Critical Analysis Of Kipling

When he fell in love I believe that the father was conflicted with chasing his dreams or staying and living the dream his beloved had envisioned. At the time he might have felt like he was making the decision that he wanted but as the years went by he regretted his choice but chose to continue living his life never fully being who he really wanted to be.

the characters. The story reminds his audience that a man is more than a father. He is

Throughout the poem, the speaker uses specific details that show the conflict between the speaker’s son and his parents. In the first stanza, the speaker recalls exchanges of dialogue between the speaker and his or her son. For example, the speaker’s son exclaims, “I did the problem / and my teacher said I was right!” (Nye 3-4). The child validated his teacher’s opinion but ridiculed his parents’ opinion. This is further explained through more details in a later part of the same stanza. The mother explains how the son believed his parents were “idiots / without worksheets to back us up” (Nye 9-10). The speaker’s son had entrusted his teacher and thought of his teacher as highly intelligent, but believed that way because of foolish reasoning. In addition, the speaker lists examples of minor mistakes the parents made that caused the son to be embarrassed of them. Through distinct details, the speaker describes how the son’s “mother never remembers / what a megabyte means and his dad fainted on an airplane once / and smashed his head on the drinks cart” (Nye 10-12). By choosing to include these particular details, the poet outlines the foundation of the conflict between the son and his parents.

The book is about how unwed fathers are seen as a leading social problem, but goes on to explain the flaws that occur after pregnancy that lead to the end of the couple’s romance. The book looks at the bond between the father and child rather than that between the parents. The book also goes through how changes economically and culturally for the urban poor as well as the obstacles they must overcome has changed fatherhood.

The father’s way of dealing with his inner issues is reflected by the way he distracts himself with hobbies of the women he loves. This illustrates how a sudden tragedy can influence someone’s lifestyle. In fact, before his first wife passed away he showed a lot of interest in art and when she died he was lost and devastated ,” (…) after mom died, my sister and I used to worry about his living alone. And he was lonely.We knew that after putting in his usual twelve-hours workday, he would return to the empty house (...) then read medical journals until it was time to go to sleep.”(16). This implies that

The communicator’s investments in the issue are present because of who he has decided to direct his piece towards. Writing to his son will evoke a change in his writing as well because of the emotional ties. He is not just trying to expose his past to let the world see his mistakes, but rather materialize them on paper to show his son mistakes to prevent future mishaps. He has the credibility as being the leader and one that his son looks up to, so showing his son how to “be a Man” will be something that will spark interest. His credibility as a speaker is strengthened because the connection to these past experiences as well. This will also impact what he chooses to say in during his piece. Some situations the son will encounter will be trickier to overcome than others and may seem like a good idea at the moment. However, Kipling wants to make certain the son knows that his son is not the first to go through this, and there is ways to get through the the situation no matter

Thesis Statement: If this story had been a father talking to his son it would have been a different conversion, because the father would have explained that men are the sole providers for the family and to be family oriented.

From an early age, our society begins to construct gender identities. Males are pressed to learn “suitable” gender roles in accordance to the masculine expectations our society has created. This means from a very early age boys are taught what it means to be a man. Porter’s way to explain masculine socialization is through what is known as the “man box.” Inside the box is a list of socially valued expectations that compose what manhood is about. The box includes expectations/guidelines such as, “don’t cry or openly express emotions (with the exception of anger), do not show weakness or fear, demonstrate power control especially over women (aggression dominance), be a protector, do not be “like a woman,” be heterosexual, do not be “like a gay man,” be tough, athletic, and strong, do not need help, and view women as property/objects.” This idea of manhood is instilled in young boys head and continues to stay with them for the rest of their lives. A fear

The boy and the father have strong morals demonstrating a high level of authenticity, especially in a world where morality is extremely uncommon. To be ‘authentic’ means to genuinely be yourself. Although, as presented by Existentialism, one cannot be their true self until one has defined themselves. First, one must create their authentic selves, then they must live according to that (Varga). The father and the boy have strong principles to do what is right, even when their fellow survivors have completely abandoned morality altogether. At times, the father struggles with following said principles, however, he then justifies his actions which are purely for the safety of his son. This depicts that the father will do anything and everything to assure that the boy lives. The father expresses that “He knew only that the child was his warrant. He said: If he is not the word of God God never spoke” (5). When a man holds a knife to the son's neck, the father does not hesitate to kill him. Although this is

Through symbolism, Kipling uses each character from the novella to display some aspect of the British Empire in a way that reflected his views. Carnehan represents the expanding aspect of British imperialism. Carnehan actually wants to grow Kafiristan and care for the people. Dravot represents the monarchy itself by having a

Rudyard Kipling’s attitude towards the British Empire was significantly negative. The novella essentially expressed Kipling’s feelings towards British Imperialism and his overall frustration with the British Empire. However, there are several positive qualities of the Empire pointed out by Kipling several times throughout his novella. Despite his mixed feelings, he is ultimately dissatisfied with the British Empire, claiming that it is “the White Man’s Burden”. Kipling was a steadfast imperialist, living in a time of British domination and oppression. He shared similar outlooks with the natives, that the majority of them were oppressed by the government and the wealthy. The upper class was greedy and wanted working men to do all of the work for them so that they could reap the profits. Kipling conveys his attitude towards British Imperialism through parallelism and figurative language.

Kipling in his writing shows several hints about how he feels about the government; the first obvious notice is this, "The politics of Loaferdom that sees things from the underside where the lath and plaster is not smoothed off. " He's hinting at the connotation that there are imperfections within the system that some can see. Kiplings narrative not only shows a personal opinion, but also what some people would contradict him with. Take Peachey and Dravot for instance, who one not only said in a connotative way that he believes in is King, "I greatly fear that my King is dead, and if I want a crown I must go and hunt it for myself." This character within the story showed a persona of some people and how they felt with the current British empire.

However, at the end of the story this stereotype is completely contrasted following the passing of the mother. When the boy, who is now a grown man and father, returns home to his newborn daughter it is he who displays a nurturing and affectionate relationship between a father and his daughter. This role reversal developed by Munsch effectively casts aside the stereotype that women are better suited to raise a child, and demonstrates that affection and the ability to nurture are not qualities that are able to be defined by a persons gender. Munsch instead shows how these qualities are learned by a person and are displayed as they mature with age. Munsch effectively represents this progression though maturity when showing, the love the boy has for his mother is not absent during his childhood, but simply something he does not display as well as he does when he becomes an adult.

Through the eyes of society everyone has a set role they are expected to fulfill and certain characteristics they are supposed to exemplify. These roles and characteristics, this discourse, tells everyone how they should act and speak. For women it is the role of the mother. In our culture, that means raising the children, completing the household chores, and cooking all of the meals to perfection. Women are typical thought of as being demure and polite, small in stature, and submissive to the male gender. In the reverse, men also have certain roles that they are expected to fill and characteristics they are supposed to exemplify. Men are expected to be strong, dominant, and in charge of their families. They are often depicted, both in the media and in life, as the leaders. This discourse that we all follow can frequently be seen in Svava Jakobsdottir’s “A Story for Children.” The short story tells the tale of a woman as she raises her children and takes care of her household. The mother is completely devoted to her children and seeks to fulfill her role in the home to the fullest extent. As the story progresses, the main character slowly has pieces of herself removed by her children: her toe, her brain, and finally her heart. At the end of the text, after all of the children have become adults started families of their own, the mother realizes that she now has nothing and feels useless. In her short story, Jakobsdottir uses dramatization to depict the gender stereotypes and

Kipling’s person experiences are constructed to leave a message of maturity for both audiences. Kipling has his poetry set in a parallel structure and left many of the lines open-ended for further interpretation. He guides the reader in the right direction of the mature thing to do, however, depending on where a person is at, the audience will take their own route with their personal mindset. Kipling is trying to convey the message that maturity is not age, but rather growing from situations and how a person handles