Daniel Alarcón's Lost City Radio

In Stephen Dobyns’s “Loud Music,” the speaker describes the differences between him and his step-daughter’s thoughts on loud music, which shows that music really describes a person’s personality. Throughout the poem the speaker explains how his step-daughter likes soft and more meaningful music more than loud music and their different music types shows in their difference in personalities and the way they see things. People all over the world let the music they listen to describe their personalities.

The items the soldiers carry hold a substantial amount of credibility throughout each personal story; however, within O’Brien’s story, he lacks credibility aside from the obvious tangible elements of the items held, questioning where the truth lies within these evidential fragments of the soldiers’ lives. These personal accounts of exact measurements attest the reader’s knowledge of war as well as the mental ability to calculate the exact weight upon each person’s hump through a fiction of mental and emotional agility. O’Brien quotes within Chen’s criticism stating, “A true war story, if truly told, makes the stomach believe” (Chen 77). This background knowledge of O’Brien’s theory that an “absolute occurrence is irrelevant because a true war story does not depend upon that kind of truth,”(Chen 77) places the credibility of the information upon the emotional accounts that O’Brien’s writing bestows upon the personalities of the soldiers. The “academic tone that at times makes the narrative sound like a government report (Kaplan 45),” adds documentation like analysis of these compilations of war endeavors as told by the narrator. Kaplan continues that the “transitional phrases such as “for instance” and “in addition,”’ (Kaplan 45) as well as “whole paragraphs dominated by sentences that begin with “because,”” (Kaplan 45) convince certainty of the

O’Brien’s unification of fact and fiction is to illustrate the idea in which the real accuracy of a war story is less significant than storytelling. The subjective truth about what the war meant and what it did to change the soldiers is more meaningful than the technical details of the

The Things They Carried by Tim O’Brien is a novel that highlights the true, and untruthful events occurring in the Vietnam War. O’Brien focuses on the real experiences and emotions of American soldiers in Vietnam, as they left their families and gave up their lives for a war that some believed in, and others that did not. In chapters such as “The Man I Killed” and “Speaking of Courage,” the repetition of memory gives the reader an understanding of what emotional damages a soldier in the Vietnam War goes through and the negative quality of life it creates.

The memories that a person makes throughout their lifetime creates amazing stories. The book The Things They Carried by Tim O’Brien was based on memories from the Vietnam war. The protagonists in the novel is all the men that served and faced many obstacles throughout the war. The novel was written in parts of his memories from the war making the book nonlinear. O’Brien’s intended audience was soldiers and men, while discussing storytelling/memory and morality throughout the novel.

The text, ‘The Things They Carried', is an excellent example which reveals how individuals are changed for the worse through their first hand experience of war. Following the lives of the men both during and after the war in a series of short stories, the impact of the war is accurately portrayed, and provides a rare insight into the guilt stricken minds of soldiers. ‘The Things They Carried' shows the impact of the war in its many forms: the suicide of an ex-soldier upon his return home; the lessening sanity of a medic as the constant death surrounds him; the trauma and guilt of all the soldiers after seeing their friends die, and feeling as if they could have saved them; and the deaths of the soldiers, the most negative impact a war

In “The Things They Carried” Tim O’Brien uses this story as a coping mechanism; to tell part of his stories and others that are fiction from the Vietnamese War. This is shown by using a fictions character’s voice, deeper meaning in what soldier’s carried, motivation in decision making, telling a war story, becoming a new person and the outcome of a war in one person. Tim O’ Brien uses a psychological approach to tell his sorrows, and some happiness from his stories from the war. Each part, each story is supposed to represent a deeper meaning on how O’Brien dealt, and will deal with his past. In war, a way to

Bao Ninh’s The Sorrow of War is a novel that is a personal view of the Vietnam War from the perspective of a Vietnamese soldier. Like the American novel “The things they carried”, this novel brings about the effects of war on people, and especially how it defeats the human capacity for things such as love and hope. Bao Ninh offers this realistic picture of the Vietnam War’s impact on the individual Vietnamese soldier through use of a series of reminiscences or flashbacks, jumping backwards and forwards in time between the events most salient in memory, events which take on a different theme each time they are examined. His main protagonist Kien, who is basically Bao himself, looks back not just at his ten years at

In the memoir of Ishmael Beah, A Long Way Gone, Memoirs of a Boy Soldier, Beah states that his life’s journey has been a huge obstacle, but has learned to overcome that struggle by venting while the two contradictory sides continue their battling. Beah accomplishes his goal of explaining to the reader his point of view through the use of rhetorical questions, scenic narration, and parallelism. Ishmael Beah’s apparent purpose is to share personal accounts of his life with his fellow country men, in a country where war affects people to a level beyond the imagination. He is able to apply his purpose using a grotesque and bitter tone. Beah approaches his audience of ordinary people in this manner in order to vent his feelings about war by

Throughout Tim O'Brien's short work "How to tell a true war story" O'Brien has two reoccurring themes. One is of the desensitization of the troops during their hardship regarding the events of the Vietnam War, and the other is of the concept of truth. Truth may seem simple enough to explain, but is in fact endowed with many layers. The story is chalked full of contradictions, as well as lies, and embellishments, and yet O'Brien claims that these are the truth. The truth, whether it be war or society's, is in fact a concept that can be conveyed many times and in many ways. Whereas each is independently untrue, the combined collaboration of these half-truths is in essence the only real truth.

In the novel The Things They Carried and the documentary Regret to Inform, people that were involved share their recollection of events that occurred during the Vietnam War. Consequently, both works also share the underlying idea that people are affected by the war even after it is done. They convey this meaning through the stories of mental and physical harm each witness deals and dealt with because of the war.

Life is full of many unknowns. It is unknown what will happen tomorrow, what will happen next week, next month, next year, and twenty years from now. Some unknowns are negligible. For instance, like what will be served for dinner next Sunday. But some unknowns are life-changing. Ishmael Beah’s and Mariatu Kamara’s unknowns were the wars that lead to the demolition of their childhoods. But, both fortunate enough to survive their civil wars, Beah and Kamara have written memoirs of their experiences in the war, Beah, as a child soldier in the war, and Kamara, as a child victim of the war. This provides vastly different perspectives, however, due to Ismael Beah’s A Long Way Gone containing more psychological and physical aspects of the war, it

In this essay, I will discuss how Tim O’Brien’s works “The Things They Carried” and “If I Die in a Combat Zone” reveal the individual human stories that are lost in war. In “The Things They Carried” O’Brien reveals the war stories of Alpha Company and shows how human each soldier is. In “If I Die in a Combat Zone” O’Brien tells his story with clarity, little of the dreamlike quality of “Things They Carried” is in this earlier work, which uses more blunt language that doesn’t hold back. In “If I Die” O’Brien reveals his own personal journey through war and what he experienced. O’Brien’s works prove a point that men, humans fight wars, not ideas. Phil Klay’s novel “Redeployment” is another novel that attempts to humanize soldiers in war. “Redeployment” is an anthology series, each chapter attempts to let us in the head of a new character – set in Afghanistan or in the United States – that is struggling with the current troubles of war. With the help of Phil Klay’s novel I will show how O’Brien’s works illustrate and highlight each story that make a war.

As long as there has been war, those involved have managed to get their story out. This can be a method of coping with choices made or a way to deal with atrocities that have been witnessed. It can also be a means of telling the story of war for those that may have a keen interest in it. Regardless of the reason, a few themes have been a reoccurrence throughout. In ‘A Long Way Gone,’ ‘Slaughterhouse-Five,’ and ‘Novel without a Name,’ three narrators take the readers through their memories of war and destruction ending in survival and revelation. The common revelation of these stories is one of regret. Each of these books begins with the main character as an innocent, patriotic soldier or civilian and ends in either the loss of innocence and regret of choices only to be compensated with as a dire warning to those that may read it. These books are in fact antiwar stories meant not to detest patriotism or pride for one’s country or way of life, but to detest the conditions that lead to one being so simpleminded to kill another for it. The firebombing of Dresden, the mass execution of innocent civilians in Sierra Leone and a generation of people lost to the gruesome and outlandish way of life of communism and Marxism should be enough to convince anyone. These stories serve as another perspective for the not-so-easily convinced.

To some degree, every artist creates his or her own artistic life preserver, and in doing so resequences and conserves their own artistic DNA so that it may be transferred onto another generation. Vladimir Nabokov’s memoir Speak, Memory, is not only that preserver, but the tug boat that it holds onto, heavy and cramped with the memories and history that Nabokov retells his readers against the currents of time. Speak, Memory operates thematically, not chronologically. Nabokov returns anew to his early childhood and pulls in, as it were, the memories associated with certain themes. Then he turns, changes directions, and sets off again. One such theme that resonates throughout the novel is that of exile and deteterritorialization, both