Critical Analysis Of Allen Ginsberg's 'Howl'

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The Beat Generation is a literary movement during the 1950s that consisted of male authors including the widely known Allen Ginsberg, who explored American culture in their poems. The Beat Generation could be described as misogynistic and patriarchal due to their exclusion of women and concerns confined to only male outcasts. In Allen Ginsberg’s 1956 “Howl”, he brings his audience’s attention to male outcasts in society. In her 2015 “Howl”, a critical response to Ginsberg’s “Howl”, Amy Newman explores the oppression outcasted women endure in a male-dominated culture through the allusions of an admired female poet, Ginsberg’s original stanza form, and utilizing diction to convey a woman's perspective antithetically to Allen Ginsberg's original.
In Amy Newman’s “Howl”, she alludes to Sylvia Plath, an American female poet, who is acknowledged for her hardships as a outcasted female in the poetry world due to her oppressive marriage. Newman illustrates Plath as, “[a] star-spangled lost in her housebound Eden curse with orchards and a million gossipy daffodils, writing and nursing and not on the lists...” (Newman). In Allen Ginsberg’s original “Howl” he adverts to male poets he admires of his time, opposingly Newman emulates Ginsberg’s technique and alludes to a feminist iconic poet Sylvia Plath. Newman implements a biblical allusion referencing The Garden of Eden to depict Plath as a successful female poet who was metaphorically locked in her household; where a woman's place
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