Syntax In Scarlet Letter

In his essay, “On The Scarlet Letter,” D.H. Lawrence provokes Nathaniel Hawthorne’s portrayal of Hester Prynne as a miraculous hero. Throughout the whole essay, he implies that Hester Prynne is a shameless transgressor, who only cares for herself. Hester Prynne is shamed by Lawrence for her atrocious actions. Lawrence provides several writing techniques in his essay including biblical allusion, degrading diction, and hyperbole, to prove that Hester Prynne is a wicked sinner.

The most powerful tool in writing is the ability of an author to imply characteristics of characters based on the influences and bonds surrounding them; this is often done to highlight a deeper meaning that the author is attempting to indirectly convey. Such an example is in The Scarlet Letter by Nathaniel Hawthorne, as observed by Mistress Hibbins being the highlight of Hester Prynne. The base line of Hester Prynne is easy to gather by reading The Scarlet Letter, but akin to the rest of Hawthorne’s novel, there is a deeper meaning that is implied; this becomes evident in noticing that Mistress Hibbins serves as a personification of the negative, sinful aspects of Hester; examples of this include her actions and interactions with other characters,

Hester Prynne, protagonist made by Nathaniel Hawthorne in his novel The Scarlet Letter, is a female seductress. Not only does she seduce the town, but even the reader into pitying her situation as it unfolds. In D.H. Lawrence’s article “On the Scarlet Letter,” he proves this most effectively through praising diction, repetition, and biblical allusions.

In D.H. Lawrence’s critical essay, “On the Scarlet Letter”, Lawrence mocks Hester Prynne for being a lustful sinner who commits adultery with Reverend Dimmesdale in Nathaniel Hawthorne's revered novel, The Scarlet Letter. Lawrence uses repetition, a caustic tone, and biblical allusions in order to show how impure Hester Prynne truly is.

D.H. Lawrence writes a response to Hester Prynne in his essay, On The Scarlet Letter. He uses his piece to focus on and condemn Hester’s adulterous action. Instead of supporting Nathaniel Hawthorne's portrayal of Hester as an innocent character, Lawrence sheds light on what he believes is her true character of being a deceptive woman. The author effectively achieves his purpose of focusing on Hester’s sin of adultery and conveying her in a negative spotlight by integrating allusions to prominent figures, creating a sarcastic tone, and using repetition.

D.H. Lawrence writes a response to Hester Prynne in his essay, On The Scarlet Letter. He uses his piece to condemn Hester’s adulterous action and to shed light on what he believes is her true character. The author effectively achieves his purpose of focussing on Hester’s crime of adultery and conveying her in a negative spotlight by integrating allusions to prominent figures, creating a sarcastic tone, and using repetition.

In his essay, “On The Scarlet Letter”, D.H. Lawrence expresses his negative opinion on Hester Prynne. He believes Hester is a “demon” who takes advantage of people like Dimmesdale. Lawrence is effective in achieving his purpose to denounce Hester Prynne with his use of these literary devices: literary allusions, repetition, and humorous hyperboles.

Romance must not stray from the truths of human heart and, as regards its structure, must subject itself to artistic laws. In the writing of the story, Hawthorne depended to a very large extent upon actual persons, places and events pertaining to seventeenth-century Boston. The realistic elements in The Scarlet Letter far outnumber and outweigh the marvelous elements. The punishment of Hester Prynne for her sin of adultery is thoroughly

In his essay “On The Scarlet Letter”, D.H. Lawrence negatively criticizes the character of Hester Prynne in The Scarlet Letter. He focuses on the topic of Hester’s sin rather than its consequences, believing her to be the antagonist of the story. Lawrence uses several techniques such as literary allusions, repetition, and a sarcastic tone to denounce Hester Prynne’s sin.

The novel starts with a woman who is also the novel’s protagonist, Hester Prynne, being led from prison to a scaffold with her daughter, Pearl. On the scaffold was also Reverend Arthur Dimmesdale, who was trying to get Hester to confess the man involved in the crime. As a crowd begins to form and Hester 's real husband who was lost at sea shows up in the crowd. Hester’s husband asks a nearby man what was happening. The man tells him that Hester is being punished for having an affair with another man while her husband was away, not knowing that he was talking to Hester’s legal husband. After being led back to jail with a scarlet letter “A” sewn to her chest, Hester and her husband meet and talk with each other. Her husband, Roger Chillingworth, is now learning about medicine and provides Hester with medical care while making her promise that she will not reveal his identity. Years passed and Hester is now a seamstress on the outskirts of Boston. One day, government officials arrives and tries to take away Pearl because Hester was not fit to be the ideal mother. With the help of Dimmesdale, Hester and Pearl was able to stay together. At this time, it shows that Dimmesdale has been suffering from severe heart problems and Chillingworth, who is now a doctor in the town urges to stay with Dimmesdale. While Chillingworth tries to find the cause of Dimmesdale’s heart problems, Dimmesdale is suspicious towards Chillingworth. Eventually, Chillingworth sneaks up on Dimmesdale

Nathaniel Hawthorne’s character, Hester Prynne, is known to be a controversial character, garnering praise and criticism alike. Literary critic D.H. Lawrence, in particular, challenges Hawthorne’s portrayal of the character, contending that Prynne is a character of sin and is deserving of perdition. In his essay, “On The Scarlet Letter,” Lawrence critiques the way Hester Prynne is depicted through various literary techniques, such as terse syntax, scriptural allusions, and an overall satirical tone.

Nathaniel Hawthorne is a perfect example that great success comes with great amounts of criticism. Particularly, in his piece, The Scarlet Letter, where the main character has committed adultery. Critic D.H. Lawrence doesn’t agree with Hawthorne’s portrayal of Hester Prynne, and writes his essay “On The Scarlet Letter” in hopes to make the reader see why Prynne should not be pitied. Lawrence makes use of satirical tone, ironic allusions, and choppy syntax in order to provide evidence of Prynne’s lack of innocence.

D.H. Lawrence's mocking syntax is like a taunt aimed at Prynne and at Hawthorne. In the essay, Lawrence makes multiple references to the scarlet letter, "A. Adulteress! Stitched with gold thread, glittering upon the bosom." Here, he is making a mockery of the scarlet letter and all that it stands for. The arrangement and rhythm of the words make for a notable sing-song lilt, the same rhythm that is typical of a challenge. The syntax is also choppy, as demonstrated with the constant repetition of words. Lawrence speaks in short fragments,

The critical essay “Hester Prynne” by Mark Van Doren praises the character Hester Prynne from The Scarlet Letter. Unlike many other critics who criticize Hester, Van Doren sees differently, regardless of the time the novel was written. Instead, he explores the beliefs that Hester holds throughout the novel, even in a condemning society like the Puritan society. Mark Van Doren applies an admiring tone, praiseworthy diction, and literary allusion to highly portray Hester Prynne in his essay.

In writer D.H. Lawrence’s essay, “On the Scarlet Letter,” he suggests that Hester Prynne characterizes an attack on Puritan society’s values. There is a vast difference in the methods Lawrence uses to portray Prynne compared to the methods Nathaniel Hawthorne uses. This is due to Lawrence’s urgent criticism. Through his compelling syntax, religious allusion, and a critical tone, D.H. Lawrence’s claim, that Hester Prynne solely harms Puritan ideology by her manipulative traits, is more justifiable compared to Hawthorne’s seductive point of interest.