The Devil That Danced on the Water, a memoir written by the talented Modern World Literature author, Aminatta Forna made its debut in 2002; just in time to contribute to healing the brokenness of a society and their leftover open wounds from the aftermath of the civil war in Sierra Leone. In this analysis research paper, I will discuss how the author extends her writing to address an entire society, as well as ordinary families and individuals that have experienced the horror and corruptness that broken politics can bring upon a group of people. More narrowed, I will focus on my particular interpretation and argument of the reading; not the author’s work to honor her father by tracking down the truth, but rather her ability to use her personal experiences in a way that inspires a more hopeful, courageous, educated and independent population throughout all of the world affected by war and hate, particularly West Africa.
Aminatta, a woman of many cultural backgrounds, contributes multiple perspectives of her writing, which helps readers understand differing cultures. Her mother was Scottish, her father was from Sierra Leone and finally her influential step-mother fled with Aminatta and her siblings to make a life for them in England as the downfall of democracy began in Sierra Leone. This two-part book evolved as a collection of piecing together memories and discoveries leading to the uncovered mystery behind Mohamed Forna’s public execution during Aminatta’s childhood. After
The Translator is about how Daoud made a difference throughout the world and a first person report of one of the biggest stories of our time: the inhuman massacre initiated in Darfur. The book was set in Darfur, Sudan in the summer of 2003. Daoud refers to this book as his “poor limping, a modest account that cannot tell every story that deserves telling.” Daoud Hari helped spread Darfur’s story all over the world.
The second video I chose to discuss is Dancing in Water: The Making of RIVER, the creators-Eiko & Koma was their first work for the Retrospective Project. RIVER is an outdoor work, which was performed in nine different sites. RIVER took place in moving water through practices in the Catskills to performances in the Delaware River and the American Dance Festival. The sense of flow they both create through their movements is so powerful and dynamic that the viewers can feel the water moving over us and journeying with them through life. This performance was able to include to audience by using passerby such as the people rowing and interacting with them while since continuing with their process. The sound accompaniment being used in RIVER worked
A Long Way Gone: Memoirs of a Boy Soldier and the recent 2006 film Blood Diamond both depict how it was living in Sierra Leone, Africa during the Civil War in the ‘90’s. While A Long Way Gone focuses on child soldiers and what they had to live and go through for many years, Blood Diamond focuses mainly on how the country is torn apart by the struggle between government soldiers and rebel forces. The film portrays many of the atrocities of that war, including the rebels' amputation of people's hands to stop them from voting in upcoming elections. Both the movie and the book try to tackle major issues by asking the questions: how
Imperialism has been a strong and long lasting force, oppressing societies for generations on end. The Poisonwood Bible, by Barbara Kingsolver, demonstrates how the Congo is continuously affected by this concept and ideology. Throughout this story, Kingsolver manipulates each family member and individual within the book, to better show Western and European ideas and attitudes, to convey the large amount of hypocrisy, in foreigner’s actions.
On a “Trip to Congo” Sir Richard F. Burton writes a story during his exploration to the Yellalla or Cataracts of the Congo leaving some detail insights of the customs and behavior of the African communities. He only gives his point of view from an imperialist position and sometimes denigrates and diminishes the people and their culture. Even though Burton had a translator throughout his trip the language barrier prohibits interaction with the communities and the ability to empathize with the natives. Interaction and understanding is the key to appreciate their behaviors, instead Burton
In Barbara Kingsolver’s novel, The Poisonwood Bible, the reader is introduced to Patrice Lumumba, the first Prime Minister of the Republic of the Congo, through the voices of the fictional Price women. Unlike the Price family, Patrice Lumumba was a non-fictional character who was elected and served only 7 months as the Congo’s Prime Minister. His reign was brought short by his execution in 1961. Though his tenure may have been short and occurred more than 50 years ago, Patrice Lumumba remains to this very day, an important man in history.
For many Africans, dreaming is a way of life. In Fatou Diome’s novel “The Belly of the Atlantic” she delivers a clear message that things aren’t always what you expect them to be, proving that people's dreams could easily turn into their nightmares. ‘Diome points out the flaws in both France and Senegal, but her main concern is with the people of her home-country, both their false expectations regarding France and Europe as lands of easy opportunity as well as their domestic failures’. This novel is persuasive and successful at bringing awareness to its readers because of the real life examples regarding racism, discrimination, and immigration. This piece will discuss the efforts of African immigrants as well as the similarities and differences between Fatou Diome’s “The Belly of the Atlantic” and Chinua Achebe’s “Things Fall Apart” characters.
Since the beginning of A Long Way Gone by Ishmael Beah, the protagonist of the novel Ishmael endeavors to flee from the hardships enkindled by the RUF rebel organization that has amalgamated the country of Sierra Leone, officially making it a war zone. Moreover, for more than two years Ishmael has attempted to escape from the rebels, moving from village to village, rummaging through abandoned homes. Seemingly, the rebels would make their way to Ishmael, sweeping all villages. Deprived of food or any sign of hope surviving as a “lone wolf”, Ishmael enlisted in the Army of Sierra Leone to fight against the radical organization. Ishmael risked his life for the prime purpose of surviving and to pursue freedom. Furthermore, self-determination was one of the reasons for such bravery, but it was also due to specific objects that aided in Ishmael’s journey for freedom. Nonetheless, in his literary work, A Long Way Gone: Memoirs of a Boy Soldier, Ishmael Beah uses symbols to underscore his central theme of oppression and/or freedom. The most evident symbols that accentuate the theme of oppression and/or freedom are the moon, the rap cassette tape, and the AK-47.
Since the start of the Sierra Leonean war in March of 1991, innocent civilians have been the primary target of the Revolutionary United Front (RUF)’s wrath. The people of Sierra Leone have faced significant problems due to the invasions and attacks by the Rebel Forces and are the main population that is being affected by this group’s disapproval of the government. One person who experienced profound changes in her life due to the start of this war is Mariatu Kamara, a victim of a Rebel attack that cost her both her childhood and her hands. Throughout her memoir, “The Bite of the Mango,” she is faced with numerous traumatic events and meets an abundance of people who were very significant in her life and some of whom helped her survive the war. Kamara also gives the reader a variety of themes to use as a foundation to understanding war life, which also serve to help readers learn more about life, grow as people, and rise above to help others in need. Mariatu Kamara has not only changed the lives of people all throughout Sierra Leone by giving them a voice and an outlet to share their experiences, but has also proved to be an inspiration for countless amputees around the world.
In A Long Way Gone, Ishmael Beah, a former boy soldier with the Sierra Leone army during its civil war(1991- 2002) with the rebels of the Revolutionary United Front (RUF), provides an extraordinary and heartbreaking account of the war, his experience as a child soldier and his days at a rehabilitation center. At the age of twelve, when the RUF rebels attack his village named Mogbwemo in Sierro Leone, while he is away with his brother and some friends, his life takes a major twist. While seeking news of his family, Beah and his friends find themselves constantly running and hiding as they desperately strive to survive in a land rendered unrecognizable by violence. During this time, he loses his dear ones and left alone in the
Life involves many hardships that may seem impossible to overcome, but with the right amount of strength, one can move beyond the wall of struggle, pain, hate, depression, and any set back. Many can relate to the events in this book because it was written by a normal person, living a normal life, who faced many problems just like any human being, yet, these struggles relate just as much to various theories. Some experiences in Buck come from the negative representation of woman, oppression of Malo, Amina, and Uzi, and Afrocentricity of Chaka. By observing this, M.K. Asante’s book, Buck, can be viewed through a Feminism, Marxism, and New Historicism theoretical lens.
The historical novel Segu by Maryse Condé is set in the African country of Segu during a time of great cultural change. The African Slave Trade, the spread of Islam, and personal identity challenges were all tremendous and far-reaching issues facing Africa from the late 1700s to early 1800s. Condé uses the four brothers of the Traore family, Tiekoro, Malobali, Siga, and Naba, to demonstrate the impact that the issues of Islam, slave trade, and identity had on African people through the development of each character. The oldest of the sons, Tiekoro exemplifies the influence and spread of Islam through out Africa at the time.
When you surf the internet to look for the new about Central African Republic you hear stories about terror, civil war, rebels, murder, bloodshed etc. But what are the other aspects of life in the region that no news reporter wants to cover? A trip to the Center of the African rain forests reveals what happens and has been happening for very many years to the region’s residents. In Listen Here is a Story, Bonnie L Hewlett deals with different aspects of women’s lives of the Aka (Foragers) and Ngandu (Farmers) in this part of Central African Republic mainly, and reveals the political, social, cultural, Ideology in life of these people. There are some studies where people are travelling to explore the subjective experience of women’s in small societies, and this book is one of them.
In the novel Segu, Maryse Conde beautifully constructs personal and in depth images of African history through the use of four main characters that depict the struggles and importance of family in what is now present day Mali. These four characters and also brothers, by the names of Tiekoro, Siga, Naba, and Malobali are faced with a world changing around their beloved city of Bambara with new customs of the Islamic religion and the developing ideas of European commerce and slave trade. These new expansions in Africa become stepping stones for the Troare brothers to face head on and they have brought both victory and heartache for them and their family. These four
More than those of any other African writer, Chinua Achebe’s writings have helped to develop what is known as African literature today. And the single book which has helped him to launch his "revolution" is the classic, Things Fall Apart. The focus of this essay includes: 1) Achebe's portraiture of women in his fictional universe, the existing sociocultural situation of the period he is depicting, and the factors in it that condition male attitudes towards women; 2) the consequences of the absence of a moderating female principle in his fictions; 3) Achebe's progressively changing attitude towards women s roles; and 4) feminist prospects for African women. In the context of this study, the Igbo people whom Achebe describes will