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Essay on Comparison of Troy and the Iliad

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Wolfgang Peterson tackles the job of bringing the epic of Homer's The Iliad to the big screen in his film Troy. Iliad being a lengthy text, it is impossible to include every detail in a movie. Therefore, there are obvious deviations from the book such as the length of the Trojan War, and the absence of celestial participation in the war. There is also an absence of mortal female characters such as Chryseis, Hecuba, and Cassandra in the movie. In contrast, though, the female characters who are included in the film are developed more elaborately than they are in the book.
In The Iliad, the first of many quarrels between Agamemnon and Achilles is ignited by Briseis and Chryseis. Because Agamemnon is forced to relinquish his prize,
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According to The Iliad, Chryseis is a priestess of Apollo and Briseis is the princess of another land. In Troy, Briseis is said to be the cousin of Hector and Paris of Troy, who has recently committed herself to the worship of Apollo. Hecuba, queen of Troy, is never mentioned nor shown in Troy, and neither is the daughter of the royal family, Cassandra. These two women also do not play vital roles in the book, however their presence is fairly significant. To make up for their absence, the movie Troy focuses more on the three female royalties actually portrayed: Briseis, as already mentioned, Andromache, wife of Hector, and Helen, the cause of the Trojan War. Andromache's character in the movie parallels her character in the book. She is dedicated to her husband and fears for his safety when he goes out into battle. And when she realizes that he has died, "the world [goes] black as night before her eyes, she faint[s], falling backward, gasping away her life breath." (Homer, XXII. 547-549) Similarly, in the movie, Andromache is devastated when Hector dies. Diane Kruger's rendition of Helen in Troy is a bit unlike Homer's Helen. In the movie, Helen is consistently loving and accepting, and when Paris cowers from his duel with Menelaus, she remains supportive of him, claiming that he cowers for the sake of love. In the book, Helen is not so one-dimensional and lashes out at him when
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