Das Kunstseidene Madchen Essay

Romare Bearden’s art exhibition “Vision and Activism” portrayed his perception of society and the need to put in motion social change. The Black History Museum is where I observed his art collection. The set up of the pieces were by category and was not congested because there was a moderate amount of space between each piece. For first impressions the two art pieces titled “Noah and the Seventh Day (Prevalence of ritual series)” and “The Family” is highly detailed and the use of tone exhibits dramatic traits in the first piece while the second piece has tranquility. The subject matter for “Noah and the Seventh Day” is culture and for “The Family” is a focus on African American lifestyle. Intently scrutinizing “Noah and The Seventh Day” the setting is outside among the sea and animals are on a boat. The color is subtle, slightly vibrant, and uses cool tertiary colors. The texture has a grainy and hard effect as if he stippled using a paint brush. The shapes are organic but the water had strong emphasis where the lines gradually got deeper and broader away from the horizon. On the contrary, “The Family” setting took place inside of a house with women gathered at the table preparing food. The colors are subtle, earthy, and include warm tertiary colors. The background texture has a fine and smooth appearance. He included recognizable shapes such as cylinders, rectangles, and squares. By Bearden applying cross contour, pointillism, and cross

Positioned alongside Central Park in the heart of New York City, The Metropolitan Museum of Art is one of the largest and most influential art museums in the world. The Met houses an extensive collection of curated works that spans throughout various time periods and different cultures. The context of museum, especially one as influential as the Met, inherently predisposes its visitors to a certain set of understandings that subtly influence how they interpret and ultimately construct meanings about each individual object within the museum. Brent Plate in Religion, Art, and Visual Culture argues that “objects obtain different meanings in different locations and historical settings.”An object placed on display behind a glass case inside a museum would hold a vastly different meaning if it was put on sale by a street vendor, like the ones who set up their tables in close proximity to the Met. The different meanings that objects are able to obtain is attributed to the relationships that are established between the object itself and the environment that surrounds it. These relationships often involve the kind of audience that a museum attracts, where the work is exhibited, and how the exhibits within a museum is planned out. Museums subsequently have the ability to control how these relationships are established which influences the way a viewer is able to construct meaning. When a visitor observes an object on display at the Met, they instinctively construct a certain set of

This paper is a formal analysis of the Marble grave stele with a family group relief sculpture. It is a pentelic marble style relief standing at 171.1cm tall carved by a master. It is from the Late Classical period of Greek, Attic which was completed around ca.360 B.C. . I chose to analyze this piece as apposed to the others because I’m mainly attracted to art and sculptures from the Greek era. The overall color used in this relief is ivory with a few cracks and pieces broken off. There is some discoloration which causes the color to come off as slightly light brown for most of the relief. The sculpture appears larger compared to the other sculptures in the art room. It represents a family which includes a man, his wife, and their

I support each of the priorities, essentially one cannot be without the other, in keeping each in consideration we focus on the life span, and not just what presentation is in front of us. In caring for patients and their families, we have to consider all aspects of care.

The idea of this piece is to show the connection between mother and daughter being painted. It shows the time and the classic style of the

Phones are the easiest and most common way to get connected. Through his art, Pawel Kuczynski is warning the audience of problems that phones cause among people. The artist has created many paintings to convey the idea of technology causing people to become separated and disconnected from one another. Kuczynski’s art could be seen as a metaphor for young people, being connected through technology but still isolated in loneliness. Phones are most likely the most commonly used source of communication in the world; which begs the question of how they could possibly be disconnecting people. The title alone, Islands, suggests to the audience a sense of distance and isolation. That is also conveyed in the painting itself with the use of perspective

When it is revealed that she has “heart trouble”, her sister uses extreme caution when breaking the news about the death of Mrs. Mallard’s husband. Chopin makes use of certain things in the short story where things can be taken literally and figuratively. Mrs. Mallard’s heart condition can be looked at literally and figuratively because Chopin incorporates it as both a physical and symbolic problem. Mrs. Mallard did have mixed feeling about her marriage and the lack of freedom that she had. When Mrs. Mallard realizes that she has this

Art is not just a picture on a wall or in a museum, art comes in many forms. It can be a song you just heard, a video you watched, or a painting you saw in a gallery. Also, art can be just text. All forms of art grasp you in different ways and make your thoughts evolve to new distances. Art can bring you feelings you did not think you had. You can perceive the art in many ways and the creator wants it to influence you. I believe that yes, at can truly influence society and inform human behavior. While it may seem to some that pictures, songs, and videos influence you the most, it is actually true that books are the most influential and informative because they get in touch with your mind and emotions.

One pleasant afternoon, my classmates and I decided to visit the Houston Museum of Fine Arts to begin on our museum assignment in world literature class. According to Houston Museum of Fine Art’s staff, MFAH considers as one of the largest museums in the nation and it contains many variety forms of art with more than several thousand years of unique history. Also, I have never been in a museum in a very long time especially as big as MFAH, and my experience about the museum was unique and pleasant. Although I have observed many great types and forms of art in the museum, there were few that interested me the most.

Positioned alongside Central Park within the heart of New York City, The Metropolitan Museum of Art is one of the largest and most influential art museums in the world. The Met houses an extensive collection of curated works that spans throughout various time periods and different cultures. The context of museums, especially one as influential as the Met, inherently predisposes its visitors to a set of understandings that subtly influence how they interpret and ultimately construct meanings about each individual object within a museum. By analyzing two separate works on exhibit at the Met, I will pose the argument that museums offer a unique expression of a world view that is dictated through every element of its construction.

The most prominent quality of Elizabeth Bishop’s, “One Art,” remains the concise organization and rhyme scheme of the poem, which amazingly keeps the audience informed at all times what the theme. Her choice of a villanelle constantly reminds the audience that “the art of losing” always seem easy until one loses something so much more than an inanimate object and at the point, it does become a “disaster.” Written in 1976, the poem is very modern and uses an impeccable rhyme scheme, diction, and imagery to convey the hints of misery and frantic the speaker feels.

Rathnasambhava, the Transcendent Buddha of the South and Madonna Enthroned are very similar images that were produced by very different cultures. Both images were produced during the 13th Century. The image of Rathnasambhava, the Transcendent Buddha of the South was produced in Tibet during an interesting period of the country’s religious history. The branch of Tibetan Buddhism is led by a religious and sometimes political leader called the Dalai Lama. It was during the 13th Century during the reign of Kublai Khan, around the time of the production of this painting, that Tibet experienced the first incarnation of the Dalai Lama. One has to wonder if this painting is somehow related to that occurrence. According to

Case Study: The use of assemblage and the found object in historical and contemporary art practice.

The history of art dates back to ancient times. Artwork can be, and was, found around the world. What makes art interesting is that it can be created in any way, shape or form with any materials. It seems that the artwork can also tell us a lot about the artist. Art seems to be simply, a direct, visual reflection of the artist’s life. Therefore, one can assume that an artist’s life experiences and beliefs directly influence their art. If we look at examples from different periods of art we will be able to see the connection between the artist and the art.

of art as a finished product, signed by the artist and authenticated by the art market,