Conformity In Stranger Than Fiction

While reading The Stranger I noticed that traits that Albert Camus character depicts in the book are closely related to the theories of Sigmund Freud on moral human behavior. Albert Camus portrays his character of Meursault as a numb, emotionless person that seems to mindlessly play out his role in society, acting in a manner that he sees as the way he’s supposed to act, always living in the moment with his instincts driving him, and if the right circumstance presents itself the primal deep seeded animal will come out. I believe that most of the character’s traits fall under Freud’s notion of the Id and Ego mental apparatus, and don’t believe that his idea of the super-ego is represented in this book.

The humans’ nature is always following other people without thinking. People are afraid to be different from others. When some people or some groups of people trying to be unique and different like the Hippies people will think they are disgusted. This is because power of conformity is very strong in the society. In every big city or even small town influence of the conformity were shown up. In The Outsiders, conformity is everywhere in this small town which is located in the south of U.S. Tulsa, Oklahoma. In this story are all about Greasers and Socials. The conformity in this story is showed up by the symbols that are described personality and social class of the characters in the story. In this story the conformity shows up mostly by the symbol.

The Stranger The Stranger exhibits a society that has confined itself with a specific set of social standards that dictate the manner in which people are supposed to act. This ideology determines the level of morality, and how much emphasis should placed on following this certain "ethical" structure. Albert Camus's main character, Meursault, is depicted as a nonconformist that is unwilling to play society's game. Through Meursault's failure to comply with society's values and conform to the norm, he is rejected and also condemned to death by society.

“The Outsiders” identifies the 60’s, illustrating the violence between groups, often involving a group’s social class. For instance, the violent tensions between the Socs and Greasers lead to Bob’s death, Johnny’s death, as well as many injuries throughout both gangs. The book “The Outsiders” is written by S.E. Hinton and is portrayed through the eyes of a high school student in Tulsa, OK where S.E. Hinton grew up. Hinton began writing “The Outsiders” in 1965 at the age of 17 and the book was finally published in 1967 when she was 19. The difference in perspective upon the society and social class creates issues throughout “The Outsiders” and since the Socs and Greasers assume the problems will be solved with violence, they take action.

Nowadays, nonconformity, loneliness, and uncertainty are highly relevant due to how expressive in our society. Holden’s red hat, the telephone booth, and the ducks in the pond are beamingly significant symbols of the listed themes. Thus, the symbolism within these concepts are reverent today through the fact that they are day to day situations people face; how to showcase individuality, how to avoid loneliness, and how to be certain as one goes through life.

It seemed as if Harold never got past Erikson’s stage of autonomy. The sense of autonomy fostered in Harold at a young age was denied to him by his mother as she controlled him. In contrast, Maude played a better role model to him than his mother. She acted wild and crazy and continually demonstrated freedom. A freedom that his mother never gave Harold the opportunity to indulge in. She philosophizes continuously about living life to utmost extremes, about rebellion, individualism and spontaneity. Maude tells Harold that the world dearly loves a cage and that humans should be as free as a bird. Maude gave the troubled young man a sense of hope and life throughout as he was a team player not willing to come off the bench to play. She introduced him to Glaucus who served as a message to Harold, one that he learns towards the end of the movie. Glaucus days are a metaphor for the life-span of a man. He is given a chance to create beauty out of nothing, but is time is limited with which to do so as he works with a medium that is hard to maintain. It was the carving of the ice that was important, not the ice itself. Harold’s success in life was not being pursued, it was to be attracted to the person he became through her help. Nevertheless, she constantly instills in Harold that we are given the gift of life and it is ours to enjoy and it is through her philosophies that Harold becomes a better man in the end and making

The idea that Harold knows he is going to die yet he has no control over it leads to a major life change. Harold starts becoming more spontaneous with his decisions do things. He no longer cares about routine but instead he starts to live a little and comes out of his comfort zone. He learns how to play the guitar and falls in love with Ana Pascal the woman he’s auditing. By experiencing life, the way it’s supposed to be lived we start to see what Harold crick’s character is truly like. His true character is shown when he meets the author that’s narrating his life and knows she is going to kill him. Harold accepts knowing he is going to die, and instead of trying to run from his death he accepts it. Harold knows he has to save the little boy from getting hit by the bus which would have killed him. His action gives us the greatest sense of Harold and his types

Have you ever read a very hard hitting and the phenomenal story about rival gangs and the effect it has on the lives of the people and the society. In The Outsiders, is a story of 14-year-old Ponyboy Curtis and his two older brothers, Soda and Darry. The boys are orphans and struggle to stick together in their lower-class neighborhood, known as the East Side. They and their friends are part of a gang of tough street boys called the Greasers. Even though other people might think you're unimportant and below them. You will always have your friends and family. In The Outsiders, we see the idea of the difference in the society based on the economic level of the characters, honor among the lawless and violence among the youth.

In the film The Breakfast Club, Deviance and Conformity to the norms are used throughout the film to help viewers understand the Labeling Theory and how it connects to the behavior of adolescents. Deviance simply put is the departing of social norms and and values in social situations while the Labeling Theory can be defined as that people generate their own self image solely based upon what others think of themselves which leads to poor self image and feelings about themselves and others around them. The Labeling Theory is applied in The Breakfast Club because it appears that all the characters feel like they already know everything about one another solely based on who they really are when they all first meet. In the film, we start to get an idea of exactly who the characters really are inside. In the first few minutes we start to understand that there is a brain, an athlete, a basket case, a princess and a criminal but by the end of the film we start to understand that the individuals are all different than what they seem. It feels like only in high school, you really care about how others perceive you, how you’re labeled and you’d do anything to just prove that you’re not some loser who spends time alone feeling bad for themselves. An example throughout the film is how defensive Claire acts when Bender is teasing her for all she has. By the end of the film, we start to understand that Claire does everything she can to get respect from her peers.

The character that I had chosen to analyze was Ponyboy Curtis in the movie, The Outsiders (Coppola, 1983). I chose this character because the movie revealed how Ponyboy got to where he is mentally and everything that had occurred to get him to that point. I will analyze the adolescent phase of Ponyboy’s life. The theme of The Outsiders is how love can affect the relationships of close friends. The theories and theorists that support my analysis are Erik Erikson’s Psychosocial theory, Albert Bandura’s Observational Learning, Lev Vygotsky’s Sociocultural Perspective and Urie Bronfenbrenner’s Systems theory: Microsystem (Sigelman, 2015). From those theories and theorists the following points will be analyzed: identity, peer pressure, self-worth, and dependence.

The Lost Thing by Shaun Tan is an animated film adaptation, which explores our universal want to conform and our societal tendencies to exclude any differences. The picture film narrates the story of the lost thing, which is disorientated in a world of conformity and a world with no care to notice such diversity. The boy, a tireless collector of bottle tops, discovers the lost thing and befriends it, taking the responsibility to find its place of belonging in the dystopian city. Shaun Tan portrays the creature’s tendency to stand out in the compliant society which allows the audience to compare between conformity and individuality.

The Outsiders The Outsiders is a novel based in the 60’discussing the matter of social classes, appreciation and the fact that everyone has problems. In The Outsiders the Greasers and Socials (Socs) are in an all-out turf war after the main character Ponyboy was jumped. Later in this book the head Soc was killed by Johnny, later Johnny was crippled and t therefore died after the Greasers won the deciding rumble of the turf war, consequently the greasers become more and more jealous of the Socs pampered life style they realize that everyone has troubles all over.

Albert Camus creates a series of characters in The Stranger whose personality traits and motivations mirror those that are overlooked upon by the average man. Camus develops various characters and scenarios that show true humanity which tends to have been ignored due to the fact of how typical it has become. Camus incorporates abominable personality traits of the characters, variety, consistency, and everyone’s fate.

The Stranger by Albert Camus follows the story of a man named Meursault, who received notice that his mother had passed away. Meursault was not emotionally connected to his mother, and his reaction is not what the reader would expect, as he did not seem to care at all. Therefore, the day after attending his mother’s funeral, Meursault goes to the beach and meets up with his girlfriend, Marie. After the beach, Meursault and Marie go to a movie and spend the night together. When he returns home from work the next day, Meursault runs into his neighbor, Raymond, who beats his mistress. Later in the story, Meursault, Marie, and Raymond go to a beach house, which is owned by Raymond’s friend, Masson. At the beach, Masson, Raymond, and Meursault

In The Stranger, Albert Camus allows the main character to tell the story in order to give the reader an experience of his own. Obviously, with a novel also comes language, which Camus incorporates cleverly as a way to indirectly illustrate Meursault’s thoughts about certain situations. Although the novel represents a postmodern setting, the author shifts the overall meaning. In The Stranger, Camus applies a unique literary style as a power that deflects blame from Meursault, the antiheroic character. In order to disclaim the fault of Meursault, Camus incorporates several instances in which he leaves a greater sense of authority to nonliving objects, while further drawing attention away from the main character. Based on the implication of