The Beat Generation is a literary movement during the 1950s that consisted of male authors including the widely known Allen Ginsberg, who explored American culture in their poems. The Beat Generation could be described as misogynistic and patriarchal due to their exclusion of women and concerns confined to only male outcasts. In Allen Ginsberg’s 1956 “Howl”, he brings his audience’s attention to male outcasts in society. In her 2015 “Howl”, a critical response to Ginsberg’s “Howl”, Amy Newman explores the oppression outcasted women endure in a male-dominated culture through the allusions of an admired female poet, Ginsberg’s original stanza form, and utilizing diction to convey a woman's perspective antithetically to Allen Ginsberg's original. In Amy Newman’s “Howl”, she alludes to Sylvia Plath, an American female poet, who is acknowledged for her hardships as a outcasted female in the poetry world due to her oppressive marriage. Newman illustrates Plath as, “[a] star-spangled lost in her housebound Eden curse with orchards and a million gossipy daffodils, writing and nursing and not on the lists...” (Newman). In Allen Ginsberg’s original “Howl” he adverts to male poets he admires of his time, opposingly Newman emulates Ginsberg’s technique and alludes to a feminist iconic poet Sylvia Plath. Newman implements a biblical allusion referencing The Garden of Eden to depict Plath as a successful female poet who was metaphorically locked in her household; where a woman's place
It was a 1951 TIME cover story, which dubbed the Beats a ‘Silent Generation, ’ that led to Allen Ginsberg’s retort in his poem ‘America,’ in which he vocalises a frustration at this loss of self- importance. The fifties Beat Generation, notably through Jack Kerouac’s On the Road and Allen Ginsberg’s Howl as will here be discussed, fought to revitalise individuality and revolutionise their censored society which seemed to produce everything for the masses at the expense of the individual’s creative and intellectual potential. Indeed, as John Clellon Holmes once noted: “TIME magazine called them the Silent Generation, but this may have been because TIME was not
Allen Ginsberg was one of the greatest admired Beat Generation poets, who particularly used free flowing, aggressive and occasionally a discourteous style of language to show that the rule and social structure over heterosexuality can be filled with opposition, so he decided to release queerness. Ginsberg strongly disputed capitalism and conformity that notably consisted of sexual repression, so he incorporated in the development of counterculture and challenged the heteronormative, procreation-driven society and was done with living at society’s limits. The idea of beat literature has a capricious form, although, also considers the customary narration techniques, and indeed masculinist and heterosexist prospects. The Beat generation indicates an individual that has been put down, or has been oppressed around with deviated norms. Therefore, this impression of queerness is a representation of him being an activist in society and used to take action to encourage his differences, which contributes to strange and prohibited behaviours. In this essay, being central to vicious and pleased queer performative spaces in the city and embodying sexuality, it will examine Allen’s, ‘Howl’ and ‘Sunflower Sutra’, interpreting queer theory, and that it is essential to ideas of gender and sexuality that are necessary for radical solidarity, Allen being a gay activist his principles of his character seem unreasonable or destructive in contemporary political circumstances in America’s sexual
The standards of obscenity and what is and is not protected by the First Amendment has evolved as the fields of literature and art have expanded. In 1956, the headlines were filled with mentions of Howl being fought about in court. Howl, a poem written by Ginsberg, is focused on the “outcast” groups of American society such as the mentally ill, members of the LGBT community, and drug users. Originally, he did not intend for the poem to get out to the public due to the references from his own life with past loves, friends, and experiences. But Ferlinghetti, overhearing the poem read for the first time publically, offered to publish the poem. Soon afterwards, the poem was taken to court. The personal bits and certain details of the poem got the poem sent to court where it was put through the newer standards and reading practices to determine obscenity. At the end of the trial, the judge determined that Howl was not be obscene and was protected by the First Amendment.
Lee notices that Ginsberg’s use of anaphora questions “the historical origins of both social afflictions and collective resistance in Howl.” The “origins of both social afflictions” and “collective resistance” stems from America’s need to impose unrealistic expectations on young people. Ginsberg idealizes America’s youth by celebrating their imperfection. Ginsberg “blurs” his “central objects of identification” by finding a connection between the insanity that Carl Solomon and Naomi Ginsberg share. The “blighted hopes and wasted intellects” of America’s past and present generation are subject to
Good art never dies, but rather lingers on in the minds of the society. Allan Ginsberg’s poem “Howl” has relevance many years after it was written. “Howl” is a poem, and a story about the history of the beat generation, and the philosophies of the beat poets. At the time that Howl was written America was in the middle of the cold war, and conservatism was the norm. The shocking nature and vulgar language of “Howl” makes the poem unique during a time when having your hair long, or even having a beard was risqué. Allan Ginsberg makes the reader think about their freedom and expression during the time when even the society is against them. By using his obscene, even by today’s standards, words he startles the read and gives them the branch to
Poet Allen Ginsberg composed "Howl" in 1955 and it was published by City Lights Books of San Francisco, CA the following year. He composed the poem in the middle of the 1950s, one of the greatest decades in history for mainstream America. It had been a decade since the American and Allied victory in the second world war. Numerous American men returned home to a country in much better shape than expected, with many women having entered the workforce to keep the economy and industry alive in their absence. The spoils of war were great and America saw a great era of prosperity and domestic, suburban bliss. More interstate highways were constructed. Many more cars were produced and bought. It was a classic era for mainstream American culture in the 1950s. Yet in the haze of the suburbs, expansion of television, growth of Hollywood, and cars, present here were the seeds of rebellion and counterculture that was more indicative of the following decade, 1960s. One such seed is the poem
Allen Ginsberg's Howl portrays many different metaphors, images, and analogy's to explain his perception of the 1950s. Howl is divided into three segments all having a different tone, style, and significance. The first segment introduces his belief on his generation, the second explains why his generation remained dreadful and the third is a series of personal metaphors with an assumed friend of his. The three segments can easily remind one of the transcendentalism movement, which is based on individualism and nonconformity.
In American history, the post World War II era of the 1950s is know as the Eisenhower years. This era is remembered two ways: as happy years filled with new music, television, and cars or as years plagued by the Red Scare, McCarthyism, and war. The Beat Generation arose as a counterculture to the suburban complacency broadcast to society. This generation was lead by Allen Ginsberg, Jack Kerouac, and William Burroughs as well as many others. These authors wrote literature that “inspired the worldwide literary, cultural, and political movement that became known as the Beat Generation” (Ginsberg 2). The Beats opposed the traditional values of American life, but lacked a voice.
Allen Ginsberg’s collection Howl and Other Poems is a collection of poems that exudes rebellion. Every word and every stanza that Ginsberg writes throughout every single one of the poems is fueled with intentionality, and is used very purposefully to achieve a greater meaning. The entire collection is an allegory, Ginsberg publishes it in 1956, a time period
Emotional Bullshit Or, Something More? “Howl” the explicit, “Howl” the horrendous, and “Howl” the banned. Howl by Allen Ginsburg is the everyday life of a man and his colleagues living in a time and place where they are plagued by the isolation of society. Ginsberg was born on June 3, 1926, in Newark, New Jersey, and later became a founding father of the “Beat Generation” with his poem "Howl." The Beat Generation was a group of writers post World War II who documented events and inspired a culture.
When you first read Howl, you would think that as a poem it is a bit “all over the place” and “dis-organized” because of how the content is presented. I only say this because that is the impression that I got from it after the first read. But after going over it again, and doing some outside research on it, I found it to be one of the most intricate and interesting poems I’ve ever read. The poem is split up into three different sections, each one having its own theme and subject matter of madness, the defiance of rules and order, and the notion of freedom along with physical and mental confinement. Ginsberg was a very open and free-thinking person, and that to me speaks volumes. I believe that he is a very relatable writer and poet.
Ginsberg’s work often represents a struggle for spiritual survival in a dehumanized, repressive society. This can be seen in his writing of “Howl”:
The Beat Generation of poets was created by a group of poets in the 1950s that were part of a new culture in literature. They chose to use their experiences in their writings which were widely criticized as well as loved by many readers. Two of the most influential Beat Poets of that Generation of writers were Allen Ginsberg and Lawrence Ferlinghetti. The Beat Generation poetry was the first poets to write about non-conventional subjects as well as using different forms of expression in their works. This generation of poets greatly influenced poets such as Anne Sexton, who wrote about personal experiences as well. The Beat Generation’s style of poetry have influenced many generations of poets after them.
Allen Ginsberg’s revolutionary poem, Howl, is a powerful portrayal of life degraded. It represents the harsh life of the beat generation and chronicles the struggles of the repressed. Howl is a poem of destruction. Destruction of mind, body, and soul through the oppression of the individual. Using powerful diction, Allen Ginsberg describes this abolition of life and its implications through our human understanding of abstractions like Time, Eternity, and self. The poem’s jumbled phrasing and drastic emotion seems to correspond with the minds of the people it describes. Ginsberg uses surprisingly precise and purposeful writing to weave the complex
Walt Whitman is regarded as one of the most influential poets in American history while Allen Ginsberg was and still is considered a leading figure of the Beat Generation. Both of these poets have similar poetic tendencies even though they were almost a century apart from each other. Walt Whitman helped to inspire many literary descendants ranging from writers to poets alike. One of his most famous poems is in his book, “Leaves of Grass”, called “Song of Myself”. Allen Ginsberg can be considered one of Walt Whitman’s literary descendants due to the numerous similarities between “Song of Myself” and Ginsberg’s “Howl”, which is about the real experiences of Americans after World War II.