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Critical Review Of Joan Littlewood's Oh What A Lovely War

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Oh What A Lovely War is a theatrical chronicle of the first world war. It was first performed by Joan Littlewood’s Theatre Workshop in 1963. The play shows all major moments of the first world war. Portrayed as a comedy, Joan littlewood implemented the use of Brechtian style performance, dark humour and satirical language to shock the audience comedically.

Born 1914 in South London Joan Littlewood grew up surrounded by the war. In 1935 she met Jimmy Miller, aka Ewan MacColl; once married the two set up a new company, Theatre Union. Littlewood took many influences on board, including the movement system of Rudolf Laban, the modern ideas of lighting and design written by Adolphe Appia in addition to, 16th-century Italian commedia dell’arte, which greatly inspired her later works. She is extensively noted for her work in developing the left-wing Theatre Workshop, she believes in sharing a story and playing it true and has been referred to as “the mother of modern theatre”

The play ‘Oh What A Lovely War’ was first developed in 1963 by Joan Littlewood’s Theatre Workshop. The play was written as a satire of the first world war, I can infer this from the name of the play itself, as ‘Oh What A Lovely War’ presents the war to be a spectacle and not the horror it actually was. Consequently, throughout the play the war is mocked, each actor throughout the play performs dressed as a pierrot (jester/clown) this is calling the war a pierrot show, as Joan Littlewood in her autobiography

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