Culture Clash In House Of Sand And Fog By Amy Tan

Given that women have led successful businesses, raised families, and created positive changes all over the world, it is shocking how in many countries women are still being oppressed because of their gender. Amy Tan was aware of such male dominating cultures when she wrote her book, The Joy Luck Club. Within her novel, stories of Chinese mothers and their Chinese-American daughters reveal the cruelties towards women in the Chinese culture. One of her characters, An-Mei Hsu, speaks out on her experiences as a woman living in China. Through her rhetorical devices, she reveals her main idea that women living the Chinese way are stuck in a cycle of pain

June May lived her life for thirty-six years without really exploring her family history and heritage. She never took and interest in who she was or where she came from until her mother passed away later in her life. Her mother was very passionate about embracing their Chinese culture, but June May could not comprehend why it was so important, sometimes even embarrassed by it. June May spent her life surrounded by people who did not share her culture and customs. Because of this, she never questioned why her culture was insignificant most of her life. It is ultimately uniting with her family, connected through blood and history, provokes June May’s attitude towards her heritage. At age thirty-six, June May tells the reader, “My mother is dead and I am on a train, carrying with me her

The Joy Luck Club is Amy Tan's first novel. It consists of four sections with sixteen short stories. One of the main issues of the novel is the relationship between Chinese mothers and their Chinese – American daughters. ‘‘Your mother is in your bones.’’ (Tan 1998, 30) There is a cultural chasm between them because of the difference in the way they were brought up and different influences of the environment.

The mother-daughter relationships represented in Amy Tan’s novel The Joy Luck Club are influenced by many existing factors. Lena St. Clair, Ying-Ying St. Clair’s daughter, is a Chinese-American adult who lives with her forceful husband, Harold. Ying-Ying is a Chinese mother who travelled to America to live a better life after experiencing many hardships in China. Throughout the novel, the relationship between Lena and Ying-Ying is represented as weak and distant. These characters are prevented from having a healthy relationship because they do not support each other, they possess similar characteristics, and they are strong.

Traditions, heritage and culture are three of the most important aspects of Chinese culture. Passed down from mother to daughter, these traditions are expected to carry on for years to come. In Amy Tan’s The Joy Luck Club, daughters Waverly, Lena, Rose and June thoughts about their culture are congested by Americanization while on their quests towards self-actualization. Each daughter struggles to find balance between Chinese heritage and American values through marriage and professional careers.

 In the Joy Luck Club, the author Amy Tan, focuses on mother-daughter relationships. She examines the lives of four women who emigrated from China, and the lives of four of their American-born daughters. The mothers: Suyuan Woo, An-Mei Hsu, Lindo Jong, and Ying-Ying St. Clair had all experienced some life-changing horror before coming to America, and this has forever tainted their perspective on how they want their children raised. The four daughters: Waverly, Lena, Rose, and Jing-Mei are all Americans. Even though they absorb some of the traditions of Chinese culture they are raised in America and American ideals and values.  This inability to communicate and the clash

Communication between generations has always been an issue and with that, a misunderstanding of the past and culture comes along. In Amy Tan’s novel The Joy Luck Club, she shows the stories of four Chinese mothers and their American born daughters. Throughout the novel, the characters encounter both external and internal conflicts in order to contrast the different relationships held by the mothers and daughters with their past and where they came from. The mother-daughter pair of Lindo and Waverly Jong shows the gap between the generations very clearly. Everything is different, from language to name to marriage.

An author's cultural background can play a large part in the authors writing. Amy Tan, a Chinese-American woman, uses the cultural values of Chinese women in American culture in her novel, The Joy Luck Club. These cultural values shape the outcome of The Joy Luck Club. The two cultural value systems create conflict between the characters.

In The Joy Luck Club by Amy Tan, Jing-Mei and her mother have a very rocky relationship. Tan develops a relationship between Suyuan and Jing-Mei that is distant in the beginning due to culture differences and miscommunication, but gradually strengthens with time and understanding. Both of them have different backgrounds and have been influenced by two different cultures. Suyuan grew up in China and behaves according to the Chinese culture and her American-born daughter Jing-Mei is influenced by the American culture that surrounds her and wants to become part of it.  Their relationship is also shaped by the pressure Suyuan puts on Jing-Mei. She wants her to be a perfect

The story is around an American-conceived Chinese lady, Jing-mei, who goes to China to meet her twin stepsisters that her mom was compelled to relinquish numerous prior years. Since her mom had passed away just a couple of months prior, the meeting is full of vulnerability and bitterness. Jing-mei battles with self-character issues and what it truly intends to be Chinese. En route, she takes in reality about the reasons her mom deserted her sisters and the significance behind their names. At last, she at last associates with her sisters and makes the passionate association with her Chinese legacy.

In the novel The Joy Luck Club written by Amy Tan, there are several stories that intertwine into one novel. Each of the stories takes place China where the roles and the actions of woman are vastly different compared to American tradition. In the different stories, they all are about different mothers and daughters. Throughout the book, the reader can see the development in each relationship between mother and daughter with their conflicting backgrounds from China to America.

To begin with, The Joy Luck Club centers its content around the lives of eight women of Chinese heritage each with their own stories to tell; yet, all striving to satisfy their aspirations in America. A concisive cross is common between the mothers’ hopes compared to those of the American born daughters. Immigrating to America for various reasons, the four mothers all had one goal in mind, to not only construct themselves a better life, but also ensure the finest future for their daughters. For the mothers in the Joy Luck Club, the American dream was to instill Chinese history, heritage, and habit in their daughters while providing American opportunities of growth, gratification, and gallantry. Carrying heavy pasts, the four original American Joy Luck Club members arrived in The United States to start anew, “America was where

At the beginning of the short story, Jing-mei shares about “becoming Chinese” (Tan 152). Living in San Francisco area, she had always felt disconnected from her Chinese culture. The most significant moment of Jing-mei’s acceptance of her Chinese culture was when her father told her about her mother’s journey from China to America during the time of the invasion. She truly learns to appreciate her mother because of all she had gone through. Jing-mei also understand the existence of her half-sisters and feels the need to visit and meet them, as they are part of her mother. Jing-mei’s original lookout on Chinese culture was developed their prejudices and stereotypes. After living with her Chinese family and learning more about her mother’s past,

For the majority of her life, June has battled with the tedious thoughts of why her mother never seemed content with her. “Auntie Lin and my mother were both best friends and arch enemies who spent a lifetime comparing their children” (37). From infantry, June was constantly compared to Auntie Lin’s daughter, Waverly, up until they were in college when June fell short of surpassing the exemplary achievements of Waverly. Her indecisive ways resulted in two incomplete degrees in art and biology and her mother’s explanations of her brilliance to prove fruitless. Her excuse was “I was late-blooming, like Einstein, who everyone thought was retarded until he discovered a bomb” (38). The barrier of both June and Suyuan not being able to speak the other’s language fluently creates gaps in their relationship and the ability for June to understand the urgent message told through Suyuan’s story of escape. The day for gifting June Suyuan’s swan feather and explaining her efforts behind the small gesture never occurred, just as June was never able to show her mother her full potential. Upon discovering she has two sisters in China, June realizes she has not

This connection begins with the comprehension of her name and her sisters’ names. “Jing” means pure and “Mei” means little sister. Instantly Jing-mei feels more Chinese because she sees the connection she as to the language through her name. “Suyuan” means long cherished wish. With the understanding of her mother’s name, her feeling of connection to her Chinese heritage dramatically expands (Norton 190). She begins to piece the puzzle of her heritage together. By understanding the meaning of their names she begins to understand and accept her Chinese heritage. Her connection to her mother’s Chinese past is now much stronger than she had once realized.