassio loves her, I do well Believe’t: That she loves him, ‘tis apt and of great credit.” This section shows that he is trying to convince himself that his own manipulative lies are true and is trying to reassure his motives by justifying his own actions. By convincing Othello

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In the beginning of the play, Shakespeare illustrates Othello as a benevolent military noble who shares an intellectual love with his young wife, Desdemona, that is of utmost purity and innocence. At once the evil character of Iago is introduced and uncovers the hero's tragic flaw; ultimately that of naiveté. Although Othello is usually a very even-tempered man, as can be seen when he refuses to let Iago persuade him to get angry at Roderigo, (I, ii, 6), an exteriour opposing force characterized by Iago, perpetuates the tragedy of the play by provoking the interiour opposing force, or the hamartia of the protagonist. Near the beginning of the play, Shakespeare's clever demonstration of dramatic irony allows the reader to realize Othello's tragic flaw in the fact that he hands his full trust over to a man who is "Janus-faced" and dishonest. "...my ancient; a man he is of honesty and trust. To this conveyance I assign my wife". The irony from this line lies in Othello's misconception of his ensign, Iago, who is already plotting against him for his own means. After witnessing Iago's conspiracy with Roderigo at the ruination of Othello in the previous act, the reader immediately sees Iago's villainess, however in innocence, Othello is blinded to it and by it. From this we see, as in many tragedies, the tragic hero's flaw is not actually a defect in itself, but rather an excess of a virtue. In the case of Othello, this perilous virtue

Othello trusts Iago and now Iago is trying to take his wife from him for someone else. Furthermore, “He takes her by the palm...sir in.” (pg. 71). Iago watches Cassio and Emilia because he thinks they had an affair he watches them carefully so he can figure out how to convince Othello that Desdemona and Cassio are having an affair. Another example involves the plan to help Othello kill Desdemona. “Do it not with poison. Strangle her in her bed, even the bed she hath contaminated” (pg. 185). Othello believes that Iago is most honest, thus he believed killing his wife Desdemona was the right thing to do. Iago brainwashed Othello into believing the wrong thing was the right thing. The characterization of Iago is created by the use of dramatic irony. The audience knew how devious Iago is, but the characters fell for his mischievous acts.

Oedipus’s tragic flaw is gained once he obtained his greatness and became king. Oedipus’s knowledge contained arrogance, and a metaphorical blindness that fosters his urge for the truth. Hence, Oedipus’s tragic flaw was his own intelligence, which later became curiosity for the all the burdens that is be fallen over his kingdom. He had a troubling obsession for learning the truth, so he could not sit aside so he went on a menacing quest for answers. Oedipus stated a message that reveled his flaw, “Then once more I must bring what is dark to light, but for my own sake to be rid of evil” ( Sophocles 134; 140). His pride and determination clouded his judgment to see the surface of the whole truth. The truth is Oedipus wanted to avoid his fate, but instead his own tragic flaw walked him into it. Even after Oedipus learned of the truth from the prophecy, his mind continued to deny what was the actual truth. The prophet spoke these words to Oedipus, “I say that you, with your eyes, are blind / you can not see the wretchedness of your life” (Sophocles 196-197). He still ventured on to find the alternative to his fate and he only became worse. Soon Oedipus’s pride corrupted his intelligence increasing his flaw. He now accused anyone who restated the prophecy and told all they were only after his crown.

     In literature, the tragic heroes Oedipus and Othello allow the pride they have to cause their own demise by putting too much emphasis on the lives they have created for themselves. Oedipus, who blinds himself after finding out he has killed his birth father and married his birth mother, refuses to believe he has truly fulfilled his fate because he is so proud of what he has accomplished since he left Corinth. Othello demonstrates his pride by believing that the people closest to him would never betray him because of his powerful position as a General of the armies in Venice. Both characters example of hubris, or excessive pride, causes the downfall in their lives, which eventually leads to life-long

*INTRO*The character Oedipus in the play Oedipus the King by Sophocles, and the character Othello in the play Othello the Moor of Venice by Shakespeare are both tragic characters. Oedipus ends up killing his father, and marrying and having children with his mother, whereas Othello ends up mistrusting and killing his wife. These two individuals have similarities and differences in several aspects such as the roundness of their characters, the retribution that they incur upon themselves and upon their respective wives whether directly or indirectly, and their horrors.

Thesis: Despite the fact that Oedipus sentenced himself to be exiled and put other people to shame, Oedipus should have pursued the truth about his destructive past regardless. He had to fulfill his duty as king to save his people from the plague, and he ultimately had no choice but to accept his own fate.

Starting off, Othello allows Iago to tamper with his mind and does nothing to stop it. Othello puts all of his trust in him, but Iago is just hiding behind a mask and only wishes to torment Othello. Othello is not aware of his surroundings and the people there, making him vulnerable. If he paid more attention to Desdemona and not Iago than he would not have thought to kill his loyal wife. Othello jumps to conclusions too quickly

The relationship of the characters in Othello are shaped by the theme of truth and lies. Othello has trouble believing in his relationship with Desdemona because he considers too many outside opinions. Iago is the center of creating manipulations to alter the truth of the actual information. Therefore, Othello questions his fidelity with Desdemona because Iago plants different information to manipulate Othello’s mind and ultimately disrupt his relationship. According to Samuel Taylor Coleridge, “Othello wishes to excuse himself—to excuse himself by accusing” (151). Othello has others easily influence his decisions, in which he is incapable of trusting himself. Needless to say, Othello finds it easier to accuse Desdemona of her wrongdoings and for being unfaithful; he does not question Iago’s creditability. In addition, the theme of truth and lies arise from Othello’s inability to understand himself, so Othello initially has Iago dictate. For that reason, Iago is able to tell Othello anything, knowing that Othello does not question him. However, Othello does not see that Iago manipulates him, and Iago’s lies are perceived as the truth, as it contradicts what Desdemona says.

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To begin, one factor that causes Othello’s downfall is that he is characterized by gullibility. Firstly, Othello is tricked by Iago, who leads him to believe that Desdemona is having an affair with Cassio. After Iago tells Othello about Cassio’s dream, Othello says, “Oh, monstrous! Monstrous!" (Shakespeare. 3. 3. 427). Othello trusts and relies on Iago too much; he believes Desdemona is truly having an affair with Cassio. His gullibility makes him become very vulnerable in Iago’s revenge scheme and gradually becomes increasingly jealous. When jealousy takes over Othello, his mind and judgment are disturbed. Furthermore, when Emilia tells Othello about the death of Desdemona, Othello admits to murdering his honest wife Desdemona but says that he killed her because she is untrue to him. After Emilia tells Othello that his thought is untrue, Othello replies: “Ay, ’twas he that told me first./ An honest man he is, and hates the slime/ That

    Tragedy is an intrinsically human concept; tragic heroes are damned by what they themselves do. Othello is not so much felled by the actions of Iago, but by a quality all people possess-- human frailty. Accordingly, Othello is not a victim of consequences, but an active participant in his downfall. He is not merely a vehicle for the machinations of Iago; he had free agency. Othello's deficiencies are: an insecure grasp of Venetian social values; lack of critical intelligence, self-knowledge, and faith in his wife; and finally, insecurity-- these are the qualities that lead to his own downfall.

The Greeks considered tragedy the greatest form for literature.  However, the tragic ends for the characters were not ordained or set by fate, but rather caused by certain characteristics belonging to that person.  Such is the case with the characters of Sophocles' plays Oedipus the King and Antigone.  Oedipus from King Oedipus, and Antigone and Creon from Antigone posses characteristics, especially pride, that caused their tragic ends.  As the play progress, other characteristics appear and further add to the problem to such a point that it is inevitable that it will end in tragedy.  Therefore the tragedies were not a result of a plot by the fates, but rather a result of the

. He is admired by everyone in the play, even Iago comments on what a good man Othello is. Secondly, a tragic hero can not be perfect. He or she must have a flaw of some kind. In Othello’s case it is that he allows his emotions to take over. Manipulated by Iago’s lies, Othello is forced to confront emotions he obviously can not handle. His wisdom and patience are replaced by anger and hate. The power of these destructive emotions ultimately lead to Desdemona’s death and Othello’s suicide